“The Lincoln Lawyer” star Manuel Garcia-Rulfo is in negotiations to star in the all-new “Jurassic World” film for Universal Pictures.
Garcia-Rulfo joins Scarlett Johansson and Jonathan Bailey in this next installment of the juggernaut franchise, which will be directed by Gareth Edwards (“Rogue One”). Original “Jurassic Park” and “The Lost World: Jurassic Park” screenwriter Kavid Koepp returns to pen the script for the all-new storyline.
The film, due out July 2, 2025, will be executive produced by Steven Spielberg through Amblin Entertainment. Frank Marshall and Patrick Crowley will produce through Kennedy-Marshall.
Executive vice president of production development Sara Scott and creative executive of production development Jacqueline Garell will oversee the project for the studio.
The six-film franchise, which began with Spielberg’s 1993 original “Jurassic Park,” has earned more than $6 billion worldwide. The most recent movie, 2022’s “Jurassic World Dominion,” surpassed $1 billion worldwide.
Garcia-Rulfo will next be seen leading Netflix’s Spanish-language film...
Garcia-Rulfo joins Scarlett Johansson and Jonathan Bailey in this next installment of the juggernaut franchise, which will be directed by Gareth Edwards (“Rogue One”). Original “Jurassic Park” and “The Lost World: Jurassic Park” screenwriter Kavid Koepp returns to pen the script for the all-new storyline.
The film, due out July 2, 2025, will be executive produced by Steven Spielberg through Amblin Entertainment. Frank Marshall and Patrick Crowley will produce through Kennedy-Marshall.
Executive vice president of production development Sara Scott and creative executive of production development Jacqueline Garell will oversee the project for the studio.
The six-film franchise, which began with Spielberg’s 1993 original “Jurassic Park,” has earned more than $6 billion worldwide. The most recent movie, 2022’s “Jurassic World Dominion,” surpassed $1 billion worldwide.
Garcia-Rulfo will next be seen leading Netflix’s Spanish-language film...
- 5/10/2024
- by Katcy Stephan
- Variety Film + TV
When Martin Scorsese was making “Silence,” his 2016 drama about a pair of Jesuit priests spreading the gospel in Japan, a typhoon hit the area, bringing with it biblical showers. As the filmmaker braced himself for news that the bad weather would mean he’d have to abandon plans to shoot that day, there was a rap on his trailer door. There stood Rodrigo Prieto, Scorsese’s long-time cinematographer, outfitted in heavy rain gear. Despite the deluge, he was radiating optimism.
“We’re almost ready,” Prieto reassured the director. “Just a few more minutes.”
Prieto’s calm demeanor and his commitment to getting the work done, no matter the elemental hurdles, left Scorsese speechless.
“He always delivers — he interprets what I’m asking for and he brings it to life,” Scorsese marvels. “He’s always positive and he thinks and works quickly. And absolutely nothing stops him.”
That’s certainly the...
“We’re almost ready,” Prieto reassured the director. “Just a few more minutes.”
Prieto’s calm demeanor and his commitment to getting the work done, no matter the elemental hurdles, left Scorsese speechless.
“He always delivers — he interprets what I’m asking for and he brings it to life,” Scorsese marvels. “He’s always positive and he thinks and works quickly. And absolutely nothing stops him.”
That’s certainly the...
- 2/22/2024
- by Jazz Tangcay
- Variety Film + TV
Netflix Mexico has unveiled a rousing new slate in production this year that includes the series debut of Luis Estrada (“¡Que viva México!”), a new pic from Rodrigo Garcia (“Familia”), another series from hit-maker José Ignacio “Chascas” Valenzuela (“Who Killed Sara?”) and “La Reina del Sur”’s Kate del Castillo unusually toplining a comedy.
Also leading the pack is series “Gringo Hunters,” produced by Woo Films and Redrum in co-production with Brian Grazer’s Imagine Entertainment in association with The Washington Post.
Said Francisco Ramos, VP of content for Latin America: “We begin 2024 by reaffirming our commitment to show Mexico, just as it is, on Netflix. This diverse and complex Mexico –immensely rich, sometimes contradictory, and with enormous possibilities– is what inspires, motivates and makes us always keep an eye out for the best stories, so that our offer is even more ambitious and accurate.”
“We will continue to explore...
Also leading the pack is series “Gringo Hunters,” produced by Woo Films and Redrum in co-production with Brian Grazer’s Imagine Entertainment in association with The Washington Post.
Said Francisco Ramos, VP of content for Latin America: “We begin 2024 by reaffirming our commitment to show Mexico, just as it is, on Netflix. This diverse and complex Mexico –immensely rich, sometimes contradictory, and with enormous possibilities– is what inspires, motivates and makes us always keep an eye out for the best stories, so that our offer is even more ambitious and accurate.”
“We will continue to explore...
- 2/9/2024
- by Anna Marie de la Fuente
- Variety Film + TV
Rodrigo Prieto had a lot of mixed emotions running through him on Oscar nomination day. As the cinematographer of “Barbie” and “Killers of the Flower Moon,” the latter of which earned him his fourth nomination, he was thrilled to see so many of his colleagues get nominated, especially four of the actors whose performances he captured with his camera.
But like so many others, he was “startled” to see Greta Gerwig miss out on a Best Director nomination for “Barbie.”
“Greta made a groundbreaking piece of cinema, one that is going to be remembered for years and years to come,” Prieto told TheWrap. “Of course, art is always subjective and these awards races bring competitiveness, but all the other nominations that ‘Barbie’ earned were because of her vision. This was her film.”
On the brighter side, Prieto said he was thrilled to see “Killers of the Flower Moon” stars Lily Gladstone...
But like so many others, he was “startled” to see Greta Gerwig miss out on a Best Director nomination for “Barbie.”
“Greta made a groundbreaking piece of cinema, one that is going to be remembered for years and years to come,” Prieto told TheWrap. “Of course, art is always subjective and these awards races bring competitiveness, but all the other nominations that ‘Barbie’ earned were because of her vision. This was her film.”
On the brighter side, Prieto said he was thrilled to see “Killers of the Flower Moon” stars Lily Gladstone...
- 1/25/2024
- by Jeremy Fuster
- The Wrap
Netflix has promoted Carolina Leconte to the position of senior director of content at its Mexican outpost. She steps into Roberto Stopello’s shoes, who has ankled.
Leconte has been with Netflix since 2021 where she held the position of director, original series, Latin America and spearheaded such hit productions as the second season of Colombian show, “The Marked Heart,” one of the most popular non-English TV series on Netflix in 2022; the racy tale “Fake Profile,” which stayed in the global Top 10 ranking for non-English series for six weeks in 2023 and posted the biggest bow of any non-English series last year; and “Love After Music,” a series based on the career of Argentinian musician Fito Paéz, among many other shows.
She previously worked on such titles as “Luis Miguel- The Series” (Seasons 2 and 3), “42 Days of Darkness” and Season 2 of “Control Z.”
Leconte’s 20-year experience in the biz includes work...
Leconte has been with Netflix since 2021 where she held the position of director, original series, Latin America and spearheaded such hit productions as the second season of Colombian show, “The Marked Heart,” one of the most popular non-English TV series on Netflix in 2022; the racy tale “Fake Profile,” which stayed in the global Top 10 ranking for non-English series for six weeks in 2023 and posted the biggest bow of any non-English series last year; and “Love After Music,” a series based on the career of Argentinian musician Fito Paéz, among many other shows.
She previously worked on such titles as “Luis Miguel- The Series” (Seasons 2 and 3), “42 Days of Darkness” and Season 2 of “Control Z.”
Leconte’s 20-year experience in the biz includes work...
- 1/23/2024
- by Anna Marie de la Fuente
- Variety Film + TV
Veteran cinematographer Rodrigo Prieto’s versatility could not be more evident than in his most recent work, which called for filming a 1920s Osage Nation in Martin Scorsese’s Killers of the Flower Moon and shooting the candy-colored Barbie Land of Greta Gerwig’s Barbie. Born in Mexico City to a bicultural family (his mom is an American from Montana), Prieto caught the cinematography world’s attention in 2000 when he won the Camerimage Golden Frog for Alejandro G. Iñárritu’s Amores Perros. Since moving to the U.S., he continued lensing for Iñárritu while also collaborating with Pedro Almodóvar, Oliver Stone, Ben Affleck (on the Oscar best picture winner Argo) and Ang Lee, whose Brokeback Mountain delivered the Dp the first of his three Academy Award nominations. Pietro, who is also this month’s THR Titan, has also earned Oscar noms for two Scorsese movies (Killers is their fourth collaboration). The filmmaker calls Prieto,...
- 11/11/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Rodrigo Prieto has been on quite a journey over the past year. In 2022, he spent months on the plains of Oklahoma working in blistering hot weather with Martin Scorsese as Dp of “Killers of the Flower Moon,” a dark retelling of murder and racism from the early 20th century.
Then, immediately after, he flew off to London to help Greta Gerwig create the colorful world of “Barbie.” Making such wildly different films requires differing approaches, but Prieto told TheWrap that his philosophy as a cinematographer connected the two films together.
“As a cinematographer, I tap into my own psyche, into my own inner worlds,” he said. “For ‘Killers of the Flower Moon, it was certainly an exploration of my own darkness, my own conflicts, and then I try to put that on the screen and try to understand what of these characters is in me as well.”
“In the same...
Then, immediately after, he flew off to London to help Greta Gerwig create the colorful world of “Barbie.” Making such wildly different films requires differing approaches, but Prieto told TheWrap that his philosophy as a cinematographer connected the two films together.
“As a cinematographer, I tap into my own psyche, into my own inner worlds,” he said. “For ‘Killers of the Flower Moon, it was certainly an exploration of my own darkness, my own conflicts, and then I try to put that on the screen and try to understand what of these characters is in me as well.”
“In the same...
- 11/3/2023
- by Jeremy Fuster
- The Wrap
Netflix is toasting Mexico’s National Day of Cinema on Aug. 15 with a slew of projects, many of them tapping the country’s wealth of literary classics and original storytellers. Working with some of the most prominent local filmmakers, the streaming giant is also reaffirming its $300 million commitment to Mexican cinema and series and its #QueMéxicoSeVea (“Let Mexico Be Seen”) initiative.
A teaser of its upcoming film “No voy a pedirle a nadie que me crea” (“I Don’t Expect Anyone to Believe Me”) by Fernando Frías De La Parra (“I’m No Longer Here”) debuts exclusively on Variety.
An adaptation of what award-winning author Juan Pablo Villalobos describes as an ‘autobiographical fiction,’ Frias’ latest film follows the writer as he prepares to go to Barcelona with his girlfriend to study for a doctorate in literature. But he gets caught up in a criminal network that spurs him to write the...
A teaser of its upcoming film “No voy a pedirle a nadie que me crea” (“I Don’t Expect Anyone to Believe Me”) by Fernando Frías De La Parra (“I’m No Longer Here”) debuts exclusively on Variety.
An adaptation of what award-winning author Juan Pablo Villalobos describes as an ‘autobiographical fiction,’ Frias’ latest film follows the writer as he prepares to go to Barcelona with his girlfriend to study for a doctorate in literature. But he gets caught up in a criminal network that spurs him to write the...
- 8/14/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Colombian-Mexican filmmaker Rodrigo García has wrapped his first Spanish-language feature, “Familia,” which was shot in Valle de Guadalupe, Mexico for Netflix.
García, who has directed such acclaimed films as “Mother and Child” and “Albert Nobbs,” and whose TV credits include “Six Feet Under,” “Big Love” and “In Treatment,” said: “Shooting ‘Familia’ has been a great experience.” He added: “Great producers, collaborators, several of my favorite Mexican actors and actresses and Netflix’s full support have made this project an unforgettable trip back home.”
This is the first time García, who is the son of Colombian Nobel Laureate Gabriel García Marquez, has directed a film in Mexico. He’s an executive producer in Netflix’s upcoming adaptation of his father’s literary classic “100 Years of Solitude,” which will be shooting in Colombia.
According to the synopsis, “Familia” follows “a peculiar family and explores the complexities of cohabitation around a decision that will change them forever.
García, who has directed such acclaimed films as “Mother and Child” and “Albert Nobbs,” and whose TV credits include “Six Feet Under,” “Big Love” and “In Treatment,” said: “Shooting ‘Familia’ has been a great experience.” He added: “Great producers, collaborators, several of my favorite Mexican actors and actresses and Netflix’s full support have made this project an unforgettable trip back home.”
This is the first time García, who is the son of Colombian Nobel Laureate Gabriel García Marquez, has directed a film in Mexico. He’s an executive producer in Netflix’s upcoming adaptation of his father’s literary classic “100 Years of Solitude,” which will be shooting in Colombia.
According to the synopsis, “Familia” follows “a peculiar family and explores the complexities of cohabitation around a decision that will change them forever.
- 5/22/2023
- by Anna Marie de la Fuente
- Variety Film + TV
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