In the Brit porn world of high and low, this is definitely taking the low road. It, along with a similarly formatted sequel, merely debases women for the voyeur's delectation.
As the male voice-over indicates, it's about deep throat, gagging, lots of saliva, and hopefully running mascara. That's what happens in the 8 vignettes featuring mainly unattractive performers, who appear to be model/actresses down on their luck when it comes to screen assignments.
Gimmick is that what resembles forced-sex is all consensual, as emphasized by the interviewer who asks a girl if she consents before activating the dick. So the pornographers assume their audience of presumed perverts will conveniently fantasize that what they're watching is illicit, when it's not.
Style seems lifted from the successful oral POV work of Yank director Rodney Moore, but without any of his would-be panache. It's mechanical porn. Loveliest of the lasses is buxom blonde Georgette Neal, who I had seen previously acquitting herself well in the Chatsworth-located mixed-combo series "Chasing the Big Ones". It's a living.
As the male voice-over indicates, it's about deep throat, gagging, lots of saliva, and hopefully running mascara. That's what happens in the 8 vignettes featuring mainly unattractive performers, who appear to be model/actresses down on their luck when it comes to screen assignments.
Gimmick is that what resembles forced-sex is all consensual, as emphasized by the interviewer who asks a girl if she consents before activating the dick. So the pornographers assume their audience of presumed perverts will conveniently fantasize that what they're watching is illicit, when it's not.
Style seems lifted from the successful oral POV work of Yank director Rodney Moore, but without any of his would-be panache. It's mechanical porn. Loveliest of the lasses is buxom blonde Georgette Neal, who I had seen previously acquitting herself well in the Chatsworth-located mixed-combo series "Chasing the Big Ones". It's a living.