"Father Brown" The Hammer of God (TV Episode 2013) Poster

(TV Series)

(2013)

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8/10
A Great start to the series.
Sleepin_Dragon12 November 2015
Norman Bohun is a cad, messing around with a local married woman Elizabeth Barnes, it comes as no surprise when he ends up dead. Father Brown is on hand to uncover the truth despite the presence of Inspector Valentine.

I think it was obvious, even from this very first episode that this show was going to be a big success. It's light viewing, nothing too serious, hence it's early afternoon time slot, but really well acted, humorous, and intriguing enough to watch.

Some very enjoyable performances, the main cast are as watchable as ever, it's just a shame that Sam Hoare was bumped off so early on, he's a really good actor.

Mark Williams is a joy as Father Brown. This is so different compared to the version from the 1970's.
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7/10
The Hammer of God
Prismark1029 May 2017
Warning: Spoilers
The first episode of Father Brown introduces this disarming local Catholic village priest who cannot help himself when a murder crosses his path.

At a church celebration hosted by the Anglican Reverend Wilfred Bohum, his caddish, womanising brother Norman gatecrashes the party and gets into a fight with the village blacksmith, Simeon Barnes who thinks he is having a dalliance with his wife, Elizabeth.

He is also in an entanglement with Polish Susie Jacinsky the housemaid in Father Brown's household.

When Norman is found dead with his head smashed, Inspector Valentine is on the verge of arresting Simeon Barnes but it's his wife who confesses to the crime.

Father Brown does not think that she killed Norman and thinks the killer is still at large and wants them to save Elizabeth and their own soul.

The impish Father Brown admits he is happy to play the fool as long it leads to the truth as his adversaries misjudge his tenacity.

This is a bright introductory episode to the series, a hissable murder victim, an intriguing mystery and also a rather risqué gay subplot.
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7/10
The Hammer of God
MrFilmAndTelevisionShow20 August 2021
Warning: Spoilers
A interesting start to this series, I've never seen an episode before so this I felt was a good introduction, usually detective stories work because of the Detectives pure genius which is at times a tad wee bit unrealistic, this however works in a different way, while intelligent, Father Brown is not some academic genius rather a Catholic Priest this means he is told people's secrets in confidence, and he acts accordingly, but using this information to solve the crime without breaking his Catholic laws.

All together it was very enjoyable, definitely recommend.
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7/10
Not Familiar With Earlier Versions
Hitchcoc2 January 2020
A literal and figurative title. A crude, offensive man has his head crushed by a hammer. He is about as unlikable as one can get. Apparently he has been living off moneys that his brother, a priest, has control over. This is a first episode, so we are introduced to some of the characters in the town. I will watch a few episodes, but one thing I hope is that the old busybodies don't play too great a role. That they are simply used as background for the little village. I never read any of the Chesterton works that Father Brown is part of.
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10/10
Great series.
valstone5217 April 2024
I just started watching the series from the beginning. I don't miss Mrs m. She was petty annoying, and thought she was better than others. I know a lot of people say that's how was back then. She gossiped all the time, smiling in people's faces, then talked behind their backs. I loved when she was in trouble, but then, she'd go back to being herself. Always acting holy, but never said anything about lady Felicia sleeping around with different men all the time. I loved bunty and sid and Felicia,. But Mrs Devine and the new girl are a breath of fresh air. Also glad they got rid of Mallory, he was an ass. Disrespectful and rude.
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Father Brown interesting but
ctyankee13 October 2013
Warning: Spoilers
This is the first episode of Father Brown. It all seems nice but as a first episode I did not like the plot. A man is killed that has a lot of enemies. It is later found out he is a homosexual.

This man has a brother that is a Catholic priest. The priest is rude and accuses someone of killing his brother.

Father Brown takes confessions from a couple of people one confesses and tells why he murdered the man. He blames God for doing the killing. So typical. What I did not like is that Father Brown said he would not tell anyone but he wanted the person to confess so a person in jail that confessed would not die. I never heard that a Catholic priest could not tell the police about someone who confessed to murder but I am not sure. What I did like is Father Brown did not blame God for instigating the killing or causing it. Brown made it clear to the confessor it was the their choice to do this action.

The priest lessened the sin the victim was in. It did not justify murder but it should have been said that homosexuality is a sin and as a Catholic they must preach that it is.

I also like the fact there is some humor with a lady like Miss Marple named Mrs McCarthy. There are no swearing, sexual scenes or revealing clothing.
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7/10
The Hammer of God
coltras355 May 2023
The brother of the vicar of the village where Father Brown has his parish church is a cad and a wastrel. When he's found near the church tower with his head smashed by a very small hammer, the local blacksmith is the first suspect, but it's his wife who confesses the murder!

But you know she hasn't done it. Someone else has - and the victim being an obnoxious fellow there's a whole pool to choose from. It's a very good episode, the first one to start of a great series. Of course, the other attractions are Lady felicity's singing voice. This episode has a good mix of humour and mystery. It's well-acted.
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9/10
Father Brown near perfect as always
my-amazon-account1 May 2024
Warning: Spoilers
Yet another excellent offering from the BBC's Father Brown. This Episode in particular had a special meaning for me and I unexpectedly broke down at the disclosure one of the main suspects hidden homosexuality. I know this series, as I see it is 'high camp' and it's main aim is to bring pleasure to the audience which it does with each episode. However, every now and again there is a subject matter that is touching and serious An example of this was an episode in the last series that showed us the pilfering of art by the Nazi's. Then there was this episode whose message related to the persecution of men because of their sexuality which often resulted in blackmail, this was a serious matter for gay men during these decades with many men going to prison for up to 7 yrs. It was suspected that some poilce would often take information from a blackmailer if a victim wouldn't pay up. The outcome would result in gay men going to prison for long periods of time and the blackmailer would never be found or even looked for.

As I've come to expect from the team responsible for my favorite tv detective series all involved handled the the subject of being homosexual in such a 'matter of fact way' and came through for the victim of blackmail in the end so that they where able to keep their private life, private which is something that actually did actually happen in both Hollywood and Britain for actors.

My only criticism of Father Brown is that modern values are display with the main characters, and I say to that, SO WHAT! As always the locations, costumes and stunning beauty of the Costwolds makes Father Brown an almost perfect TV series. Mark Williams,Nancy Carrol and Sorcha Cussack plays their parts to perfection. Sometimes I think it would be so nice for the BBC to elevate this show with an increase in the budget and a bump up the schedules, but then again I think, maybe it's just perfect where it is.
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7/10
The first one
safenoe9 February 2023
Warning: Spoilers
I'm starting to catch up on Father Brown episodes, so here it is, I'm watching the first one, The Hammer of God, the first episode ever. I'm surprised the writers tackled a sensitive LGBTI issue that is never expressly stated in the episode, but in some ways the writers were ahead of their time culturally with the sensitive issue. I wonder if this episode somehow inspired the creators of Transparent (starring Jeffrey Tambor) to make Transparent.

We learn more about Father Brown, his motivations, his ability to do the job that the police can't be bothered doing. Father Brown also doesn't suffer any PTSD at all with the bodies piling up over the run of the series.
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3/10
Father Who?
greenf7417 January 2013
Oh, the hideousness... The Father Brown stories of G.K. Chesterton are tricky to adapt, but it's hard to imagine them being done much worse than in this new series. The opening credits merely credit Chesterton with "characters" - worrying, but not without honesty, for this opener bears very little resemblance indeed to the actual story, whilst subsequent episodes are new plots with no Chestertonian original at all. Now, the episodes are all set in a never-never-land 1950s, a decade Chesterton never knew (he died in 1936), set the good father down in a tiny English village of infinite picturesqueness (just like Miss Marple's St. Mary Mead) and give him an assortment of sidekicks, including a stage-Irish cook (a role which wastes the brilliant Sorcha Cusack). He also has a nemesis in a strikingly obtuse police inspector named Valentine, this show's version of Lestrade or Japp. Movie buffs will recall an "Inspector Valentine" in the 1954 movie starring Alec Guinness (it was "Valentin", a Frenchman, in two of the stories), and that film updated the period, too, but it had wit, ingenuity and humanity aplenty and knew what Chesterton was writing about. Here, the father's faith is merely a kind of gimmick - Columbo had his raincoat and cigars, Poirot has his absurd moustaches, Banacek kept citing Polish proverbs and Father Brown has God. It's a travesty and an appalling one, amazingly insensitive - and there's no compensation in the way of dialogue or inventiveness. Mark Williams is a good enough actor to have made a fine Father Brown. What a pity he's trapped in this dross.
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