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7/10
Thanks to his mother being overwhelmed with being a single parent, her oldest son is tasked with taking care of his two younger siblings.
Amari-Sali26 December 2016
Warning: Spoilers
Review (with Spoilers)

I'm trying to diversify my palate because I'm starting to feel I'm becoming a bit too indifferent about what I watch and it is making it where that chasm between Worth Seeing and Skip It is becoming a bit too wide. So, when in doubt, head over to Europe for their films are usually puzzling and a change of pace. Though, after this film, I think I may need to seek out other parts of the world.

Noted Actor(s)

Jonas (Ben Litwinschuh) | Sabine (Sylvie Testud)

Storyline

Sabine is pretty much raising her children on her own. The father left her with the physical responsibility, but is sending child support, and raising three kids, the oldest maybe in middle school, is too much. So, the mom decides to go away and leave the eldest Jonas in charge. Which was only supposed to be for a day, but it ends up longer than that.

Criticism

Litwinschuh Wasn't Ready

I should note, criticism for me isn't always a case of "This sucked," "This was horrible" or something like that. Sometimes some things just didn't work out. In the case of this movie, I believe Litwinschuh just isn't on that level yet to man a film by himself. Though really, what actor his age can you really name that is capable of handling a detached father, a mom with some long form of post-partum depression, and two kids of which one has some sort of disorder?

Some More time with The Parents

The parent's relationship is unfortunately quickly shown as they aren't together, for whatever reason, and the dad doesn't do much more than provide some semblance of financial support. We don't learn why he left Sabine, how often he sees his children or how much he checks on them. With this, while you still understand the stress of Sabine, it is hard to start writing off the dad as a deadbeat, someone who just couldn't deal with Sabine yet wanted to still help raise their kids, or what? I mean, it is clear Jonas is mad at him but, again, it isn't clear if it is because he left or because he feels abandoned period.

One point to make is he does spend time with his dad getting ice cream and uses his name to excuse his mother's absence. So obviously there isn't something horrible behind his dad leaving, like infidelity, but I do feel the lack of information in regards to the parent's relationship, perhaps even how Sabine managed for whatever is the amount of time she has been a single mom, is information drastically needed.

Overall: Mixed (Home Viewing)

You know, with it being award season you see a lot of people proclaim this movie you think was just OK should be nominated and with that, you begin to question some things. On one hand, you realize that perhaps this person hasn't seen enough movies and performances yet, on the other hand, you begin to realize you are turning into a snob.

Which I think was the issue I had with this movie. Though they can't directly be compared, when I think of child actors in dramatic roles I'm ready to put their performance next to Oona Laurence who consistently brings it. Completely forgetting that for some, like Litwinschuh, this is their first major role and while, yes, they may have went to school for this, been in local productions, commercials, and etc, that doesn't compare to having to, over the course of 90 minutes, carry the emotional weight of a character. Heck, not to forget, also react to the weight someone else is holding with their character and figure out a way how to translate the transition of the load of human suffering so that the audience gets it.

So, with all that said, this is another film for the Mixed chasm. For even when you take note of how this is the first full-length film of the director, all of the children, and the first time the screenwriter has written for a feature length film on their own, you can only cut but so much slack. Which is perhaps the only reason this isn't being labeled something to skip.
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a fairy tale
Kirpianuscus1 September 2018
A fantasy using as start point a family crisis. The eerie atmosphere, the hypothesis of a long time independent children life, the stranger as master for new perspective about life, the neurotic mother and the so mature 12 years old boy are pieces to define the film as a fairy tale , proposing the fantastic, myths and ambiguous suggestions . A beautiful , not comfortable, bitter and special film. About family. About childhood. About options. And, sure, about the manner to defiine yourself. Short, a sort of Sweden buffet. Or only a fairy tale with many ways.
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4/10
Aesthetic and atmospheric, but just too fictitious for my taste
Horst_In_Translation21 October 2017
Warning: Spoilers
"Im Spinnwebhaus" or "Das Spinnwebhaus" or "(The) Spiderwebhouse" is a German 90-minute film from 2015, so this one is still fairly new and fresh overall. For the director it was the very first full feature film effort and for that the outcome is decent. The writer has worked on more known stuff in the past, but she also did an okay job here overall. Both are females by the way. The cast includes some names that German film buffs have come across for sure like Trepte, Testud and Koeberlin, even if all of them are supporting actors only. Still I'd say they did okay with what they were given, especially Testud (as expected) and Koeberlin was a positive surprise too as this film here was the complete opposite of the baity pseudo-important stuff he has shown up in on many other occasions. But it is all about the kids, especially the oldest one who has to take care of everything involving his younger siblings when their mother leaves for a pretty long time. I must sadly agree with the other reviewer who said the child actor was not up to the challenge of carrying the film for a pretty long time. This is one of the weakest problems, but I also had problems with the general plot idea of the children managing to stay on their own for such a long time. It is a problem if a film that has authenticity and realism as top priorities has a core plot like that that I found hard to believe. It's quite a pity actually as the attention to detail in Stuttmann's screenplay was good, pretty convincing most of the time. I also had a problem here and there with Trepte's character, but that may also be because of personal bias as I am not a great fan of the actor. And I did like the creative choice for black-and-white, which is probably more common again here in Germany after the great success of The White Ribbon". But that is definitely personal bias too as I love modern b&w films. Here it fits very well. Sadly overall I must say that mediocrity and some weak core decisions result in me giving these 1.5 hours a thumbs-down. A bit of a pity as I certainly wanted to like this one more than I did. Don't watch.
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