I remember watching the original 1978 "I Spit on Your Grave" earlier this year and thinking that it packed one hell of a visceral punch while also carrying quite an angry proto-feminist slant. Yeah, it was obviously a low-budget exploitation horror picture with a strong feminist subtext, but it was both shocking and challenging on a deep emotional level - challenging everything you thought you knew about humanity, justice, violence, and revenge & retribution.
Anyone who watches the film with an open mind will indeed find a powerful and angry film, one that takes no prisoners, nor does it try to play it safe for the safety and comfort of the audience. It was meant to shock, horrify, and provoke strong reactions and discussions.
These are things that the original "I Spit on Your Grave" (originally titled "Day of the Woman") and its 2010 remake of the same name, directed by Steven R. Monroe, have in common.
While sharing the same set-up - about a beautiful young novelist from the city named Jennifer Hills (played by Sarah Butler here, Camille Keaton in the 1978 original) who retreats to the backwoods to write her latest novel and is assaulted by a gang of country lowlifes and later exacting brutal, bloody systematic revenge against them - the remake is still very much a very different film. (It's a much better-made film, with better acting, writing and directing, and has better special effects. It's less raw and rugged, but it's somehow slightly more enjoyable.)
For one, the original 1978 "I Spit on Your Grave" and its 2010 remake are very much products of their time; Meir Zarchi, who directed the original and was also involved in the production of this film, was reportedly inspired to make the film after his encounter with a young rape victim back in the '70s. As such, he made a film that while it had an extremely low budget and no-name performers (though Camille Keaton was the grand-daughter of Hollywood acting legend Buster Keaton), was nonetheless compelling, challenging, and shocking. (How shocking, you ask? Well, movie critic Roger Ebert gave the film no stars and has been behind efforts to have the film both banned and blacklisted.) The original film, made in the wake of women's liberation, was also slammed as feminist propaganda - allegedly because it features a lone female exacting vengeance on her all-male gang of attackers.
By comparison, Monroe's film doesn't carry the same visceral punch to the gut that Zarchi's original did. It was raw, brutal, and ugly; and it was also saying something about victims and their attackers. But because horror films have been getting increasingly gorier in the wake of the "Saw" and "Hostel" films and their like-minded imitators in the "torture porn" sub-genre of horror, the violence here is really not all that shocking. The original film got by on its raw intensity alone, an element of the original film that was helped immensely by its low budget, which gave it an almost-documentary-style feel to it. The one drawback, however, was the original Jennifer Hills's all-too-convenient transformation from victim to avenger in too short a time frame.
As such, the 2010 "I Spit on Your Grave" seems to more or less conform to these current torture-porn movie standards, with Sarah Butler's Jennifer Hills character torturing her attackers in elaborately gruesome ways before finally executing them altogether. The one benefit of this is that a much longer time frame passes before Jennifer gets her sweet revenge, which makes her actions and subsequent transformation from victim to victor a little bit more believable. On the other hand, though, she's given to making cheesy slasher movie-style one-liners as she tortures her former tormentors to death.
Overall, while "I Spit on Your Grave" is a better-made film and I enjoyed it more, I didn't get that same level of intensity from it that I got from the original "I Spit on Your Grave." Because it abides more by contemporary horror standards, it lessens the overall impact. It is still, however, a valiant remake that was not a complete waste of time (like most horror movie remakes).
6/10
Anyone who watches the film with an open mind will indeed find a powerful and angry film, one that takes no prisoners, nor does it try to play it safe for the safety and comfort of the audience. It was meant to shock, horrify, and provoke strong reactions and discussions.
These are things that the original "I Spit on Your Grave" (originally titled "Day of the Woman") and its 2010 remake of the same name, directed by Steven R. Monroe, have in common.
While sharing the same set-up - about a beautiful young novelist from the city named Jennifer Hills (played by Sarah Butler here, Camille Keaton in the 1978 original) who retreats to the backwoods to write her latest novel and is assaulted by a gang of country lowlifes and later exacting brutal, bloody systematic revenge against them - the remake is still very much a very different film. (It's a much better-made film, with better acting, writing and directing, and has better special effects. It's less raw and rugged, but it's somehow slightly more enjoyable.)
For one, the original 1978 "I Spit on Your Grave" and its 2010 remake are very much products of their time; Meir Zarchi, who directed the original and was also involved in the production of this film, was reportedly inspired to make the film after his encounter with a young rape victim back in the '70s. As such, he made a film that while it had an extremely low budget and no-name performers (though Camille Keaton was the grand-daughter of Hollywood acting legend Buster Keaton), was nonetheless compelling, challenging, and shocking. (How shocking, you ask? Well, movie critic Roger Ebert gave the film no stars and has been behind efforts to have the film both banned and blacklisted.) The original film, made in the wake of women's liberation, was also slammed as feminist propaganda - allegedly because it features a lone female exacting vengeance on her all-male gang of attackers.
By comparison, Monroe's film doesn't carry the same visceral punch to the gut that Zarchi's original did. It was raw, brutal, and ugly; and it was also saying something about victims and their attackers. But because horror films have been getting increasingly gorier in the wake of the "Saw" and "Hostel" films and their like-minded imitators in the "torture porn" sub-genre of horror, the violence here is really not all that shocking. The original film got by on its raw intensity alone, an element of the original film that was helped immensely by its low budget, which gave it an almost-documentary-style feel to it. The one drawback, however, was the original Jennifer Hills's all-too-convenient transformation from victim to avenger in too short a time frame.
As such, the 2010 "I Spit on Your Grave" seems to more or less conform to these current torture-porn movie standards, with Sarah Butler's Jennifer Hills character torturing her attackers in elaborately gruesome ways before finally executing them altogether. The one benefit of this is that a much longer time frame passes before Jennifer gets her sweet revenge, which makes her actions and subsequent transformation from victim to victor a little bit more believable. On the other hand, though, she's given to making cheesy slasher movie-style one-liners as she tortures her former tormentors to death.
Overall, while "I Spit on Your Grave" is a better-made film and I enjoyed it more, I didn't get that same level of intensity from it that I got from the original "I Spit on Your Grave." Because it abides more by contemporary horror standards, it lessens the overall impact. It is still, however, a valiant remake that was not a complete waste of time (like most horror movie remakes).
6/10
