Divided into two halves, the fourth volume in this series bids adieu to filmmaker Nica Noelle, who left to start her own briefly-alive label Girl Candy.
First half stars the wonderful April O'Neil as the hitcher, first heading home with Darla Crane who admonishes the girl on the dangers of such a tactic. Key danger here is having Crane molest you, with April staying in character as a shy "first-timer", but artistic license permits her to take over the dom position half-way through the Sapphic sexual initiation and demonstrate those skills in the sack we know she possesses.
When Darla's lover Nina Hartley shows up next morning, she's nonplussed to see the unknown young beauty exiting her premises, and she's unhappy with Crane for cheating.
As luck would have it, Nina's driving down the road where April is hitching to a further, undesignated, destination, and she gives her a ride, seeking Hartley-style revenge. Luckily this does not entail the usual strap-on, riding crop and other bondage techniques Nina has demonstrated in many a video, including Adam & Eve's line of instructional ones. A light spanking will do, and it's fun to see April employing the same shy, eye-rolling tropes as before, as she satisfyingly completes a daily double of sleeping with lovely ladies twice her age.
Last half of the video takes on the point of view of the lesbian predator, in the person of Sovereign Syre, whose "come hither" facial expression is rather irresistible.
She first picks up newbie (barely 18 in real life and good jail-bait casting, as opposed to the busty April before) Jessie Rogers, warning her in no uncertain terms of the dangers of thumb tripping.
Sure enough, Sov makes her move quickly when the girl goes home with her, getting into a noisy shower to begin humping the willing lass before finishing off, wet hair and all, in bed.
This causes Syre to return to her lover, busty blonde Kate Kastle, at three in the morning, waking KK up and facing a grumpy, jealous mate. Kastle is having none of Syre's bogus explanations, but a grudge-f*ck makes everybody happy.
Basic stuff from Nica, but so ably performed by the cast as to win over the not-overly discriminating viewer. Obviously that includes me, a dyed-in-the wool Noelle fan.
First half stars the wonderful April O'Neil as the hitcher, first heading home with Darla Crane who admonishes the girl on the dangers of such a tactic. Key danger here is having Crane molest you, with April staying in character as a shy "first-timer", but artistic license permits her to take over the dom position half-way through the Sapphic sexual initiation and demonstrate those skills in the sack we know she possesses.
When Darla's lover Nina Hartley shows up next morning, she's nonplussed to see the unknown young beauty exiting her premises, and she's unhappy with Crane for cheating.
As luck would have it, Nina's driving down the road where April is hitching to a further, undesignated, destination, and she gives her a ride, seeking Hartley-style revenge. Luckily this does not entail the usual strap-on, riding crop and other bondage techniques Nina has demonstrated in many a video, including Adam & Eve's line of instructional ones. A light spanking will do, and it's fun to see April employing the same shy, eye-rolling tropes as before, as she satisfyingly completes a daily double of sleeping with lovely ladies twice her age.
Last half of the video takes on the point of view of the lesbian predator, in the person of Sovereign Syre, whose "come hither" facial expression is rather irresistible.
She first picks up newbie (barely 18 in real life and good jail-bait casting, as opposed to the busty April before) Jessie Rogers, warning her in no uncertain terms of the dangers of thumb tripping.
Sure enough, Sov makes her move quickly when the girl goes home with her, getting into a noisy shower to begin humping the willing lass before finishing off, wet hair and all, in bed.
This causes Syre to return to her lover, busty blonde Kate Kastle, at three in the morning, waking KK up and facing a grumpy, jealous mate. Kastle is having none of Syre's bogus explanations, but a grudge-f*ck makes everybody happy.
Basic stuff from Nica, but so ably performed by the cast as to win over the not-overly discriminating viewer. Obviously that includes me, a dyed-in-the wool Noelle fan.