I enjoyed Michael Ninn's earlier spotlight on the remarkable porn actress Anais -titled INSIDE MYSELF, except for its pretentious wraparound story. With ANAIS EXPOSED, Ninn drops narrative completely, but has the temerity to recycle at least half an hour of the footage from the earlier video.
We get a reprise of the memorable Anais giving a guy a blow job, with the endless and copious money shot. We also see her in those pink high heels, the finale segment of INSIDE MYSELF. I won't be watching any of the other Ninn EXPOSED features, for fear of more rehashed material.
The other segments here, with some of the behind the scenes and other docu material actually presented as part of the show, rather than "extras" (but still = filler), have some good moments. An extended lesbian sequence entitled "Studio C" with busty Wanda Curtis has Curtis in control, with a glass dildo as the dominant contrast. It's not as exciting as the classic Janine/Julia Ann glass dildo encounter way back when in Andrew Blake's classic HIDDEN OBSESSIONS, but as they say, they don't make 'em like that anymore.
Overall, it's closer to cutting room floor time than a finished "project", as the once-prolific Ninn liked to call his stuff, the way Spike calls his "joints". (Ninn was cranking 'em out at 15 videos per year back when this was made -hardly conducive to quality.)
We get a reprise of the memorable Anais giving a guy a blow job, with the endless and copious money shot. We also see her in those pink high heels, the finale segment of INSIDE MYSELF. I won't be watching any of the other Ninn EXPOSED features, for fear of more rehashed material.
The other segments here, with some of the behind the scenes and other docu material actually presented as part of the show, rather than "extras" (but still = filler), have some good moments. An extended lesbian sequence entitled "Studio C" with busty Wanda Curtis has Curtis in control, with a glass dildo as the dominant contrast. It's not as exciting as the classic Janine/Julia Ann glass dildo encounter way back when in Andrew Blake's classic HIDDEN OBSESSIONS, but as they say, they don't make 'em like that anymore.
Overall, it's closer to cutting room floor time than a finished "project", as the once-prolific Ninn liked to call his stuff, the way Spike calls his "joints". (Ninn was cranking 'em out at 15 videos per year back when this was made -hardly conducive to quality.)