Regie | |||
| Eric Red | |||
Buch(WGA) | ||
| Eric Red | (geschrieben von) | |
| Famke Janssen | ... | Marnie Watson | |
| Bobby Cannavale | ... | Shanks | |
| Ed Westwick | ... | Joey | |
| Michael Paré | ... | Mike Watson | |
| John Fallon | ... | Jimmy | |
| Patricia Charbonneau | ... | Frances | |
| Kevin Geer | ... | Father Pritchet | |
| Evelyne Kandech | ... | Patrolwoman | |
| Kembe Sorel | ... | Patrolman | |
| Tibor Pálffy | ... | Homeless man | |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
| Ken Kelsch | ... | Garbage Man | |
Produktion | |||
| Sarah Black | .... | Produzent | |
| Christopher Courtney | .... | Herstellungsleitung | |
| Billy Dietrich | .... | Ausführender Produzent | |
| Ed Elbert | .... | Produzent | |
| Matthew Gratzner | .... | Koproduzent | |
| Avi Haas | .... | Koproduzent | |
| Stephen L'Heureux | .... | Mitausführender Produzent | |
| Rick Morse | .... | Associate Producer | |
| Jonathan Sanger | .... | Produzent | |
| Holly Schepisi | .... | Mitausführender Produzent | |
| Kornél Sipos | .... | Koproduzent | |
| David Steiner | .... | Ausführender Produzent | |
Originalmusik | |||
| John Frizzell | |||
Kamera | |||
| Ken Kelsch | |||
Schnitt | |||
| Anthony Redman | |||
Casting | |||
| Nancy Foy | |||
Szenenbild | |||
| Márton Ágh | |||
Bauten/Dekorationsbau (art directors) | |||
| Judit Varga | |||
Kostüme | |||
| Éva Vass | |||
Maske/Frisuren | |||
| Patrick Baxter | .... | makeup effects lab technician | |
| Graham Chivers | .... | special makeup effects technician | |
| Jessee J. Clarkson | .... | Spezialeffekt-Maskenbildner | |
| Jason Detheridge | .... | makeup effects technician | |
| C.J. Goldman | .... | Spezialeffekt-Maskenbildner | |
| Paul Jones | .... | special makeup effects designer | |
| Eileen Kastner-Delago | .... | personal makeup artist: Famke Janssen | |
| Mark Keetch | .... | makeup effects mechanics | |
| Tina LaSpina | .... | leitender Maskenbildner | |
| Kelly Marazzi | .... | personal hair stylist: Famke Jannsen | |
| Steve Newburn | .... | Spezialeffekt-Maskenbildner | |
| Bridget O'Neill | .... | effects makeup department head: New Deal Studios | |
| Sean Sansom | .... | Spezialeffekt-Maskenbildner | |
Produktionsleiter (production managers) | |||
| Chris Bongirne | .... | production supervisor: New York | |
Regieassistenten | |||
| Michelangelo Csaba Bolla | .... | Erster Regieassistent | |
| Louis Guerra | .... | second assistant director: New York | |
| Thomas K. Lee | .... | second second assistant director: New York | |
| Peter Palka | .... | first assistant director: second unit | |
Ausstattung (Stab) | |||
| József Kiss | .... | Baubühnenüberwachung | |
| Victor Littlejohn | .... | Requisite | |
| Scott Schneider | .... | digital set designer: New Deal Studios | |
| Gábor Szabó | .... | Requisite | |
| Richard Tenewitz | .... | Construction Coordinator | |
| Rachael Weinzimer | .... | property master: New York | |
Ton Stab | |||
| Ethan Beigel | .... | Sound Recordist | |
| John D'Aquino | .... | production sound mixer: New York | |
| Stephen Hunter Flick | .... | Tonschnittleitung | |
| Matt Hovland | .... | Mischung Geräusche | |
| Matt Hovland | .... | Sound Recordist | |
| William Jacobs | .... | Tonschnitt | |
| Tony Margulies | .... | Geräuschemacher | |
| Michael Matta | .... | Mischung Geräusche | |
| Michael Matta | .... | Geräuschaufnahme | |
| Rick Norman | .... | Tonmischung (Postproduktion) | |
| Mac Ruth | .... | Sound Recordist | |
| Peter Michael Sullivan | .... | Tonmischung (Postproduktion) | |
| Aaron Wilcox | .... | sound re-recording projectionist | |
Spezialeffekte | |||
| Ferenc Gombás | .... | Pyrotechniker | |
| Ferenc Hábetler | .... | Pyrotechniker | |
| Corey Helmer | .... | Pyrotechniker | |
| Paul Jones | .... | Maske Spezialeffekte | |
| Mark Keetch | .... | puppet technician | |
| Matt Kutcher | .... | Leitung Spezialeffekte | |
| Norbert Orosz | .... | Pyrotechniker | |
| Attila Török | .... | Pyrotechniker | |
| Ferenc Török | .... | pyro supervisor | |
| Attila Vásári | .... | Pyrotechniker | |
| Robert G. Willard | .... | Spezialeffekt-Koordination | |
Visual Effects | |||
| Jeffrey Benoit | .... | Digitaleffektkünstler | |
| Robert Chapin | .... | digital supervisor | |
| Christopher Dusendschon | .... | digital imaging supervisor: iO FILM | |
| Lori Freitag-Hild | .... | Compositor | |
| Shannon Blake Gans | .... | visual effects executive producer: New Deal Studios Inc | |
| Matthew Gratzner | .... | Leitung Visual Effects | |
| Nicholas Hiegel | .... | roto artist | |
| Chris Holmes | .... | Visual Effects | |
| Jeffrey Jasper | .... | Digital Compositor | |
| Llyr Tobias Johansen | .... | Koordination Visual Effects | |
| Matt Kelly | .... | Digital Compositor | |
| James Pastorius | .... | Digital Compositor | |
| Michael Theurer | .... | digital producer | |
Stunts | |||
| Erika Cziráky | .... | Stuntdouble | |
| Balázs Farkas | .... | Stuntvorbereiter | |
| Zoltán Gulyás Kiss | .... | Stuntkoordinator | |
| László Kósa | .... | stunt double: Ed Westwick | |
| Gábor Pesta | .... | Stuntdouble | |
| Daniel Browning Smith | .... | Stunts | |
Kamera und Elektrik (Stab) | |||
| István Gottmann | .... | Kameraassistenz | |
| Ákos Gulyás | .... | Kameraassistenz | |
| Károly Kamerda | .... | Kameraassistenz | |
| Vilmos Keszler | .... | Grip | |
| Gusztáv Kirsch | .... | Schärfenassistent | |
| Rob Koch | .... | first assistant camera: "a" camera: New York | |
| Zoltán Pataki | .... | Videotechniker | |
| Péter Pozsonyi | .... | Beleuchtung | |
| Brian Pryzpek | .... | Oberbeleuchter | |
| Liz Sales | .... | second assistant camera: "a" camera: New York | |
| Balint Seres | .... | Filmlader | |
| Michelle Sun | .... | film loader: New York | |
| Attila Szûcs | .... | 1. Kamerabühne | |
| Chris Zizzo | .... | best boy electric: New York | |
Casting (Stab) | |||
| Lee Genick | .... | extras casting: New York | |
| Bryan Riley | .... | Mitarbeiter Casting | |
Kostüm und Garderobe (Stab) | |||
| Melinda Domán | .... | Assistenz Kostümdesign | |
| Shelby Saboy | .... | führender Kostümier | |
Schnitt (Stab) | |||
| Paul Allia | .... | Kolorist | |
| Brian Beard | .... | digital intermediate editor | |
| Gilbert Carreras | .... | film color timer | |
| Adam Hawkey | .... | Digital Intermediate Farbkorrektur | |
| Dávid Jancsó | .... | Schnittassistenz | |
| Michael Nouryeh | .... | Schnittassistent | |
Musik (Stab) | |||
| Frederik Wiedmann | .... | Filmmusikmischer | |
| Laurent Ziliani | .... | assistant to composer | |
Restlicher Stab | |||
| Adi Amit | .... | production coordinator: New York | |
| Sarah Berge | .... | Assistenz: Ms. Janssen, New York | |
| Bernadett Both | .... | assistant to actor | |
| Nelson Khoury | .... | location manager: New York | |
| Viktor Kovács | .... | Set-Produktionsassistenz | |
| John Perez | .... | Drehort Scout | |
Widmungen und Dankeschöns | |||
| Meredith Casey | .... | Besonderer Dank an | |
| Beteiligte Firmen | Technische Angaben | Hauptübersicht |