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6/10
You Only Run Once
Prismark1014 April 2023
The first episode of the anthology series Zane Grey Theatre tackles vigilantism in the old west.

In his introduction. Dick Powell informs the viewers as to the different ways they cast a ballot in the old days.

After a spate of horse thefts. The townsfolk have formed a vigilance committee. Rancher Matt Jessop (Robert Ryan) is wary of vigilante justice and the motives of Frank Hale.

When a man is attacked and his horse stolen, the dying man gives two names. Both were shady farm hands that worked for Jessop.

Hale wants to hang Jessop as well. He rode with them to see them off and one of the thieves gave Jessop's name. He lusted after Jessop's wife.

With the noose almost around his neck. Jessop has to plead for his life as Hale acts as police, judge, jury and executioner.

Made in 1956, there is no doubt that the McCarthyite witch hunts is an influence in the story. Of course this was also a staple of many western stories.

The pace certainly heats up once Jessop confronts the vigilantes.
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7/10
Due Process
bkoganbing9 August 2015
Dick Powell's Zane Grey Theater made a strong series debut with this story starring Robert Ryan. There are elements of the classic western The Oxbow Incident in this tale.

Ryan is a rancher accused of having a hand in horse thieving from his ranch. Sad to say that Leo Gordon and Kem Dibbs who work for him have been using his place as a cover for their crimes.

All this plays into the hands of the local vigilance committee headed by the ambitious John Hoyt who would like to usurp due process and has to further said ambitions.

A young Cloris Leachman is in the cast as Ryan's wife and mother to his two children. She's a cut above the usual pioneer wife roles in this story not unlike Jean Arthur in Shane. Whit Bissell is also noteworthy as a citizen who stands against the vigilantes.

This was a strong debut for The Zane Grey Theater which rivaled Death Valley Days as a western anthology series.
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8/10
Robert Ryan, Cloris Leachman Head Strong Cast In Series Debut
ccthemovieman-121 January 2010
Robert Ryan is mesmerizing in this opening episode of the mid '50s TV western series, "Dick Powell's Zane Grey Theaters." Powell, a famous film star of the 1930s-1950s, hosts each half-hour episode and even stars in a few of them. Powell gives the introduction to this story and not gives some interesting history bits but cracks a few jokes, too.

The story is anything but funny. It's very serious. Here, Robert Ryan leads a story about frontier justice sometimes being anything but justice, at times. I can't say too much without giving it away but you'll like the way his character, "Matt Jessop," handles adversity. Ryan was, indeed, a great actor, usually playing villains, but not in this episode.

Ryan had already been a movie star for a decade but the lady who plays his wife in here probably achieved her most fame in the 1970s as "Phyllis Lindstrom" in the TV hit sitcom "Mary Tyler Moore." Leachman, has a long resume of TV and movie credits for the last 60 years! She's 83 years old and still acting. She's amazing. Leachman plays Ryan's wife in this story.

The rest of this good cast are names which may not be familiar to you, but their faces sure are. These guys - like Whit Bissell, John Hoyt, Howard Petrie, Stuart Randall, Rayford Barnes and others - were seen on many TV shows for a minimum of several decades.
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6/10
_deglamorized west
Cristi_Ciopron9 November 2015
Warning: Spoilers
The protagonist is an antihero, because he's a misguided man (prior to hiring the two cowhands, he had been a mediocre farmer, barely earning), and credibly played by the leading actor. And the show gives a sense of a tough life lived there, with local politics meaning harm, and none of the likable characters having long-term plans; so, there is this sense of a challenging life, and of a _deglamorized west. The main character lacks prudence, he acts imprudently (he leaves together with his two cowpokes, after they resigned), but who could know whether Ryan was aware of playing an antihero, when he acts plausibly as an essentially unaware man (and in this way the character does seem a bit unfinished, or as if needing a bit of work), it's another instance why, without a script, the only analyzable character is the one played (not the one written or presumed, guessed), because you can't tell what was written from what was played. The farmer's not only an idealist (he's that too, in his vivid defense of his farmhands' honesty, and 1st of all in his principles about the law, the committee), but someone unable to perceive what happens. This gives a subtle contrast between the realism of the hardships of life, and the farmer's obtuseness and faith in people.

A 1st episode (as I gather), made 59 yrs ago. The show has zest and force, and, as I wrote, a sense of truth. The cast is good; Cloris L. looked a bit too urbane and stylish, a charming city girl, for her role. But she was amazingly seducing, therefore very convincing as a desired woman.
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