Minikillers (1969) Poster

(1969)

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6/10
Only if you're a Diana Rigg fan ...
mcheers17 March 2011
I just saw this movie online. It was ... interesting, to say the least. I'm sure that my review here is longer than the lines in the script of the movie. If you're a Diana Rigg fan, then by all means, watch and enjoy - she's as beautiful as ever. If you're a fan of a good plot or mystery, then Dora the Explorer has this movie beat. It's a movie that probably has a cult status among Rigg fans - it's odd, strange and hard to truly describe. You will walk away from the movie with a, "What was that?" in your head. I can only assume that Ms. Rigg was given a free vacation to film it, and I can only imagine how little money she was given.
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1/10
Painful to Watch/Listen!
jrweyrich6 January 2010
The only good thing about this little film series is looking at Diana Rigg. The producers must have been trying to capitalize on The Avengers, as this series was released a year after her stint on the show was over. She does look good, but the plot, writing, and production value are so poor that one can only take this for a couple of minutes before having to hit the eject button. And the music--like someone is driving nails into your ears! At first I thought the sound was so bad because it was on a VCR cassette, but I was mistaken. The music used for each scene truly hurts ones ears. Many of the scenes were shot on Spain's Costa Brava. Unfortunately, the attractive scenery of the Costa Brava cannot help this disaster of a film. What was Diana thinking when she accepted this role? Oh my....
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10/10
What *was* Diana Rigg up to?
veebee22 October 2020
In 1969 Diana Rigg was at the high point of her (large and small) screen career. Just finished with 'The Avengers', she was about to appear in the lavish period romp 'The Assassination Bureau' with Oliver Reed and a great supporting cast, directed by Basil Dearden, and her classic Bond role Tracey DiVicenzo in 'On Her Majesty's Secret Service'. So what was she doing appearing in not one, but two, cheap, wordless, German-produced films made in Super8 format which were shot in Spain?

These films were never part of Diana Rigg's official filmography and she never mentioned them in interviews even as a self-deprecating joke. I have a private theory as to what was behind these films, but it is only a personal guess. I remember reading in the early 1970's that Diana had a holiday home in a remote part of the island of Majorca. My personal guess is she needed to prove some kind of legal reason or need to be resident in Spain in order to buy property there. So she made this couple of quickies to say to the authorities: "Look! I work in Spain so I have a right/need to live here." Then she bought her holiday home.

None of which is a review of the film, so I will just say they are cheap but not without a kind of amateurish charm. Diana Rigg is by far the best thing about them and looks wonderful. To her credit she does not just go through the motions, but fills the screen with charm and charisma whenever she appears.

I have no shame in saying I fell in love with Diana Rigg as Emma Peel and still do, not just as a pin-up - she was smart, funny and life-enhancing, and never lost her essential beauty. I saw her several times on stage and she was tremendous. Her death came as a real blow and although I never met her, even as just a fan I will miss knowing she's around.
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8/10
Diana Rigg versus the Mini-Killers (and a mini-budget!)
perfectpawn3 May 2010
Warning: Spoilers
Diana Rigg's 1968 "Mini-Killers" project is shrouded in mystery. (Incidentally, it's "Minikillers" in the titles, no hyphen.) I've posted the details behind this movie in the "trivia" section.

Minikillers is comprised of 4 minifilms. Filmed in Spain the movie takes advantage of the scenic locales of Costa Brava – however most of the scenery is lost in the washed-out and blurry 8mm film print. Long story short: Minikillers looks like garbage. My DVDR is taken from the original 8mm film and looks rough; colors are muddy, faces are blurred. But Diana Rigg still glows.

Part 1: Operation Costa Brava – Lounging by the pool in her bikini, Rigg notices a toy doll walk up; somewhere distant a Telly Savalas-lookalike sets a time-bomb activation clock. The doll stops in front of some guy by the pool and squirts poison through its eyes; the guy dies. In the melee Rigg takes the doll, investigating; the bald henchman sees this and sends a stooge after her. A quick judo fight outside Rigg's house; she tosses this guy and as he slouches off she spots a clock which has fallen from his pocket – it's the same kind as the clock used to activate the doll. Rigg goes into her swank room to inspect the doll. Unseen by her another doll another comes in, controlled by the Savalas lookalike; Rigg leaves her place just as the poison sprays from doll #2's eyes – Rigg never even sees that it's there.

Part 2: Heroin – Rigg sits along the beach in a wrap, mini-camera in hand. She snaps photos of a yacht and the men onboard – including the mustache-sporting main villain – spot her. The main boss gives the order and the men on his yacht hoist a lever, activating a trap. A strange scene where Rigg realizes she is surrounded by mannequins on the beach – as if she didn't notice? A net comes up from the sand and ensnares the mannequins and Rigg and drags them into the water. Guntoting stooges in the yacht wait as the net's dragged from water – but it's empty! Meanwhile Rigg comes out of the ocean unseen by them – wearing only white panties and a bra, her wrap lost in the tumult – and sneaks onto into the yacht. She slinks onto the bottom deck, investigating – minikiller dolls everywhere. Ever curious Rigg looks into one, finds a bag of heroin tucked inside it – the dolls transport drugs as well. Cute bit where she waves a "naughty naughty" finger in the doll's face. Next she finds a photo of two men, with "Interpol" written above them, and X marks over each face; one of the faces is the man killed in part 1. The yacht gets back to the dock; while sneaking off Rigg's spotted by the Savalas lookalike. A few judo chops and she beats away her attackers; escapes into the main villain's car, races off. Ends with Rigg depositing the stolen car on the street and hopping into her own race car, jetting off; a cop puts a ticket on main villain's car for being illegally parked.

Part 3: Macabre – Rigg enjoys a coffee at an outdoor restaurant. The Savalas lookalike and the main boss watch her from afar. They take the minikiller (from part 1) from her car and activate it, then place it back in Rigg's car. She leaves and they follow in another car. She hears a ticking noise and so stops to look at the doll. Realizing it's been armed, she throws the doll at her pursuers and it explodes; men scatter. Cool bit where Rigg saucily gets out of her car and challenges the bald henchman. A quick fight: she judo-chops him and he plunges off of a hill, out cold. Back at her hotel a porter hands Rigg a note. Apparently she's asked to come to a certain address. That night, Rigg in sexy black minidress arrives at a palatial estate. Men there await with a coffin, one of them the Savalas lookalike. She beats them up and escapes in a horse-drawn carriage.

Part 4: Flamenco – Rigg sits in a packed nightclub, enjoying a flamenco dancer named Sali. In an upper balcony sit the main villain and his Savalas lookalike henchman. Sali it appears is the second of the two Interpol agents in the X'd out photo from part 2. Flamenco over, Sali goes to his dressing room. A minikiller appears and kills him. Later Rigg comes down to Sali's room. Before she can go in she's caught and strapped inside of a cliffhanger serial-type device: bound flat while the stone ceiling slowly descends on her; soon she will be crushed to a pulp. She reaches for the gears… Savalas lookalike comes along to see if she's dead, but discovers that the device is empty. A ring's been jammed between the gears. Savalas himself gets caught in the device. Rigg pounces off into Sali's dressing room, finds beside it a hidden room. Inside it several crates filled with minikillers. Rigg takes one of the dolls out of a crate, remembers the clock-activation device she got from the henchman in part 1. Meanwhile upstairs the main villain messes with a minikiller of his own, charging it up with a syringe of poison. Downstairs, Rigg sets up her minikiller to test it out. She winds the clock and sets it off, but somehow this sets off the minikiller in the main villain's hands. Poison sprays in his face and he dies. The film ends with Rigg enjoying a drink at a bar as cops lead off the bound Savalas lookalike; Rigg winks into the camera, takes another drink, and the credits roll.
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10/10
I hate dolls!
carinboshuisen7 April 2018
My father owed a copy of this movie so I have watched this movie quite a few times when I was young. It is a 'silent' movie and a short one as well but those dolls creeped me out. Nowadays I still hate dolls. BTW I loved the movie and back in the sixties it was a nice one as well.
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