Weevil attacks are on the rise, defence mechanisms are failing, someone is using them for their own ends, Owen goes undercover.
Call me a cynic, but I've always regarded this very good episode as a study of toxic masculinity, from the action with The Weevils to Gwen's treatment of Rhys. You ask yourself who's the biggest villain here, The Weevils, Mark or Gwen, the say she treats Rhys, I'd argue she's a contender, not her finest moment.
There is a lot of pent-up anger in the writing, Noel Clarke actually wrote a very strong script, it's one of the better episodes from the first series, and it's good to see The Weevils back, and perhaps being better used than earlier on in the series.
Alex Hassell is the standout here as Mark Lynch, but Burn Gorman isn't too far behind, Owen had a big part to play in the previous episode, his romance with Diane, and he gets another here, dealing with the fallout.
The visuals are great, it's slick and sexy, it moves by at a great pace, sadly it reminds us all of The Crazy frog, but nobody's perfect.
8/10.
Call me a cynic, but I've always regarded this very good episode as a study of toxic masculinity, from the action with The Weevils to Gwen's treatment of Rhys. You ask yourself who's the biggest villain here, The Weevils, Mark or Gwen, the say she treats Rhys, I'd argue she's a contender, not her finest moment.
There is a lot of pent-up anger in the writing, Noel Clarke actually wrote a very strong script, it's one of the better episodes from the first series, and it's good to see The Weevils back, and perhaps being better used than earlier on in the series.
Alex Hassell is the standout here as Mark Lynch, but Burn Gorman isn't too far behind, Owen had a big part to play in the previous episode, his romance with Diane, and he gets another here, dealing with the fallout.
The visuals are great, it's slick and sexy, it moves by at a great pace, sadly it reminds us all of The Crazy frog, but nobody's perfect.
8/10.