User Reviews

I saw 'Hula Girl' at the Toronto International Film Festival with the affable director Lee Sang-Il present.

This movie, based on the true story of how a dying coal mining town attempts the preposterous idea of building a taste of Hawaii in the cold town through dancing girls, a huge palm-tree filled centre and an 'outsider' dance teacher from Tokyo.

Almost immediately, you know that this movie will be about the town's struggle to survive pitting the traditional, town-encrusted family against those supporting a potential new way of life. I had thoughts of the Japanese version of 'Shall We Dance' ringing through my mind, but perhaps the dancing is the furthest you can compare between the movies. The emotional depth of the movie was somewhat unexpected...sadness, some corniness, some laughter. Yet the movie worked where it needed to, and kept moving at the right pace leaving me at the end feeling like I had seen everything that had happened. Except that at the end, I had been so entranced with the characters I was wondering how they, themselves turned out.

The movie pulled me in nicely with a strong story that was well developed and a really good watch.

If you're looking for something a little different, and open to learning a little bit about life in a small Japanese town in the 1960s, I think this gives you a good feel for the people, the attitudes, and a change that took grip in a dramatic and light-hearted way.

Kudos to the director and production team!

My impression of the hula dance - random wave movement of the hands by tanned girls wearing straw skirts with a big flower on the head. That was before this movie.

The Hula Girls, a heartwarming comedy from Japan, tells about the craft, emotions and passion behind this dance. Being Hawaii has almost nothing to do with a depressed and cold mining town, almost devoid of colours and warmth. However, a group of girls from the conservatives to bespectacled obasan, decided to learn the dance to develop this declining town into a Hawaiian Village.

This is a daunting task to a Tokyo dance teacher (wonderfully played by Yasuko Matsuyuki) and a demoralizing act to the conservative skeptics in the small village.

A story about going against all odds may remind you of another Japanese comedy, The Swing Girls. Both movies boost great energy, lovely music and can put a smile on your face.

As Japan official's entry to the 2007 Academy Awards Best Foreign Film, The Hula Girls is not only entertaining, but motivational. It may be small in ambition, but big in what in can achieve – to inspire people to chance, accept, fall and rise again.

It is funny and touching at the small time, pushing your heartstrings (and tear ducts) with the girls' triumph over people who do not believe in them, which includes themselves.

With its infectious energy and stirring movements, this hula dance deserves a round of applause and bouquets.

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Comparing to other Japanese dramas that I've ever watched, this film was quite unique. Unlike most other Japanese dramas whose atmospheres are quite refined and reserved, where the characters display their emotions and feelings in moderate and poetic manners that we often regard as a typical Japanese culture, the characters in "Hula girls" are pretty much straight forward in expressing their emotions and rather rough in manners. It reminded me of the atmosphere of old Sicilian village where Toto of "Cinema Paradiso" had spent his boyhood, where people are rough and tough in manners and sometimes even vulgar but still warm-hearted and have good humanity.

"Hula girls" is a heart-warming human drama. It will warm your heart in a little different manners from other typical Japanese human dramas. It makes audiences sometimes laugh and sometimes shed tears. It will make a wonderful family movie. Especially, I loved the last hula dancing scene where all the emotions, the joy, the sadness, the struggle and the overcoming are melted down and sublimated into a beautiful performance. It was really beautiful and touching.

Make no mistake about it, this is a Japanese comedy, with few ties to Hawaii. But that doesn't take away from the fact the film is wonderfully scored, believably acted, and a fun, entertaining movie. Screened for the first time in the U.S. in October 2006 as the finale gala extravaganza at the Hawaii International Film Festival (#1 Asian festival & one of world's 10 best overall now), many hula teachers and Hawaii fans may have feared this movie might take a less- than-serious-enough view of the sacred Hawaiian dance. But, upon viewing this light-hearted comedy, critics had to sit back and appreciate just how loyal the film remained to the Japanese interpretation of hula. Japanese view hula as a dance, and Hawaii as a warm tropical paradise in much the same way American filmmakers viewed Hawaii in the 1950s. Viewers, even kumu hula and critics, shouldn't forget that this is a film about that Japanese interpretation - at that time, and not impose upon it the serious more cultural aspects a current movement in Hawaii is bringing back to the dance. In fact, the director of "Hula Garu" successfully gets away with this by making the film a comedy, and never trying to delve into the historical, religious, or other cultural dimensions of hula. While not true to today's view of hula in Hawaii, this film is not about today, or Hawaii. It's about an obscure little town in northern Japan that created a Hawaiian village concept, complete with its own hula troupe to attract tourists and save the town from extinction. Several heart warming moments in this 'To Sir With Love,' teacher-conquers- impossible-odds themed story bring tears to the spectators' eyes. And the music could hardly have been more perfect to help accentuate those emotional moments. Ukulele virtuoso Jake Shimabukuro's score is perfect, and likely to win awards, and possibly even help make Jake a household name on the U.S. mainland, as it already has become in many circles in Japan. The film's screenplay successfully draws the audience into the characters in a way that forces even the most critical hula fans to forgive the film's small imperfections. The only strong disappointment I had about the film was how it confused hula and Tahitian dancing. On the other hand, that's a common misconception that all Hawaii visitors make, since hula troups almost always perform both types of dances in public. So, in a sense, the film is true to the way Japanese and tourists perceive hula, if not to hula itself. This film is not a film about Hawaii or hula dancing; but a comedy about how Japanese have adopted this wonderful dance in its own way, while respecting the Hawaiian culture in doing so. Keeping that in mind, viewers will have little to critique and everything to enjoy about this film, the acting, and the wonderful music. Overall, this is a fun, enjoyable family movie which deserves to be seen on the big screen. Don't wait to rent the video. See it in a theater and feel the energy, the music, and the strange story that began Japan's growing love for Hawaii's greatest export.

This film was quite dramatic. There were some very emotional scenes. I often cried. The dance scenes were simple (subtle) and quite appropriate. We get a realistic glimpse into the Japanese homes, the workplace and the local eating place, as well as some Japanese customs (particularly the sumimasen), in this small 1960's Japanese town.

A Hula Dance teacher is brought to a small mining town to teach Hula to the young girls in hopes that the town will create a Hawaiian tourist attraction in the near future. The young girls are presented with an opportunity to change their fate (and unknowingly, the fate of their town). The majority of the townsfolk are in complete opposition, putting the young girls at serious odds with their families and the society in which the live.

This story is loaded with dramatic personal interactions between characters. Many of the characters are developing (people becoming better persons). The sensei undergoes a bit of an attitude adjustment, inspired by her dancers. However, it is not until a climactic Hula Show that we realize the true heroine of Hula Girls.

I shall recommend this to all aspiring dancers. This review was based on the Japanese film with English subtitles.

This is one of my favorite movie. It contains nice relationships among people in country side, a little bit comedy yet heart warming.

Girls living in Hukushima prefecture including Kumiko, played by Yu Aoi decided to work as a dancer to save people's live there. Those days around Showa40 year, their life style was going to be changed, and it meant people in Kumiko's village were going to lose their work. Instead of that, they try to built a big entertainer, "Resort Hawaiians". That's why they try hard to be a fine dancers to work there as "Hula girls"!! However, it's not easy to manage it through some problems. Villager are used to work as coal miner, even through they have some dead in mine, and also it's hard for Kumiko and her mates to master Hula which they had not know at all. Can they dance? Can they save people? What's become of them? I believe you can enjoy not only story, but also one of Japanese dialects.This is what I, Japanese student says, so you can be sure to enjoy interesting Japanese. It obviously shows Japanese dialect! Do not miss it!

A delightful & endearing film. Hula Girls is another example of the quality, vibrancy and most important of all, the originality that can still be found in the Japanese (& French) film industries (so unlike Hollywood which is mired in re-makes) Hula Girls has many of the very typically Japanese quirkiness which mixes the history & culture of Japan with genuine humour & real human feelings combining all into a wholly entertaining film which has all the hallmarks of that other fabulous Japanese film, "Shall We Dance" A great cast which had some solid veteran performances and also showcased some very promising young talent and faces to look out for in the future.

Stunning dance routines and a delightful soundtrack by Jake Shimabukuro on the ukulele.

This is a film not to be missed and one to treasure on DVD.

Sat down with my daughter to watch this movie, not really sure what to expect. I am a fan of foreign movies, particularly Korean, Chinese, and Japanese, but also other parts of the world, so I don't mind watching with subtitles. In fact, I find foreign films much more realistic than a lot of the tripe out of Hollywood.

This movie is very emotional, bringing tears (mostly happy ones) to both me and my daughter. The story is well told and the acting brilliant, and some of the gorgeous Japanese girls certainly helped to light up the screen, especially Yu Aoi who won "Outstanding Performance by an Actress in a Supporting Role" in the Japan Academy Prize.

Realising at the end that this movie was based on an actually true story added much more realism to the story, and the plight of the girls and their families.

A very inspirational movie, and a delight to watch. Why this only has 7 out of 10 on IMDb (at time of writing) surprises me. We loved it!!! Do yourself a favour and watch it.

This is a story about change. Hula Girls, based on true events, takes place in a small Japanese coal mining town in the late 60s, where its town folks find that with the shifting reliance on oil from coal, the survival of their town is at stake when a major company decides to retrench and cut its headcount.

In attempts to makeover their economy (ain't that familiar), the sleepy town has decided to come up with a "Hawaii Center", a resort like facility where the warm atmosphere of Hawaii will be recreated in their cold/coal environment. It's a drastic change from blue collar to the service industry, and with the young girls being roped in to be dance performers, the traditionalists are up in arms, against the entire project. Skimpy outfits and gyrating moves don't make it easy, and neither does an outsider being roped in to teach the girls a new skill, turn out popular too.

Hula Girls, winner of many awards in the 2006 Japanese equivalent of the Oscars, and also the Japanese submission to the 2007 Oscar's Best Foreign Language film, actually seemed a little too familiar in its narrative style, bringing to mind movies such as Waterboys, Swing Girls, Linda Linda Linda, and the more obvious reference and similarity, will be that of My Mother is a Belly Dancer, well, for most of the first half anyway. But perhaps with this familiarity, it took less time for the audience to identify with it, and it set on its focus to endear the key characters to the audience.

As mentioned, it's about change, set against the backdrop of changing industries, attitudes, and skills. It's a heartwarming story no less, about the strength of sisterhood, where unity sees them battling challenges ahead, much against all odds, especially when adversity comes from within. It's not all serious as it sounds, as there are ample comedy infused, especially with its outcast characters such as the nerdy mom and the plus sized tomboy, and their initial attempts at performance during road trips advertising their new attraction.

Like movies in the similar genre, it doesn't take long to identify the leader of the pack, in Kimiko (Yu Aoi), as she becomes the protégé of the teacher Mrs Hirayama (Yasuko Matsuyuki), given the thankless task of whipping the girls into shape. Yu Aoi is no doubt the star of the movie, with her good looks and time dedicated for her to show what it takes. And expect a number of sniffles as the filmmakers weaved in classical dramatic moments primarily aimed at activating those tear ducts.

At its heart, it's a movie on the triumph of the human spirit against adversity, and of friendship. It's not without its flaws, like when certain transitions seemed to suffer from lack of time devoted to provide more depth, but when the formula comes to the end, with its rousing, highly anticipated finale showed in its entirety and in full regalia, you'll no doubt be giving full of applause for its showmanship.

Definitely going into my books as a contender for the best movies of the year. Highly recommended, despite its slow start.

Between 1966 and 1970 I was stationed at Misawa AFB in Aomori Prefecture, Japan. I had a car and traveled a lot. Eventually went to the Joban Hawaiian Center at the suggestion of a Japanese friend and fell in love with the place. I made the JHC my main spot for R&R after that and even scheduled several trips there for my coworkers.

This movie is NOT a comedy, in my mind, but a true life story about overcoming tragedy. I went to the JHC very often and the dancers and staff got to know me well. Between performances I often drank coke with the Hula dancers and on one visit I was asked to help a male-female duet with the pronunciation of the words for "The Hawaiian Wedding Song". I watch this movie every chance I get and it always brings tears to my eyes. The Joban Hawaiian center is one of the reasons I eventually spent 30 years teaching English in Japan (returned to the U.S. in Feb. 2014).

It's a surprising tearjerker, with good acting and strong characters you would expect who originated in the Iwaki coal mine, but it whitewashes the fact that much of that mine's wealth was as a result of WW2 slave labor. This is a problem the Japanese seem to have in confronting their history. Unfortunately, it wasn't only Japanese who suffered in the coal mines!