When I rented this, I expected to gain a glimpse into the evolution and trends of movies throughout the years. I anticipated cited examples, historical perspective and incisive interviews with qualified historians, archivists, psychologists and maybe anthropologists.
This is merely a "showcase" document with nearly valueless comment and a host who loves to be on camera and thinks he's far wittier than he is. This "documentary" is full of painfully lame comedy bits, interviews with unknown, unemployed actors and a smattering of professors with no real experience in film. Asking various obscure film personnel stilted, form questions reveals nothing but a single opinion.
Having worked more than half my life in production as everything from a coordinator to writer & story editor to producer, I have my opinions as to why so many substandard films are the norm today, but they're the same ones I walked in with. With no historical information, statistical trends or frank discussion with film veterans, nothing in this film sparked anything like a critical thought process.
And on a last (possibly snarky) note: The pitch black James Lipton-esque goatee aside, when you're indoors with others, take off the ball cap. It's simply bad manners. And if your interview is being interrupted by some kind of nearby construction, move the location. Production quality 101.
This is merely a "showcase" document with nearly valueless comment and a host who loves to be on camera and thinks he's far wittier than he is. This "documentary" is full of painfully lame comedy bits, interviews with unknown, unemployed actors and a smattering of professors with no real experience in film. Asking various obscure film personnel stilted, form questions reveals nothing but a single opinion.
Having worked more than half my life in production as everything from a coordinator to writer & story editor to producer, I have my opinions as to why so many substandard films are the norm today, but they're the same ones I walked in with. With no historical information, statistical trends or frank discussion with film veterans, nothing in this film sparked anything like a critical thought process.
And on a last (possibly snarky) note: The pitch black James Lipton-esque goatee aside, when you're indoors with others, take off the ball cap. It's simply bad manners. And if your interview is being interrupted by some kind of nearby construction, move the location. Production quality 101.