This rather daring episode about alcoholism is one of LEAVE IT TO BEAVER's greatest segments. It is certainly one of the episodes ("Beaver's House Guest" also comes to mind) that put the lie to the conventional view that LITB "played it safe" in its subject matter.
Ward has hired old acquaintance Andy Hadlock to paint the trim on the Cleaver house. But Andy has a "problem": he is addicted to alcohol. Ward puts his faith in Andy, who does all right - until something happens to make him "fall off the wagon" again.
At the center of the episode is Wendell Holmes' touchingly realistic portrayal of Andy. Holmes was a skilled character actor who appeared in two other roles on LITB, both times as teachers. Sadly, Holmes died in 1962 (just three years after this episode was filmed) at the age of 47 of a heart attack.
The episode speaks to the dangers of parents keeping secrets from their children, speaking in vague innuendos instead of bringing difficult topics out into the open.
There is an interesting touch of symbolism too. Andy has paint splattered on his clothes for most of the episode. He appears in the final scene cleaned up, suggesting his moral redemption.
Ward has hired old acquaintance Andy Hadlock to paint the trim on the Cleaver house. But Andy has a "problem": he is addicted to alcohol. Ward puts his faith in Andy, who does all right - until something happens to make him "fall off the wagon" again.
At the center of the episode is Wendell Holmes' touchingly realistic portrayal of Andy. Holmes was a skilled character actor who appeared in two other roles on LITB, both times as teachers. Sadly, Holmes died in 1962 (just three years after this episode was filmed) at the age of 47 of a heart attack.
The episode speaks to the dangers of parents keeping secrets from their children, speaking in vague innuendos instead of bringing difficult topics out into the open.
There is an interesting touch of symbolism too. Andy has paint splattered on his clothes for most of the episode. He appears in the final scene cleaned up, suggesting his moral redemption.