"Circle of Fear" Touch of Madness (TV Episode 1972) Poster

(TV Series)

(1972)

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8/10
Flawed but fun
theoctobercountry23 July 2012
Warning: Spoilers
Ah, now here's a great ghost story; I love these tales where you can't quite figure out what's going on, where the tale will lead. Geraldine Page and Rip Torn (who were married in real life) were great as the seemingly befuddled (but sharper than they looked) caretakers of the haunted house. Though---seeing the state it was in, I guess they weren't too good at their job!

Because yes, this is a sure-enough ghost-filled house; you might even say that the house is haunted by its own past self. And since it was possessed by its own vision of its former splendour, I suppose it's no wonder that the elderly siblings ignored their housekeeping; if they could always see it through the lens of the past, in pristine condition, why bother to do any upkeep? Now, this isn't a perfect episode---not everything made sense; the script perhaps was a little sloppy. For instance.... if the pair meant to keep the murders a complete secret, why on earth would they put up fake tombstones in the back yard? Anyone who saw them would wonder about the deceased; if it weren't for the stones, I daresay the two murder victims would have been completely forgotten... Also, why was the cement-block wall in the cellar half-way broken down? You'd think the siblings would have made absolutely sure that the tomb was sealed up with the wall appearing as inconspicuous as possible.

And yes, I'm afraid I have to say it---those two blazingly-white skeletons looked as fake as could be. You could even see the seam in the one skull, where the top was fastened on. But wasn't it creepy when that boney hand started moving? Despite a few nitpicks, I really did enjoy this one; it's in the best classic ghost story mold, and I thought it was very effective. (Heh, I got a kick out of Janet holding that rat while thinking it was a cat.) And Geraldine Page did her usual excellent work here; it was a pleasure watching her.

(Oh, that song Page sings was quite lovely, called "Golden Memories" by Ian Jack. Does anyone know if it was written specifically for this episode?)
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7/10
Sinister Doings
AaronCapenBanner14 November 2014
Lynn Loring stars as Janet, a young woman who has recently inherited an old mansion from her mother, who died in a mental institution. Living at the house already are her cousins Hattie & Jonathan(played by Geraldine Page & Rip Torn) who have let the place fall to ruin. Determined to clean it up, her cousins appear to be friendly, but in reality a hidden agenda is in play, as sinister doings are afoot when it seems the past & present get mixed up in the house, threatening to drive Janet insane, just like her mother... Despite a somewhat predictable plot with some loose ends, the fine cast and spooky atmosphere compensate, and the ending is still effective.
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7/10
Divine casting improves a pondering script.
mark.waltz26 February 2021
Warning: Spoilers
The presence of acting legends Geraldine Page and Rip Torn (real life husband and wife, here playing some not quite sane siblings) makes this "Ghost Story" episode seem equal to those screen versions of Tennessee Williams plays that brought Page great success the decade before this. She's a variation of those types of heroines that Williams created, even if she's a supporting character, and Torn is equivalent to the secondary characters in those plays/films that have incredible depth. They turn an otherwise slow paced gothic horror melodrama into an incredible piece of art.

The story focuses on the Mia Farrow like Lynn Loring whose search for tomorrow finds her at the childhood home of her mother (stage vet Jan Clayton of the original "Carousel") who has just died. For some reason, Loring wants to clean up the messy, delapitated house, recently condemned. Torn and Page live there as the caretakers, but they do little else but sit on a swing and sing a song called "Golden Memories". Soon, Loring has them cleaning up the yard, and tells the city inspector that the inside has been made pristine again too. But it's very apparent that something is off because where Loring sees cats, the audience sees rats.

A series of nightmares that Loring has reveals that a murder has taken place there, and it appears that Page and Torn may be out to kill her as well. They treat her with love and kindness during the waking hours but in her nightmares are much malevolent. Is this an indication of things to come, or is Loring, as the recurring voice of her mother tells her, heading down the same path as her, towards insanity? The script unfortunately leaves out important details and the audience has to make guesses as to why things are happening the way they are. It's frustrating, but oh so sensational when Page and Torn are on screen.
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6/10
Appealing aspects but overly long
ebeckstr-119 December 2022
This episode would have been good at 30 minutes but is too long at nearly an hour. The casting is good and there are some atmospheric, if not creepy, moments. The problem is this episode's hook is handled into simplistic manner to maintain interest for so long. It's overrated on IMDb, and I don't know how people could be giving it 8 or 10 Stars. It's not among the best of the show and I would say is in the bottom episodes, not one that I will rewatch. IMDb is insisting on 600 characters, whereas I have nothing else to add so I'm going to keep typing until I reach that limit. Goodbye and thanks for all the fish.
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6/10
Multiple Possibilites
brett-peake20 May 2018
Just who is the alliterative Lynne Loring? The doe eyed bambi-queen of the shell-shocked stare! I must confess in my 40 years of watching bad television ... i have never actually heard of her. The criteria for the casting of this show always seems to be 'oh yeah there's the bloke from Columbo', (Ghost Story even poached the music score), but alas Miss Loring seems to have popped up from nowhere. What of this rather comatose episode in general? Well, while Rip Torn and Geraldine Page could even stifle Perry Como between them, Touch of Madness does have some interesting multiple ideas working at once. Is the episode all gothic mood and unseen rats? Or is janet (Loring) actually bonkers, and this tale is simply a straight-forward study of madness? On the one hand one can assume that her eccentric mother has already spun endless yarns about the house and its inhabitants. While on the other, her rose-tinted nostalgia for the house, revealed early on, would explain why Janet Sees the crumbling hell-house interior as immaculate. Or is Janet just drinking too much drugged milk? Whatever the outcome, it is at least fascinating to peel back the layers of human sub-conscious when viewing this episode ... its just a shame the plot couldn't have moved with a little more alacrity - like that humming bird i just saw in my garden.
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10/10
Beautiful Song
pgsharrock14 February 2017
The song "Golden Memories" in this episode was written by Los Angeles musician Ian Jack for producer Joel Rogerson. The singer in the episode is American singer Shelby Flint of "Joey" and "Angel on my Shoulder" fame. Flint and Jack recorded together in the late seventies. The soundtrack has now been expanded to a full song and recorded as a country track by Australian band Bone Halo. Release date is 26 February 2017 and it will be available on iTunes, Spotify, Pandora, Amazon and Google Music from that date. The episode itself resonates not only to that ghostly music, but also to Poe's "A Cask of Amontillado" in that a brick wall can have many secrets behind it. Combined with references to ancient rhymes/prayers and the suggestion of allegedly poisonous food and drink substances, it makes for a heady concoction of murder/thriller elements. Its very dark but somehow you can't help feeling some empathy for these addled old killers.
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3/10
Lead Character is Awful
JohnD6128 August 2020
Page and Torn are the only watchable parts of this one. The lead character has to be one of the most annoying, whiny, stupid heroines ever. I kept hoping Page would conk her on the head and bury her in the basement just to stop her constant screeching. Being trapped in some kind of trouble with a woman like this would like already being in hell. If I were being chased by terrorists or zombies, I would kill her first just so I would have some chance of surviving.
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5/10
Going slowly mad
BandSAboutMovies18 March 2022
Warning: Spoilers
Janet (Lynn Loring) has inherited her mother's house after her death in a mental institution, a home that she must share with her aunt Hattie and uncle Jonathon (Geraldine Page and Rip Torn, who were married when this was filmed). She decides to move in and fix up the home so that her family can stay there. But of course, this is an episode of Circle of Fear/Ghost Story and that means that everything is going to wrong quickly.

After all, when Janet's mother died, she told her, "You're just like me."

So when Janet sees the home, she sees what it was and perhaps what it could be instead of the shambling wreck that it has become. So when she's cradling the family cat, perhaps she's really giving love and attention to a rat. If you've read this site for any time, you may realize that I absolutely love any movie where women slowly go psychotic.

This episode was written by Richard Matheson and Halsted Welles, who also wrote 3:10 to Yuma and plenty of television, including episodes of Suspense and Night Gallery. It was directed by Robert Day, who you may know from his work on movies like the 1966 version of She, several Tarzan movies and The Initiation of Sarah.
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