Charles Atlas’ documentary Turning captures Antony and the Johnsons on tour in Europe in 2006, when the band was only part of the visual equation. Opposite Antony, 13 different women took the stage, revolving and acting out counterpoint emotions with their bodies. In this clip we have performance artist Johanna Constantine, an old friend of Antony’s since his first year at university. Turning hits DVD, CD and digital release on November 11 from Secretly Canadian.
- 10/28/2014
- by Vadim Rizov
- Filmmaker Magazine - Blog
Charles Atlas’ documentary Turning captures Antony and the Johnsons on tour in Europe in 2006, when the band was only part of the visual equation. Opposite Antony, 13 different women took the stage, revolving and acting out counterpoint emotions with their bodies. In this clip we have performance artist Johanna Constantine, an old friend of Antony’s since his first year at university. Turning hits DVD, CD and digital release on November 11 from Secretly Canadian.
- 10/28/2014
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
Big changes are in store for the 5th annual Migrating Forms experimental media festival, which is set to run December 11-17.
Well, that’s the first change: Moving from its traditional spot in March to December. More importantly, though, the fest is moving physical locations. Instead of it’s usual home of the Anthology Film Archives in Manhattan, this year’s Migrating Forms will be screening at the BAMcinématek in Brooklyn.
The festivities will begin on Dec. 11 with the U.S. premiere of four new short films by media artist Ryan Trecartin. Each film involves a unique cast of characters, including Trecartin’s actual high school classmates and a group of reality TV show hopefuls, navigating their complex social strata.
The rest of the fest will screen challenging feature-length material, such as Drew Tobia’s outrageous See You Next Tuesday; the family drama The Unity of Things by Daniel Schmidt...
Well, that’s the first change: Moving from its traditional spot in March to December. More importantly, though, the fest is moving physical locations. Instead of it’s usual home of the Anthology Film Archives in Manhattan, this year’s Migrating Forms will be screening at the BAMcinématek in Brooklyn.
The festivities will begin on Dec. 11 with the U.S. premiere of four new short films by media artist Ryan Trecartin. Each film involves a unique cast of characters, including Trecartin’s actual high school classmates and a group of reality TV show hopefuls, navigating their complex social strata.
The rest of the fest will screen challenging feature-length material, such as Drew Tobia’s outrageous See You Next Tuesday; the family drama The Unity of Things by Daniel Schmidt...
- 12/9/2013
- by Mike Everleth
- Underground Film Journal
It’s been a banner year for Charles Atlas. In 2012, the filmmaker and video artist was included in the Whitney Biennial, opened his first New York solo show, “The Illusion of Democracy” (the inaugural show of Lurhring Augustine’s brand new Bushwick gallery, no less), had seminal, rarely-screened works revived care of keen programming at local NYC film series’ Dirty Looks and Light Industry, and is now unveiling his long-awaited collaboration with enigmatic singer/musician Antony Hegarty (of Antony and the Johnsons), which opens today at IFC Center.
Turning, which had its New York premiere this past weekend at Doc NYC, is a feature-length documentary, and its Atlas’s first film to receive a traditional theatrical release. Part performance film and part backstage portrait, the film is a unique blend of the filmmaker’s entrancing visuals, Antony’s exquisite music and intimate interviews with the thirteen “models,” a diverse collection...
Turning, which had its New York premiere this past weekend at Doc NYC, is a feature-length documentary, and its Atlas’s first film to receive a traditional theatrical release. Part performance film and part backstage portrait, the film is a unique blend of the filmmaker’s entrancing visuals, Antony’s exquisite music and intimate interviews with the thirteen “models,” a diverse collection...
- 11/16/2012
- by Paul Dallas
- Filmmaker Magazine - Blog
It’s been a banner year for Charles Atlas. In 2012, the filmmaker and video artist was included in the Whitney Biennial, opened his first New York solo show, “The Illusion of Democracy” (the inaugural show of Lurhring Augustine’s brand new Bushwick gallery, no less), had seminal, rarely-screened works revived care of keen programming at local NYC film series’ Dirty Looks and Light Industry, and is now unveiling his long-awaited collaboration with enigmatic singer/musician Antony Hegarty (of Antony and the Johnsons), which opens today at IFC Center. Turning, which had its New York premiere this past weekend at Doc NYC, is …...
- 11/16/2012
- by Paul Dallas
- Filmmaker Magazine-Director Interviews
Once you've heard the voice of Antony Hegarty, you're unlikely to forget it. Leading the group Antony and the Johnsons, he is a Mercury Prize-winning artist who has found a legion of fans and critical praise. His unique, otherworldly voice has placed Antony in a category all of his own, with works that also dip into the visual arts and compositional realm. Multifaceted and always fascinating, it's no surprise that someone has decided to turn the camera on him. Director Charles Atlas ("The Legend Of Leigh Bowery," "William Kentridge: Anything Is Possible") is behind "Turning," which brings a unique angle to its subject. Using Antony's song and live performance as a backdrop, the documentary explores thirteen strong and individual women, whose sexual, gender or racial identities are expressed through Antony's music. And as you'll see in this exclusive clip, it's a true marrige of concert footage, direct documenatry.
- 11/15/2012
- by Kevin Jagernauth
- The Playlist
With their Stranger than Fiction series at New York City’s IFC Center, Thom Powers and Raphaela Neihausen have been curating, programming and advocating for documentary film going on eight years now. Their Tuesday-night events are typically packed, drawing audiences with not only great films but human interaction — Q&A’s with directors, collaborators, and even the film’s subjects. Three years ago, Powers and Neihausen wondered why there wasn’t a major, all-doc festival in New York and decided to embrace the challenge of creating one. The resulting Doc NYC is now in its third year (November 8 – 15), with a new, second theater and its largest program yet (115 events, 61 films and 22 panels and classes). Opening night November 8 features Bartholomew Cubbins’ Artifact, about Jared Leto’s band 30 Seconds to Mars and its legal battle with label Emi (Leto will be in attendance) and Venus and Serena, Michelle Major and Maiken Baird...
- 11/8/2012
- by Scott Macaulay
- Filmmaker Magazine - Blog
This week marks the start of Manhattan's third annual documentary festival, Doc NYC, at the IFC Center in Greenwich Village and Chelsea's Sva Theatre. The eight-day presentation boasts big names like Ken Burns, Barbara Kopple and Jonathan Demme as well as a significant roster from the indie underworld: Rufus Wainwright, Antony Hegarty, and Sophie Fiennes, to name but a few.
To help you sift through the massive schedule of documentaries, we've created our own guide to the must-see films of this year. Our list is as much a grab bag as the 115-item Doc NYC list, but we've picked the ones that we know you just can't miss:
1. How to Survive a Plague (directed by David France)
A powerful overview of Act Up and its science-savvy subgroup, Tag (Treatment Action Group); its members worked tirelessly to bring awareness to the plight of AIDS victims in the mid-1980s and early 1990s.
To help you sift through the massive schedule of documentaries, we've created our own guide to the must-see films of this year. Our list is as much a grab bag as the 115-item Doc NYC list, but we've picked the ones that we know you just can't miss:
1. How to Survive a Plague (directed by David France)
A powerful overview of Act Up and its science-savvy subgroup, Tag (Treatment Action Group); its members worked tirelessly to bring awareness to the plight of AIDS victims in the mid-1980s and early 1990s.
- 11/6/2012
- by The Huffington Post
- Huffington Post
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