'Moments Of Glory' is an interesting series of vignettes depicting life in modern Angola, with the country's many conflicts, from the recent civil war to rampant street crime forming the story lines to each segment. However, the subjects are handled with a degree of humour and irony, the brief 10-minute anthology itself presented within a comic-book framework, introduced by transitional animation, a la Stephen King's 'Creepshow', and driven along by a jaunty soundtrack. The offsetting of the serious social issues by ironic humour is certainly an accessible way of delving into their darker ramifications, and with a running time of only 10 minutes, is probably a good way of creating something memorable. Each subject is deserving of dramatic commentary, but when you live with such fear and uncertainty every day, finding the humorous side is not only healthy, it's essential.
This I also found desirable, since 'Moments Of Glory' is my first Angolan film, and humour is an excellent way into a culture, with the subtle rather than overt approach washing over the end result with a good dose of maturity. Writer and producer Ze Du dos Santos is very much aware of the film's brevity, paring each script down to its essentials, with director Antonio Duarted overseeing some good camera work and acting to match. I didn't always see a connection between each segment, nor did I really understand the message of the final part (the Aldous Huxley-informed triumph of superficiality?), but this lack of coherence may well be due to my lack of knowledge on all things Angolan. However, with this sort of talent on display, and with the Angolan film industry fairly spartan at present, I hope the void will be filled before long. 'Moments Of Glory' is certainly a promising entrée.
This I also found desirable, since 'Moments Of Glory' is my first Angolan film, and humour is an excellent way into a culture, with the subtle rather than overt approach washing over the end result with a good dose of maturity. Writer and producer Ze Du dos Santos is very much aware of the film's brevity, paring each script down to its essentials, with director Antonio Duarted overseeing some good camera work and acting to match. I didn't always see a connection between each segment, nor did I really understand the message of the final part (the Aldous Huxley-informed triumph of superficiality?), but this lack of coherence may well be due to my lack of knowledge on all things Angolan. However, with this sort of talent on display, and with the Angolan film industry fairly spartan at present, I hope the void will be filled before long. 'Moments Of Glory' is certainly a promising entrée.
