User Reviews

Òran na h-Eala (2022) is a film that explores Moira Shearer's decision to star in the cult classic The Red Shoes (1948) and how her life was affected by it. Overall this was a very powerful and insightful short. I was incredibly impressed and thorough engaged!

The cinematography was beautiful with some really strong colour palettes; every shot was impressive! The lighting was soft and dreamlike and it felt very unique. The framing choices were intriguing too and felt super artistic, along with the hypnotic camerawork, this made the short consistently pleasing to the eye!

I loved the music used in the short too! The songs and lyrics helped tell a story and develop the character even further, I've found myself listening to the songs used quite a bit!

The acting was flawless from everyone who took part, and the performances portray a lot of emotion! Shannon Davidson was a brilliant and talented fit for her role and had me captivated throughout. Also, the dialogue was well written too which helped alongside the great performances.

Lastly the story is clear and easy to follow along with. The pacing is very consistent and steady, meaning the short flowed well and didn't feel too short or too long.

Òran na h-Eala is such a poetic short film, I loved everything about it. From the deep dialogue with the passion in her eyes to the conflicting moments for a life changing opportunity for stardom or to continue in ballet really had me on edge. I had no idea about the film "The Red Shoes" either but this is how short films should be made. Precise - to the point and with a beautiful ending. This is easily 10 stars.

The acting was flawless in this short film with lots of emotions that had me deeply invested into every word she spoke. I'm glad they got the right actress for this, it's some big shoes to fill and she deserves awards just for this performance alone. The story is easy to follow along if you have no idea about Michael Powell and Emeric Pressburger's, The Red Shoes thankfully you can still understand what's happening but it's still neat to watch The Red Shoes either before or after this film to really appreciate it all. I'm so impressed and loved everything this short film. From the soundtrack, props and to the ending. Such detail, such love put into this film. I'm inspired.

"The Red Shoes", an English classic from 1948, has endured as an unforgettable film for several decades since its release. Directors, Michael Powell and Emeric Pressburger made a film star out of the ever-gorgeous Moira Shearer, an up-and-coming Ballerina of the time. Her casting made perfect sense because their protagonist was also an aspiring Prima Ballerina. Moira was their ideal fit to the point of obsession. They pursued her for over a year before she finally agreed to accept the part.

The short film is just under 15 minutes long, yet it manages to touch our hearts by echoing the atmosphere of the role of Vicky Page and comparing it expressionistically to the very woman who brought her to life on the screen. Playing that pivotal role of Moira Shearer is Shannon Davidson, who seems to embody the character totally.

The use of mirror shots allows the audience to share her memories, reflecting on each moment with her. The theatrical lighting and stylized cinematography add to the dreamlike quality of the piece, achieving an authentic period look reminiscent of the original three strip Technicolor film.

"The Red Shoes" was a huge success at the time and went on to win Oscars, but Moira's struggle to choose between her passion for the world of ballet or the allure of cinema stardom, is what propels writer / director Steve Exeter's "Òran na h-Eala" making it one of the most vital short films of 2022.

I have to say Steve Exeter did an exceptional job making this. If you're a fanatic of the movie "The Red Shoes" like I am then this is a must watch. Shannon Davidson's performance just blew me away right from the start from her confidence to her perfectly done makeup - just like Moira Shearer. Nothing was rushed from the looks of it, the editing, sound and the dialogue. Spot on! This is indeed award winning, I hope they get more eyeballs on this short film.

Fascinating! I've always loved red shoes and thankfully this short film didn't disappoint. I liked the use of the zoom at certain shots to emphasize certain moments of her situation. The angles were done just right, felt like I was there watching her. I also think this wouldn't have been as big without Shannon Davidson - the resemblance to Moira Shearer is uncanny. Director did great! Can't wait to see what they get up to next.

This is one of the best short films i've seen in a long time. I loved the opening credits playing homage to "The Red Shoes" which was brilliant, adding a nice touch to set the mood as the plot unfolded. The film has lots of emotions as Shannon Davidson who plays Moira Shearer took this film to the next level. We witness her emotions and strength but she's deeply conflicted between her love for ballet and her opportunity at fame from acting. This was only 15 minutes but it felt a lot longer, great acting, editing and the film is just one of those shorts you need to watch. This could easily be made into a feature length film. I highly recommend!

Firstly kudos to the director for getting the cast right for this film. Shannon Davidson was a perfect fit to play Moira Shearer. The film had a nice pace to it, crafty editing and cinematography. The mirrors shots psychologically made me feel like I was there and it was that much more personal. Playing Moira Shearer isn't an easy task but she made it look easy, lots of emotions and a convincing effort that had me glued to the screen right to the very end.

I'm normally careful about saying a film is "perfect", but that's exactly what this is. I'm so glad to see Steve Exeter and everyone involved in this really getting the credit they deserve because right from the start to the end, it felt like I was sitting there - front row watching everything unfold . Worthy mention of the amazing Shannon Davidson who plays Moira Shearer perfectly. There's a obvious reason why she's won 22 awards and has been nominated 15 times. Considering the short runtime the amount of passion and love put into this is evident. Does she make that life changing decision and enter a career in film or continue on with her ballet. That's what we witness and it was amazing.

As a true cinephile, I was thoroughly impressed by this short film. The attention to detail is simply astounding; I found myself watching it multiple times to catch every nuanced aspect the director had cleverly incorporated. The opening is profoundly impactful, setting the stage for a lead performance that truly captivates. The synergy of superb editing and a complementary soundtrack is nothing short of award-worthy. My only qualm is its brevity. While I understand the nature of a short film, a continuation or a slightly extended version would be highly welcome. Nevertheless, Òran na h-Eala stands as a remarkable tribute to one of the finest films ever crafted, offering a little something for every viewer.

This film is packed with such detail and complexity that I found myself watching it a few times. Shannon Davidson's portrayal of Moira Shearer was absolutely stunning, bringing to life a character both intricate and charming, who embarks on the life-changing journey of starring in the Powell and Pressburger classic, "The Red Shoes." The editing, colour grading, and precisely designed set all contributed to an incredibly authentic feel. It's no wonder it clinched an award at the New York Movie Awards. Reminiscing about my younger days, I remember being moved to tears by the beauty of ballet and Moira Shearer, and this short film vividly brings back those cherished memories.

I am an avid fan of short films, and this particular one truly caught me off guard. The cinematography is stunning, complemented by powerful performances from the cast. Additionally, the sound and lighting were executed flawlessly, aligning seamlessly with the film's ambiance. I genuinely struggle to find any flaws or critical points to mention about this short film; it's crafted masterfully. I've viewed it at least four times to absorb all the details I initially missed. It's certainly deserving of awards. The attention to detail in every scene is remarkable, enhancing the overall impact of the story. It's a cinematic gem that leaves a lasting impression, a testament to the skill and creativity involved in its making.

I just finished watching this and I though to myself, I have to write a review about this so others can also enjoy it. Starting of - I loved the intro and the props. Amazing set designs and her strong demeanor mixed with conflict really went together so well. Shannon Davidson really stood out here and her performance is one of a kind. It's hard to find actresses really show their passion and convincing us, the audience of a complex character like she's playing. Job well done to her and everyone else. I'm a fan of this film forever and like many others here we are just waiting for the next film.

The attention to detail in this short film is astounding, prompting me to watch it several times to catch every subtle nuance skillfully woven in by the director. The film begins with a deeply impactful introduction, leading into a performance by the main actor that completely captivates the audience. The combination of meticulous editing and a harmonious soundtrack is nothing short of award-worthy. My only wish is that it was longer; although it's a short film, a sequel or continuation would be highly anticipated. Nonetheless, Òran na h-Eala stands as a remarkable tribute to one of the greatest films in history, offering a diverse array of elements to satisfy all viewers.

Oran na h-Eala captivates as a cinematic masterpiece, seamlessly blending all elements into a harmonious symphony. This short film stands out with its compelling narrative, enhanced by stellar performances, exquisite sound design, meticulous costume detailing, and visually stunning sets. The film transcends expectations, artfully balancing its themes. While initially anticipated to feature more ballet, the focus shifts to the protagonist's journey, a narrative choice that enriches the film's depth, particularly given its short format. Oran na h-Eala emerges as a potential award-winner, a blend of drama and visual poetry that leaves a lasting impression. It's a film so enchanting, one wishes it would go on indefinitely.

I'm usually cautious about labeling a film as "perfect," but in this case, it truly fits. It's fantastic to see Steve Exeter and his team receiving well-deserved recognition. From beginning to end, it felt like I was right there in the front row, watching everything unfold. Special accolades go to Shannon Davidson, who flawlessly portrays Moira Shearer. Her 22 awards and 15 nominations are well justified. Despite its brief runtime, the film clearly shows a deep commitment and passion. The story hinges on a pivotal decision: will she pursue a career in film or stick with her ballet? Watching her navigate this choice was truly captivating.

Watching this was a truly unique experience! The writing and acting were brilliant, and the cinematography was exceptional. It felt like I was right there, deeply immersed in the unfolding events. The deep character emotions and the complexity of the narrative kept me captivated throughout this poignant exploration of Moira Shearer's psyche before "The Red Shoes." The film's short runtime is both a blessing and a curse; it succinctly captures the essence of Shearer's emotional and artistic turmoil, yet leaves you yearning for more. This is a short film that not only entertains but also resonates deeply, leaving a lasting impression. My only wish is that it were longer to fully explore the rich story and characters, providing even more depth and insight into an already compelling narrative.

This brief film is a rich tapestry of emotions and complexity, remarkably capturing a wide range of feelings within its short run time. The director has skillfully woven this nuanced yet clear story. The opening scene is particularly striking, drawing inspiration from "The Red Shoes" and laying the groundwork for a riveting and emotionally resonant experience. Shannon Davidson's portrayal of Moire Shearer is a standout, infusing the character with elegance and realism. It's a demanding role, but her execution is so authentic that it feels like watching the events happen in real time. Congratulations to Steve Exeter and the entire crew for their exceptional work. As someone who deeply appreciates "The Red Shoes," I found this film thoroughly enjoyable. It's highly recommended for everyone, even those not familiar with the original, particularly for fans of Òran na h-Eala.

There's so much detail and intricacy in this film I had to watch it twice. Shannon Davidson blew me away with her performance playing Moira Shearer a complex and charming character that gets a life changing opportunity of starring in the Powell and Pressburger classic "The Red Shoes." Steve Exeter took the right approach on making this. Loved the editing, color grading and the set was done precisely to make this feel authentic as possible. I can see why this won the New York Movie Awards. Watch and support this film.

Experiencing this film was truly extraordinary! The combination of outstanding writing, exceptional acting, and magnificent cinematography created a sense of being right in the middle of the action. The depth and emotional complexity of the characters were captivating, keeping me completely engaged. This film offers a succinct yet profound glimpse into Moira Shearer's inner world just before "The Red Shoes" emerged. Despite its brief duration, this short film leaves a lasting impression. My only wish is that it were longer, allowing for a more extensive exploration of its rich narrative and themes.

I loved everything about this. The soundtrack is amazing as is the costumes and the set. Felt like I was going back in time for that 15 minutes and the start was quirky and was such a neat way to bring the film in. One of the best short films out there. Watch it.

The soundtrack was exceptional, and the characters were vividly portrayed. Shannon Davidson excellently captured the enchanting allure akin to Moira Shearer. Despite its short duration, the film's intricate craftsmanship is remarkable and deserves high praise. I am deeply appreciative of filmmakers such as Steve Exeter for their role in weaving this engaging story that beautifully melds art with life. "The Red Shoes" stands as an everlasting classic, and "Òran na h-Eala" elegantly highlights its lasting appeal.

The director and the entire team showcased impressive skill. I highly recommend this film and urge everyone to support cinema of this quality. More productions of this nature would be a valuable addition to Hollywood.

Watching this film was an absolute delight. As a fan of Powell and Pressburger, I was beyond excited and it certainly lived up to my expectations. The cinematography stood out brilliantly, with a soft, dreamy light style that added a unique and captivating touch. This, combined with the striking and vibrant color palettes, played a pivotal role in the film's visual storytelling.

The narrative centers around Moira Shearer and her decision to star in the iconic "The Red Shoes," exploring the subsequent impact on her life. The plot is concise, direct, and filled with drama - exactly what you'd hope for in a film of this genre. It's a wonderful blend of simplicity and emotional depth.

I'm eagerly anticipating the next project from the same creative team. Their ability to tell such a compelling story has left me excited to see what they'll produce next.

The buzz around this short film piqued my curiosity, prompting me to give it a watch, and I must say, it lived up to every bit of the hype. From the very beginning, with its opening scenes, the film captures your attention with its deeply meaningful and thoughtfully composed shots. The set designs and costumes are meticulously crafted, effortlessly transporting you to another time and place. Complementing the visual feast is the exceptional soundtrack, enhancing the film's overall atmosphere.

What struck me most was the vibrant and warm color palette, which added a unique and lively energy to every frame. Despite its short duration, the film exudes a level of polish and sophistication that you'd typically associate with big-budget Hollywood productions. I found myself completely captivated by its quality and execution.

Oran na h-Eala is a journey through time, offering the viewer a glimpse into the life of Moira Shearer, who was arguably one of the most charismatic and iconic people in the world of international ballet. Seeing the film's opening credits was a welcome surprise, I could immediately point out visual similarities between the short film and "The Red Shoes", the prolific ballet drama that took the world of cinema by storm in 1948. However, it's not only the opening credits where the short film pays ode to the emblematic film, it inspires its visuals as well as its direction. It is exactly a little before 1948 that we must travel to, at a time when the young ballerina was just being proposed to star in The Red Shoes.

The film is beautifully shot and each frame might as well be a painting. There's no doubt a bit of that fairy dust magic is going on behind the cameras that charmed The Red Shoes in the first place. The film's lead, Shannon Davidson lights up the screen with her incontestable flare and charm. She really brings Moira's torn spirit to life with her astounding performance and drives home the point to the audience. She is complimented by an equally stunning Powell and Pressburger duo, that haunt and nag her to no end.

The parallels between "Oran na h-Eala" and "The Red Shoes" are very interesting to me. Vicky Page was given the opportunity to choose between her dreams and her longing for love and ended up choosing neither or both, who is to say. The short film takes a similar position to when portraying Moira Shearer's career defining decision. Instead this time, torn between cinema and ballet, she did make the choice and it is the ballerina that ended up dying. The short asks an interesting question, "What if Moira had stayed behind to pursue her dreams of becoming prima ballerina?" Would we still have come to know her as the star she was or would she have eternally stayed in Margot Fonteyn's shadow?

The short film is a must watch for fans of Powell and Pressburger's "The Red Shoes" and Moira Shearer but remains an educative watch to newcomers as well.