Concert movie Björk: Biophilia Live is to receive its European Premiere at the Karlovy Vary International Film Festival.
Directors Peter Strickland and Nick Fenton will be on hand for the gala presentation of Björk: Biophilia Live at the 49th Kviff (July 4-12).
Icelandic artist Björk came out with the Biophilia project in 2011. Beyond her eighth full-length album, the project also includes performances, interactive applications, and educational programs. These have now been augmented by a film of the concert created at London’s Alexandra Palace where Björk completed the Biophilia tour; the singer cooperated on the project with Fenton and Strickland.
In addition to Björk, the film features an Icelandic choir, Austrian percussionist Manu Delago, and numerous unusual instruments. The performance is rounded out with collages referencing tectonic plates, DNA, the Moon, mushrooms, and various other objects of scientific interest. The resulting film illustrates songs and concepts from the Biophilia project, plus other well-known...
Directors Peter Strickland and Nick Fenton will be on hand for the gala presentation of Björk: Biophilia Live at the 49th Kviff (July 4-12).
Icelandic artist Björk came out with the Biophilia project in 2011. Beyond her eighth full-length album, the project also includes performances, interactive applications, and educational programs. These have now been augmented by a film of the concert created at London’s Alexandra Palace where Björk completed the Biophilia tour; the singer cooperated on the project with Fenton and Strickland.
In addition to Björk, the film features an Icelandic choir, Austrian percussionist Manu Delago, and numerous unusual instruments. The performance is rounded out with collages referencing tectonic plates, DNA, the Moon, mushrooms, and various other objects of scientific interest. The resulting film illustrates songs and concepts from the Biophilia project, plus other well-known...
- 7/2/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Met Opera Live | Jonas Mekas | Sigur Rós: Valtari Mystery Film Experiment | Bristol Palestine Film Festival
Met Opera Live, Nationwide
Opera is supposed to be elitist and inaccessible, but ironically cinema is coming to its rescue. New York's Metropolitan Opera has become a global leader in the field, and three of its productions stream live in HD in cinemas across the country this month: Mozart's La Clemenza Di Tito, Verdi's Un Ballo In Maschera (updated to a film-noirish context) and his Egyptian epic, Aïda. It might not be the same as the live experience, but it's a damn sight cheaper, and truly different.
Picturehouse & Curzon cinemas & various venues, Sat to 27 Dec
Jonas Mekas, London
Mekas is just about the last surviving link to the golden postwar age of American avant garde film-making, which has been a well of inspiration for modern cinema, indie and mainstream. He helped preserve the work of Andy Warhol,...
Met Opera Live, Nationwide
Opera is supposed to be elitist and inaccessible, but ironically cinema is coming to its rescue. New York's Metropolitan Opera has become a global leader in the field, and three of its productions stream live in HD in cinemas across the country this month: Mozart's La Clemenza Di Tito, Verdi's Un Ballo In Maschera (updated to a film-noirish context) and his Egyptian epic, Aïda. It might not be the same as the live experience, but it's a damn sight cheaper, and truly different.
Picturehouse & Curzon cinemas & various venues, Sat to 27 Dec
Jonas Mekas, London
Mekas is just about the last surviving link to the golden postwar age of American avant garde film-making, which has been a well of inspiration for modern cinema, indie and mainstream. He helped preserve the work of Andy Warhol,...
- 12/1/2012
- by Steve Rose
- The Guardian - Film News
Reykjavik Rotterdam
Stars: Baltasar Kormákur, Ingvar Eggert Sigurðsson, Lilja Nótt Þórarinsdóttir | Written by Óskar Jónasson, Arnaldur Indriðason | Directed by Óskar Jónasson
The funny thing about reviewing films not in the English language is that it can be all too easy to assume that just because you’re reading subtitles, you’re watching a work of major artistic quality. This can simply be because somewhere in your mind you make the equation ‘subtitles = clever’, or in slightly more complex terms, why would distributors bother releasing a film in a foreign territory if there wasn’t something special about it that will attract an audience?
Reykjavík-Rotterdam is an Icelandic thriller about a former smuggler who takes on ‘one last job’ when faced with considerable financial difficulties. The thing is, whilst it’s a fairly competent film in its own right, it’s not really clear what makes it stands out from your...
Stars: Baltasar Kormákur, Ingvar Eggert Sigurðsson, Lilja Nótt Þórarinsdóttir | Written by Óskar Jónasson, Arnaldur Indriðason | Directed by Óskar Jónasson
The funny thing about reviewing films not in the English language is that it can be all too easy to assume that just because you’re reading subtitles, you’re watching a work of major artistic quality. This can simply be because somewhere in your mind you make the equation ‘subtitles = clever’, or in slightly more complex terms, why would distributors bother releasing a film in a foreign territory if there wasn’t something special about it that will attract an audience?
Reykjavík-Rotterdam is an Icelandic thriller about a former smuggler who takes on ‘one last job’ when faced with considerable financial difficulties. The thing is, whilst it’s a fairly competent film in its own right, it’s not really clear what makes it stands out from your...
- 3/3/2012
- by Jack Kirby
- Nerdly
Last week we featured Trent Reznor and Atticus Ross’ six track sampler for The Girl with the Dragon Tattoo. A lot of it is what you’ve come to expect from the two that won the Academy for Best Score last year, and are expected to do that again with this soundtrack. Now we got a preview of Jónsi’s score for Cameron Crowe’s We Bought a Zoo. Tomorrow will be your chance to catch a sneak preview of the movie before it hits theaters on December 23.
But if you want to own the soundtrack for We Bought a Zoo, the album itself goes on sale on December 13. More than plenty of time to make a decision on making the purchase, but if you are a fan of Jonsi’s work, then this is probably a must buy for you.
Thanks to Firstshowing for the link below.
Gathering Stories...
But if you want to own the soundtrack for We Bought a Zoo, the album itself goes on sale on December 13. More than plenty of time to make a decision on making the purchase, but if you are a fan of Jonsi’s work, then this is probably a must buy for you.
Thanks to Firstshowing for the link below.
Gathering Stories...
- 12/9/2011
- by Mike Lee
- FusedFilm
[1] Ten years after Cameron Crowe included several songs by Icelandic band Sigur Rós in Vanilla Sky, the director turned to band frontman Jónsi to write the entire score for his new project, We Bought a Zoo. Though we won't know until December 23 exactly how the movie turned out (well, unless you caught one of those sneak screenings like that lucky bastard Germain did [2]), the full soundtrack from the film is available for streaming right now. The album won't actually go on sale until December 13, but if you start listening now you'll have plenty of time to decide whether or not you want to shell out that $10.99. Spoiler alert: If you like Jónsi and Sigur Rós, you probably will. Get a taste after the jump. First Showing [3] has posted the last track, "Gathering Stories": I haven't seen the movie yet, but it's not all difficult to imagine this sweet, uplifting...
- 12/9/2011
- by Angie Han
- Slash Film
Cameron Crowe‘s We Bought a Zoo doesn’t come together like I hoped it would (full review here), but one thing that does shine is the score from Sigur Rós frontman Jonsi. It runs throughout almost the entire film, whether it be songs or actual orchestral score and it compliments the tone perfectly. We featured one of the songs before, but now Rolling Stone (via First Showing) has made the entire thing available to stream. You’ll have to head over to the whole site to hear it, but do so by clicking the image below.
01. Why Not
02. AEvin Endar
03. Boy Lilikoi
04. Sun
05. Brambles
06. Sinking Friendships
07. We Bought A Zoo
08. Hoppipolla
09. Snaerisendar
10. Sink
11. Go Do
12. Whole Made of Pieces
13. Humming
14. First Day
15. Gathering Stories
Notes from Crowe on the score:
Both with Sigur Rós, and in his solo work, Jónsi has always made music that captured the human adventure.
01. Why Not
02. AEvin Endar
03. Boy Lilikoi
04. Sun
05. Brambles
06. Sinking Friendships
07. We Bought A Zoo
08. Hoppipolla
09. Snaerisendar
10. Sink
11. Go Do
12. Whole Made of Pieces
13. Humming
14. First Day
15. Gathering Stories
Notes from Crowe on the score:
Both with Sigur Rós, and in his solo work, Jónsi has always made music that captured the human adventure.
- 12/8/2011
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
For his upcoming film We Bought a Zoo, Cameron Crowe recruited Sigur Rós frontman Jonsi to write the score. Along with nine themes and three previous songs, The artist ended up writing two new songs and we have our first listen of one today. Titled Gathering Stories, the closing track is actually co-written by Crowe himself. Check it out below via NPR, followed by more details.
01. Why Not
02. AEvin Endar – Jónsi *new track
03. Boy Lilikoi – Jónsi
04. Sun
05. Brambles
06. Sinking Friendships – Jónsi
07. We Bought A Zoo
08. Hoppipolla – Sigur Rós
09. Snaerisendar
10. Sink
11. Go Do – Jónsi
12. Whole Made of Pieces
13. Humming
14. First Day
15. Gathering Stories – Jónsi *new track
Notes from Crowe on the score:
Both with Sigur Rós, and in his solo work, Jónsi has always made music that captured the human adventure. Early on, it was obvious that this music would have a profound effect on the making of “We Bought A Zoo.
01. Why Not
02. AEvin Endar – Jónsi *new track
03. Boy Lilikoi – Jónsi
04. Sun
05. Brambles
06. Sinking Friendships – Jónsi
07. We Bought A Zoo
08. Hoppipolla – Sigur Rós
09. Snaerisendar
10. Sink
11. Go Do – Jónsi
12. Whole Made of Pieces
13. Humming
14. First Day
15. Gathering Stories – Jónsi *new track
Notes from Crowe on the score:
Both with Sigur Rós, and in his solo work, Jónsi has always made music that captured the human adventure. Early on, it was obvious that this music would have a profound effect on the making of “We Bought A Zoo.
- 11/15/2011
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
I’m still wondering if 20th Century Fox will acknowledge the Ohio zoo incident last month in any sort of capacity, but the latest trailer for Cameron Crowe‘s latest film certainly brings some comparisons. We Bought a Zoo, his return to filmmaking after over half-a-decade away, follows a family who brings to life their own zoo. This latest international trailer is still a schmaltzy and family-friendly as the first, but we are able to learn a little bit more about the characters. I can’t see this one being a big awards contender, but I personally looke forward to a new Crowe film in theaters. Check it out below.
Sigur Rós frontman Jonsi is also providing the score and we finally have some solid details from our sister site 130Bpm. The Ost will feature songs from his last solo album including Go Do, Singking Friendships and Boy Lilikoi, as...
Sigur Rós frontman Jonsi is also providing the score and we finally have some solid details from our sister site 130Bpm. The Ost will feature songs from his last solo album including Go Do, Singking Friendships and Boy Lilikoi, as...
- 11/2/2011
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
Sigur Rós's second concert film opens at the Downtown Independent in Los Angeles tomorrow and sees a five-day run at Tiff Bell Lightbox in Toronto, also starting starting tomorrow. For more dates throughout the coming weeks, see the site and/or Cinema Purgatorio.
"Directed by [Canadian] Vincent Morisset, this mostly black-and-white, moody exercise in making digital footage from 2008 look like long-lost video from around the time when Ian Curtis was still doing gigs, is radically different from the first Sigur Rós cinema project, 2007's Heima," writes Gustavo Turner in the La Weekly. Inni "is a hazy, shoegazy visual tone that is both elegiac and eulogistic — that is, at once meditative and funereal. At a time when most Us music documentaries have devolved into either artist-endorsed EPKs (see Scorsese's Dylan and George Harrison docs) or predictable Behind the Music – style fables of redemption, it's refreshing to see state-sponsored artists from welfare...
"Directed by [Canadian] Vincent Morisset, this mostly black-and-white, moody exercise in making digital footage from 2008 look like long-lost video from around the time when Ian Curtis was still doing gigs, is radically different from the first Sigur Rós cinema project, 2007's Heima," writes Gustavo Turner in the La Weekly. Inni "is a hazy, shoegazy visual tone that is both elegiac and eulogistic — that is, at once meditative and funereal. At a time when most Us music documentaries have devolved into either artist-endorsed EPKs (see Scorsese's Dylan and George Harrison docs) or predictable Behind the Music – style fables of redemption, it's refreshing to see state-sponsored artists from welfare...
- 10/30/2011
- MUBI
If you go into Inni thinking you’ll receive Heima Part 2, you either be sadly disappointed or extremely grateful because it is anything but. Rather than show us Sigur Rós’ atmospherically sumptuous music against the gorgeous expanse of their Icelandic homeland, director Vincent Moriset captures the bombastic energy of one performance in a monochrome, scratchy gray. Shot with intimate compositions of abstract shapes and completely unbalanced framing, we experience the assault of being at the concert hall. Through a show from November 2008 at Alexandra Palace in London, we are transported to a world of raw, unbridled aural chaos—the beauty and awesomeness of the band let loose to travel freely beyond the stage.
Whereas their first documentary infused a lot of interview footage with the artistically controlled performances, Morisset has decided to pair his stripped down visuals with a limited archive displaying the world’s ignorance of their origins. With...
Whereas their first documentary infused a lot of interview footage with the artistically controlled performances, Morisset has decided to pair his stripped down visuals with a limited archive displaying the world’s ignorance of their origins. With...
- 10/8/2011
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
Inni will document Icelandic band's 2008 concert at Alexandra Palace in London
Sigur Rós have announced a new live album and concert DVD, Inni, recorded at London's Alexandra Palace in 2008. Due in November, the film was directed by Vincent Morisset, who made Arcade Fire's Miroir Noir.
Inni won't be a conventional tour documentary. Much as the band's last DVD, 2007's Heima, set their music against sublime scenery, the 75-minute concert film captures Sigur Rós through the lens of, er, their own movie. After shooting the band's two London performances, Morisset re-filmed the original footage on 16mm celluloid, using "prisms and other found objects" to disrupt and fracture the material. Whereas Heima was "lush and colourful", a press release explains, Inni is "spare and near-monochromatic". That's certainly the tone of the trailer, which has more in common with Fritz Lang's Metropolis than Martin Scorsese's Shine a Light.
Sigur Rós have only played two gigs,...
Sigur Rós have announced a new live album and concert DVD, Inni, recorded at London's Alexandra Palace in 2008. Due in November, the film was directed by Vincent Morisset, who made Arcade Fire's Miroir Noir.
Inni won't be a conventional tour documentary. Much as the band's last DVD, 2007's Heima, set their music against sublime scenery, the 75-minute concert film captures Sigur Rós through the lens of, er, their own movie. After shooting the band's two London performances, Morisset re-filmed the original footage on 16mm celluloid, using "prisms and other found objects" to disrupt and fracture the material. Whereas Heima was "lush and colourful", a press release explains, Inni is "spare and near-monochromatic". That's certainly the tone of the trailer, which has more in common with Fritz Lang's Metropolis than Martin Scorsese's Shine a Light.
Sigur Rós have only played two gigs,...
- 8/18/2011
- by Sean Michaels
- The Guardian - Film News
The Dallas International Film Festival Announces Scott Z. Burns to receive the Dallas Shining Star Award
Horton Foote to be posthumously honoured with the Dallas Star Award
Chris Sanders and Dean Deblois named as recipients of the Texas Avery Animation Award
Additions to the Festival Line Up
The Dallas International Film Festival presented by Cadillac (March 31 . April 10, 2011) announced today that two new Honorees have been added to the slate of Dallas Star Award recipients . writer, producer and director Scott Z. Burns (The Informant, The Bourne Ultimatum) and posthumously to Texas legend and Academy-Award winner Horton Foote(To Kill A Mockingbird, Tender Mercies). The popular Texas Avery Animation Award presented by Reel FX Entertainment will be awarded to the writers and directors of the Academy Award nominated How To Train Your Dragon and Lilo & Stitch, Dean DeBlois and Chris Sanders. Previous recipients include Pete Docter (Up), Henry Selick (Coraline),Chris Wedge (Robots)and Brad Bird (Ratatouille,...
Horton Foote to be posthumously honoured with the Dallas Star Award
Chris Sanders and Dean Deblois named as recipients of the Texas Avery Animation Award
Additions to the Festival Line Up
The Dallas International Film Festival presented by Cadillac (March 31 . April 10, 2011) announced today that two new Honorees have been added to the slate of Dallas Star Award recipients . writer, producer and director Scott Z. Burns (The Informant, The Bourne Ultimatum) and posthumously to Texas legend and Academy-Award winner Horton Foote(To Kill A Mockingbird, Tender Mercies). The popular Texas Avery Animation Award presented by Reel FX Entertainment will be awarded to the writers and directors of the Academy Award nominated How To Train Your Dragon and Lilo & Stitch, Dean DeBlois and Chris Sanders. Previous recipients include Pete Docter (Up), Henry Selick (Coraline),Chris Wedge (Robots)and Brad Bird (Ratatouille,...
- 3/30/2011
- by Melissa Howland
- WeAreMovieGeeks.com
The most critically acclaimed and highest grossing non-Shrek film for Dreamworks Animation is, of course, going to receive at least two sequels and now we have more details. Dean DeBlois and Chris Sanders‘ How To Train Your Dragon ended up with over $500 million at the worldwide box office, beloved by critics and audiences alike. While we’ve known about a sequel for some time, new details were recently revealed at the Annie Awards. [THR]
With co-director Chris Sanders busy taking on another Dreamworks Animation for a 2012 release, The Croods, Dean DeBlois has taken on writing and directing duties for the sequel. While I was initially afraid this property would be turned into a cheap spin-off, these latest quotes give me hope. On his second draft of the screenplay, DeBlois said the following:
“It’s going to be quite epic. We are treating How To Train Your Dragon as the first act in a much larger story.
With co-director Chris Sanders busy taking on another Dreamworks Animation for a 2012 release, The Croods, Dean DeBlois has taken on writing and directing duties for the sequel. While I was initially afraid this property would be turned into a cheap spin-off, these latest quotes give me hope. On his second draft of the screenplay, DeBlois said the following:
“It’s going to be quite epic. We are treating How To Train Your Dragon as the first act in a much larger story.
- 2/8/2011
- by Jordan Raup
- The Film Stage
We can never have enough How To Train Your Dragon in our lives, so I present to you the official music video for the Best Original Song contender, Sticks & Stones. It is written/performed by Sigur Rós‘ lead Jónsi.
Co-director Dean DeBlois previously helmed one of my favorite music documentaries, Heima, featuring Sigur Rós. They continued their relationship for this animated feature. John Powell‘s score was one of the best of the year, but Jónsi‘s accompaniment was a perfect mix. He stopped by the Late Night With Jimmy Fallon as well, and we posted that video earlier.
Check out the music video below via We Are Move Geeks. It doesn’t present anything new, but its a great chance to revisit some of the best moments from the film.
How To Train Your Dragon is being turned into a cartoon series, with a Cartoon Network premiere sometime in...
Co-director Dean DeBlois previously helmed one of my favorite music documentaries, Heima, featuring Sigur Rós. They continued their relationship for this animated feature. John Powell‘s score was one of the best of the year, but Jónsi‘s accompaniment was a perfect mix. He stopped by the Late Night With Jimmy Fallon as well, and we posted that video earlier.
Check out the music video below via We Are Move Geeks. It doesn’t present anything new, but its a great chance to revisit some of the best moments from the film.
How To Train Your Dragon is being turned into a cartoon series, with a Cartoon Network premiere sometime in...
- 12/22/2010
- by Jordan Raup
- The Film Stage
Nothing would make me happier than seeing Sigur Rós‘ lead Jónsi taking home the Best Original Song Oscar for the end credits song Sticks & Stones in How To Train Your Dragon. Co-director Dean DeBlois previously helmed one of my favorite music documentaries ever, Heima, featuring Sigur Rós. They continued their relationship for this animated feature. John Powell‘s score was one of the best of the year, but Jónsi‘s accompaniment was a perfect mix. He stopped by the Late Night With Jimmy Fallon and performed this single. Check it out below via Stereogum and The Playlist.
How To Train Your Dragon is out now on Blu-ray as well as Jónsi‘s solo album Go.
E-mail Jordan Raup here. Follow him on Twitter and Facebook for the latest Tfs updates!
How To Train Your Dragon is out now on Blu-ray as well as Jónsi‘s solo album Go.
E-mail Jordan Raup here. Follow him on Twitter and Facebook for the latest Tfs updates!
- 11/11/2010
- by Jordan Raup
- The Film Stage
It looks like Sigur Rós frontman Jónsi would like to have an Oscar on his mantle. With Academy Award nominations just over two months away, the singer stopped by "Late Night With Jimmy Fallon" last night to play, not a song off his debut solo album "Go," but instead his contribution to the "How To Train Your Dragon" soundtrack, "Sticks & Stones." While it might seem odd to find Jónsi crooning on a kid's movie, the film was directed by Dean DeBlois who helmed the solid Sigur Rós concert doc "Heima" (definitely worth seeking out if you're a fan). The…...
- 11/11/2010
- The Playlist
I just got back from a hipster-populated concert at New York’s Manhattan Center that is part of a 19-city international tour featuring the Icelandic singer-guitarist Jonsi, who is probably best known as the frontman of the “post-rock” band Sigur Rós (their song “Hoppipolla” was the theme for the nature doc “Planet Earth”), and who is now vying for a best original song Oscar nomination for “Sticks & Stones” (which plays over the end credits of the hit animated film “How to Train Your Dragon”). Jonsi became involved with the film through its co-director Dean DeBlois, who had previously made a well-received doc about “Sigur Rós” called “Heima” (2007), as well as another about Jonsi, specifically, called “Go Quiet” (2010). Though the opening act at last night’s took forever and was nothing to phone home about, the main attraction was really something — the guy has a truly distinct sound that is simultaneously high-pitched and soothing,...
- 11/11/2010
- by Scott Feinberg
- Scott Feinberg
by Vadim Rizov
If the fact that Da Pennebaker and Chris Hegedus recently directed a live webcast of a performance by The National at Brooklyn's Bam Theater is notable to you, you're probably interested in at least one (and possibly all three) of the following things: The National, the general idea of the concert movie and/or the work of Pennebaker and Hegedus.
The National are the Brooklyn-based band who've spent the past decade building up a fanatically loyal fanbase and critical army for their anthemically mopey music; Pennebaker is the man who's built an entire career upon the admitted coup of being able to follow Bob Dylan around during 1965 and giving the world Don't Look Back. And the concert movie is the hardest to evaluate with any kind of critical distance.
Continued reading Da Pennebaker and The National...
Comments (1)
Comments on this Entry:
(Rob Leickner on May 21, 2010 9:05 Am...
If the fact that Da Pennebaker and Chris Hegedus recently directed a live webcast of a performance by The National at Brooklyn's Bam Theater is notable to you, you're probably interested in at least one (and possibly all three) of the following things: The National, the general idea of the concert movie and/or the work of Pennebaker and Hegedus.
The National are the Brooklyn-based band who've spent the past decade building up a fanatically loyal fanbase and critical army for their anthemically mopey music; Pennebaker is the man who's built an entire career upon the admitted coup of being able to follow Bob Dylan around during 1965 and giving the world Don't Look Back. And the concert movie is the hardest to evaluate with any kind of critical distance.
Continued reading Da Pennebaker and The National...
Comments (1)
Comments on this Entry:
(Rob Leickner on May 21, 2010 9:05 Am...
- 5/19/2010
- GreenCine Daily
- The 2007 AFI Fest ended with the screening of Love in the Time of Cholera and the announcement of this year's winners with the politically correct choice of Munyurangabo, an uneven drama set in Rwanda by a Korean-American director was a surprise given the strong line up this year. The tie between Operation Filmmaker and Afghan Muscles was justified, both were evocative and timely, dealing with an Iraqi film student and the other about Afghan body builders. Winners pictured above are: From left to Right: Jenny Lund (Munyurangabo), Nash Edgerton (Spider), Lauren Greenfield (Kids + Money), Jeffrey Schwarz (Spine Tingler! The William Castle Story), Andreas Mol Dalsgaard (Afghan Muscles), Micheal Addis (Heckler). The line up was one of the strongest in years including many films from Cannes (4 Months, 3 Weeks and 2 Days, The Diving Bell and the Butterfly, Persepolis, Silent Light, Jellyfish, Caramel, Secret Sunshine and others) and Berlin (Irina Palm, The
- 11/13/2007
- IONCINEMA.com
- Not only a great portrayal of a great band but also their country (population less than half a million) the enigmatic Iceland, Heima this documentary one of the best of its kind. It comes together in the hands of Canadian director Dean DeBlois. The film merges on several levels as music, film and art comes together to give us a profound experience which raises a new standard and blurs the lines for documentaries and videos. The film is a must see, specially for fans of the group and the for those ho enjoy the splendors of such an isolated and community-friendly Nordic landscape.Filmed during the summer months, the band played a sprinkling of free, unannounced concerts in their homeland and the result is far from your-run-of-the-mill type of musical documentaries. With live performances in settings stemming from picturesque nooks and crannies to middle of nowhere locales and a
- 11/10/2007
- IONCINEMA.com
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