Bright Days Ahead (2013) Poster

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6/10
Entertaining display of post-retirement life gone bad (or good?)
Horst_In_Translation2 October 2013
Warning: Spoilers
This little French comedy "Bright Days Ahead" stars Fanny Ardant as a recently retired dentist, who, still under the shock of her best friends's death, discovers new life paths when her daughters send her to "Les beaux jours", an institution where a great number of retirees spends their hours sewing, playing table tennis or taking computer lessons. At these lessons, she meets Julien, a teacher and more than 20 years her junior, with whom she soon enters a passionate relationship that turns her dull retirement life upside down. Complications arise as she's been married for decades and Julien isn't a man for one woman either.

It's a very French film, with lots of situation comedy from start to finish and if I'll watch it again at some point, I'll probably discover a lot more subtle nuances I oversaw the first time. Quite a hoot actually. It's very well written and never really drags. Real drama moments are rather rare, but executed properly as well, so taking everything into consideration this is definitely more of a feel-good comedy elevated by the script, Ardant's acting and a sweet ending where we see her taken and led by her husband's hand as opposed to several scenes earlier where her lover takes her by the hand to go places. It also has a couple memorable shots that show Marie Vernoux's talent, such as their first encounter in the car with the windshield separating us and everybody else in the world from their intimacy or the scene where Ardant's characters sits on a bench and we see Lafitte's leave on the right and, at the same time, one of her daughters entering the picture on the left.

In contrast to her character, Fanny Ardant, well into her 60s by now, proves in this film why she is hopefully still far away from retirement. She delivers a quietly convincing performance of a character who simply isn't over the top and wouldn't have justified such an approach. There's nothing absolutely outstanding about this film, the script maybe coming the closest to such a description, but it's an entertaining 100 minutes with some decent French music that will probably go a lot more under the radar than they should.
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5/10
Did not click
adventurer_ci27 October 2013
I did not click with this movie or this movie did not click with me. As much as I like French movies, this one disappointed me. The performances were good,Fanny Ardant is beautiful, but...nothing new in here and everything is so predictable. In my opinion, in this film was no connection on any level (physical or emotional) between two main characters . At least I did not notice. Fanny Ardant' character, so self- conscious of her age, so insecure, so needy of assurances or clarifications of what is next, of knowing how she is going to be "dropped", looked rather pathetic and out of place. It also did not show why the young man was attracted to her in the first place. It is usually class and self-assurance that attracts younger men to older women; this movie is silent about it. Love scenes were rather dismal. Overall, the film did not convey what the book it was based on might have done. I did not read the book.
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7/10
Dignified woman has last fling with young man
maurice_yacowar28 April 2014
Warning: Spoilers
Marion Vernoux's Bright Days Ahead is a telling change from the French title, Les beaux jours. The original speaks of present joys, the mistranslation — of a promised future. Both titles share an irony. The English title is the name of the seniors club which recently retired dentist Caroline (Fanny Ardant) is given a trial membership in to sample the joys of pottery, theatre, field trips, computer workshops, etc., with her contemporaries. In their camaraderie and activity they seem bound for brighter days, except that their signs of aging and loss continue to build. The women already make a game of recalling their first signs of the doom of aging. But from the future perspective, the present compromises will seem "the bright days."

While the others enjoy their activities and each other's company Caroline slips into an affair with their computer teacher, Julien (Laurent Lafitte), some 20 years her junior. She fills two cavities for him and he fills her larger one — briefly. The commitment is largely on her part and inevitably she loses him to more youthful beauty.That's the way of the whirled.

The affair threatens Caroline's marriage to Philippe (Patrick Chesnais), who is an extremely positive character, sensitive to her emotional situation, supportive, and clearly broken when he hears of her affair. But the film closes on their reconciliation. They join her friends for a seaside daytrip. While the skinny dip at the end establishes the group's post- sexuality — they cavort heedless of their dilapidation — Philippe reports "a boner," which in context we do not read as a faux pas. After an apparent lapse in their intimacy we infer Caroline will now find in her marriage what she sought outside — mutatis mutandis. Her husband won't have the skills — sexual or technological — that Julien had, though he will continue more devoted.

And perhaps he will see her newly illuminated by her attractiveness to a younger man:

Philippe: Have you looked at yourself?

Caroline: He does the job of looking at me!

Despite the familiar romantic scenes and music — you don't need the langue to know it's Frrrranch — the age issue gives this film a touching distinction. Caroline's camel coat has a vulvic slit up the back which may suggest either her turning her back on that aspect of her life or, conversely, her wearing her sexuality as a badge and a need despite her age. We're more accustomed to seeing the young driven by sex. Here the elegant, sensitive and dignified elderly dentist shows that need can survive.
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6/10
While I didn't completely agree with the film's message, it was very well made.
planktonrules17 July 2014
"Bright Days Ahead" is an odd sort of film for me to review. On one hand, I adore foreign films--particularly French ones. But, on the other, I am hopelessly conservative when it comes to marriage and relationships. I am happy I married my first and only love...even after nearly 30 years. Because of this, some of the themes in the film don't resonate with me at all...though I will still admit that I thought the film was well made and worth a look.

Caroline (Fanny Ardant) is going through a major transition in her life. Her best friend recently died and Caroline has just retired from her dental practice. Figuring out what to do and who she wants to be is the subject of this unusual film about aging. When the film begins, she's going to a local senior center to take some classes...hoping that something will pique her interest. However, her first several attempts are not particularly satisfying and she's very tentative. But, in the process, she ends up finding something she did enjoy...another man. And, he's a much younger and handsome man. While this isn't usually a serious problem, Caroline is married and having an affair could ruin her marriage or bring on other unforeseen consequences. Not surprisingly, she eventually does have an affair--though the consequences on her and her marriage are probably not what you might expect.

I liked some aspects of a film quite a bit. As a retired guy, I can relate to how difficult it might be making some huge life changes. In my case, it worked out well--but it IS a major change and is a bit like a loss. The old you is dead and you need to create a new you. I also appreciate that the film shows a 60-something woman as a very sexual and sensual being. Too often, films seem to be giving us the message that sex and love pretty much end by middle age. While this isn't overtly said in films, think about how often movies, particularly big-budget Hollywood films, have older folks in sexual relationships--unless it is perhaps a comedy. And, how many show these older people as vibrant, real and sexy? Well, "Bright Days Ahead" does...and this is something I really appreciated.

On the other hand, as I mentioned above, am very traditional. Because of this, the notion that affairs are okay or even good is something that troubled me--especially since I have known folks who were seriously harmed by their partner cheating on them. I would have enjoyed it more had the film shown these negative consequences or had Caroline been single. Instead, the film left me feeling uncomfortable...and why I cannot recommend it without some reservations.

Setting aside my misgivings for a moment, I cannot ignore that the film is well made and interesting. The acting is quite nice and the film does make you think. Worth seeing...just don't believe in its message too much--especially since people so often get hurt.
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5/10
Meh
Piccinina24 April 2014
I'm a longtime fan of Ardant from way back when I first saw her in a French TV "feuilleton" (Les Dames de la Cote). I wish she'd had a better script here. There were too many clichés and stereotypes. For me the story felt as flat as her hair color. Perhaps the bad blonde was meant to age her. She's much better and sexier as a brunette. In my opinion the best performance was by Patrick Chesnais as her husband. He was pitch perfect. There was a lot of potential for a more interesting film and it failed. But then again I haven't read the source material (book) so perhaps there just wasn't enough there to begin with. I'm glad that I saw it, but was disappointed despite the fact that it's always good to see Fanny.
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8/10
..other side of the pond they just do these kinds of films so much better
bjarias26 September 2014
If you're going to have a May/December affair with a woman in her mid 60's..Fanny is definitely the one you want to have it with. And even should you be same age or older, don't think you'd believe her to be an off choice. As for her performance in this film, it's once again pure Fanny Ardant.. she just makes it all look so relaxed and easy. She is (and has been for most her entire career) in a league all her own. It's a great cast overall, there are no weak performances. The script is straightforward, but again is so well done you do not realize how good it is until it's all over. And should you be fortunate enough in life to have experienced somewhat a similar circumstance.. all the more poignant.
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4/10
Perfectly fine, yet perfectly ordinary too
adamscastlevania224 March 2015
(37%) A typically French drama looking at an adulterous relationship between a recently retired dentist and her quite a lot younger computer teacher boyfriend. There's plenty of French realism here that's sort of like what a TV soap opera would be like if they were not so poorly made. While the plot is hugely simplistic to the point in which this could have been a 30 minute short and still had the exact same sort of impact. But the performances are decent enough, and there's not a huge amount of romantic movies out there about people in and out of love at the later stages of life. Maybe worth a look for French cinema fans, but I'm certainly never going to watch it again.
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5/10
Could be brighter.
tao90225 May 2015
A 60 year old woman has recently retired, is mourning the death of a close friend and is looking for meaning in her life. She is introduced to a 'seniors' club as a way of meeting people and participating in new activities. She initially shows little interest until the possibility of an affair with one of the organisers begins.

Nice idea for a screenplay, perhaps the screenplay was good, but the end product doesn't realise the potential. The film ultimately plays safe and succeeds only if it was aiming to be 'feel good'. Missed opportunities to become 'interesting' and 'unique' as well as 'bright'.

Some humorous moments but not enough for it to be a comedy. Some investigation of characters but not enough for it to be a drama.
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8/10
Lovely Days, Lovely Movie
writers_reign24 April 2014
Warning: Spoilers
This fine film is yet another case of Translator Talentless; the original French title is clear and unambiguous, Les Beaux Jours, literally The Good Days; nowhere is there any mention of the future, in fact if anything the title implies Golden Days in the past yet the translators have seen fit to render it Bright Days Ahead. Heigh Ho. Marion Vernoux is one of literally dozens of outstanding French female directors and her Rien a faire is one of the finest French films of recent years. In some ways there are echoes of Rien a faire here, both chronicle love affairs doomed to disaster, in Rien a faire the gulf was one of Class whilst in Les Beaux Jours the gulf is one of age. There are differences of course, and when I was lucky enough to meet Marion Vernoux at the London screening last night I made the point that Valerie Bruni Tedeschi (the star of Rien a faire) exudes vulnerability in heartbreaking quantities, Fanny Ardant (star of Les Beaux Jours) is much stronger emotionally. Patrick Chesnais is excellent as Ardant's husband and an ensemble cast complement the principals to a tee. A fine movie and one I will watch again and buy on DVD.
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5/10
The road to ruin
terraplane6 May 2014
Warning: Spoilers
I saw this during a French film festival in London. Both Fanny Ardant and Marion Vernoux were in attendance for a Q&A session afterwards.

The basic story is of an older woman in Calais having a brief affair with a younger man after retiring from her job as a dentist and re-discovering the sexual spark missing from her long marriage, before seeing the error of her ways. All this is set in motion because her daughters buy her a membership package to a kind of club for retired people. And therein lies the first of several problems. I cannot believe that a woman with such apparent vitality as the erstwhile Caroline would, even for a moment, consider joining a club for people who have nothing else to do. I also cannot believe that anyone - and especially daughters - would buy such a risible gift in the first place. Maybe it's a French thing.

Caroline then spends much time either in the company of a bunch of ageing nonentities, who seem to enjoy the idea of hurtling towards eternity via the purgatory of a seniors club, or in the lustful embrace of a younger bloke and his energetic tumescence, while her husband - who still works as a dentist and therefore has a rewarding, if somewhat boring life - appears to have all the charisma of a stunned hamster. But at least he's not filling other women's cavities while his wife is playing the lusty pink oboe instead of playing bingo in the afternoon. The story takes the usual turns and follows most of the usual clichés about such affairs until the film ends with another unlikely scenario. We all get old, we all need something to live for and we all need a bit of a spark in our relationships, but do we need yet another fairly uninteresting film to remind us of our mortality and apparent fragility when time starts to accelerate us ever faster towards our ultimate - and unavoidable - oblivion?

Not really.

The film is nicely photographed but ultimately it fails to engage on any level. The story is thin, the characters are not really developed beyond the cliché level and the script doesn't give the actors much to work with.

After the screening Fanny Ardant gave s few fairly unilluminating comments in reply to some hideously embarrassing questions from a bloke who thought that asking her whether she changed the sound of her voice for the film was an example of an interesting question.

Fanny's reply was "I was acting".
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French Cinema + lifeftime channel = worst of both worlds
VoyagerMN198623 October 2013
I am a fan of Ardent and certainly of French cinema.

But this film is unforgivably bland and flat.

Now, OK, the French simply cannot make a film without adultery. I get it. It is apparently some French law. And usually a one with good results. But it is one of several utterly forced aspects and plot lines thrown into this slightly droll "Lifetime channel" "made-for-TV" quality film that make the entire experience seem artificial. It doesn't shock, excite, enlightening, add drama, sadness or happiness. It is just a has to be there because it is the only thing the writers could think of.

The rest of the film is predictable and cliché. No usual French subtleties, simply nothing at all of interest
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4/10
The french have an urge to reinvent love.
fifo3510 August 2014
The french like to depict in most of their films. their favorite lifestyle which is usually middle to upper class. Sitting around a table drinking wine, eating food and pondering about politics and relationships. A bit later we will see some passionate sex and the story start to unfold, if the characters are on their 20's it has political overtones, if the characters are in their mid 30's it is about the coming of age, in this film is about the taboo of having an affair with a much younger partner and the predicament it accompanies such a decision.Nicely photographed, uplifting location near the sea can not to save this clichéd and bland film.It seems to me that a lot of french films suffer from trying to RE-invent love, which is fine but it becomes to be predictable and boring.
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8/10
Great film in many ways.
larryhiker25 March 2017
Warning: Spoilers
I watched and did a summary of Bright Days Ahead about three years ago and recently was searching comments for other reasons. It was exciting to see people who note the title and translation, i check them all too. For Les beaux jours, i had a slightly different opinion of the title and maybe more.

Most of the time the French, Italian, ... films end up with some significant action near the end. They leave you thinking. So i always watch the end closely. The risk is sometimes you see what you want to see, not always the real meaning. Myself, is i see you and i running into the ocean and having fun as "Bright Days Ahead", and that title is an accurate real meaning of the movie.

Perhaps the French might be happy with "De brillants jours à venir", from google translate. My point is the people that pick the titles, in all the languages, may be most interested in what font will go on the poster well and what will sell the most tickets. For me the title Bright Days Ahead is right on!

Larry!
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5/10
Looking ahead.
morrison-dylan-fan7 November 2017
Warning: Spoilers
Impressed by her performances in The Woman Next Door and 8 Women,I started keeping a look out for other titles starring Fanny Ardant. After the magical Intouchables ended,another French film appeared on BBC iPlayer,which led to me looking ahead to a bright viewing.

The plot:

Stuck in a loveless marriage and mourning the death of her friend, Caroline dite Caro is given vouchers to go on courses for free. Choosing computer skills, Caro meets lecturer Julien. Taking a fancy to each other right away,Caro and Julien begin an affair in the bright days.

View on the film:

Hitting the movie with a much-needed shot of passion, Fanny Ardant gives an excellent performance as Caro,that burns with passion towards Julien,and turns into a melancholy light when round her husband. For this May-December romance,co-writer/(with Fanny Chesnel & Marc Syrigas) director Marion Vernoux and cinematographer Nicolas Gaurin give the tale an elegant mood,with the bright,sunny outlook between Julien and Caro dimming to a light blue when Caro returns home. Attempting to light a passionate atmosphere,the writers never get the flames burning,due to keeping the backgrounds of Julien and Caro vague,which leads to there being a lack of feeling of any emotional depth in the love,as the bright days ahead fade.
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Not So Good Days
YohjiArmstrong7 May 2015
Warning: Spoilers
THE GOOD DAYS (aka BRIGHT DAYS AHEAD) is another French film about that most French of genres: the well-mannered, middle-class affair. In this case she's a recently retired dentist in a coastal town, who goes to a club for retirees where she takes a computer class because she's fed up of not understanding the machines, only to fall in love with the much younger teacher, who it turns out used to visit the dentists just to watch her. Inevitably it's doomed: her husband finds out and it turns out that her new lover isn't exclusive in his affections. It's a well made and well observed drama with an excellent cast but it isn't anything that anyone who enjoys French films won't have seen before, done better.
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10/10
A beautiful film....
gwest-073319 May 2021
BRIGHT DAYS AHEAD ( LES BEAUX JOURS ) 2013

Fanny Ardant is the star in this lightweight comedy of infidelity and reawakened passion of sensuality: It is a love story from the French cinema that graces our non-Gallic screens in a refreshment of elegance by the French actress.

'Les Beaux Jours' is an activity club for the 'seniors', and Fanny Ardant -who plays 'Caroline' -attends free classes with gift vouchers given to her as a present from her two daughters after Caroline takes early retirement as a dentist.

Caroline's initial attendance at the club is not successful as she is apprehensive and feels estranged from enjoying the fun of the class-room activities: Her best friend died five months earlier -and her early retirement was an unsavoury issue due to a bad working relationship with a former colleague.

It is only later at home when her husband complains of computer problems that Caroline will return the next day to attend a computer class for guidance to resolve the home issue of an internet connection: And here, with the attraction of a hypersexual tutor -that a romance will inflame into passion.

Fanny Ardant will glide through the film with a graceful command of confidence as an actress: The new romance will excite into an oblivion sense of freedom from the constraints of marriage and daytime routines of home life -it is like a teenage love affair of attraction; except that the 60 year old Caroline, played by our French actress -oozes command with experience of aged wisdom in a carefree freshness of living in the present: The film will reflect this idea throughout - and there is a lovely and sustained filming at the seaside beach with her grandchildren flying a colourful kite that is directed and willed only by the charm of the sea wind.

Eventually, the story of the new romance will want to uproot itself with desire to return home to foundation: The outcome is pleasantly rewarding to invigorate a renewal of life interest itself: There is a lovely film score, with a buzz of romantic music to accord to the background melody. It was filmed at the seaside port of Dunkirk, which adds to the film's attraction. I recommend the film for light entertainment in reminiscence of a nagging feeling of youthful past: But I also highly recommend Fanny Ardant who is a charming actress of the French cinema! Also stars, Patrick Chesnais as her husband, and Laurent Lafitte as her lover: A beautiful film!
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