Tempus (2015) Poster

(2015)

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8/10
Time Flies
wes-connors2 October 2015
Loosely clutching a document in his right hand, an elderly man walks laboriously through a rustic setting. His pace slowly quickens. Finally, he runs to join an elderly woman who is, apparently, on her death bed… Clocking in at under five minutes, this is a very short film. However, it accomplishes everything needed. Given the popularity of music videos in the 1980s, followed by "YouTube" and the shortening attention span of each generation, short "motion pictures" should have regained more of their popularity. This is also a "silent" film, which is another genre worth revisiting...

Written and directed by Ian Clay, the narrative in "Tempus" is poetically conveyed. The characters are clearly a couple, who have (been) separated. With one now dying, there is an urgency for the old man, portrayed by Jonathan Kite, to join the old woman, portrayed by Ann Benson. Greg Cannom's makeup department contributes to Mr. Kite's convincing performance. The age-spotted close-up buffered something unnaturally telegraphed around the forehead, in a medium shot. Photography by Ben Griffin is exceptional. The score, by Jose Villalobos, moves the story without distracting...

Filmmakers tend to go crazy with technical gimmicks, but Mr. Clay effectively uses "slow motion" to move his story. This effect is used to reverse the ravages of time and gives the old man enough strength to make his trip. It also plays with the fact that the film runs very quickly. When I learned my mother was dying, I recall how slowly everything seemed to be moving. Rushing to the airport, I felt everything was moving in slow motion. When I neared home, I was running… but it still it wasn't fast enough. Finally, at her bedside, I felt like a small boy again. "Tempus" works.

******** Tempus (2015-04-20) Ian Clay ~ Jonathan Kite, Ann Benson
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8/10
A Stunning, Visual Delight,
lesleyharris302 October 2015
Tempus is a great short film with a very well structured story and dazzling performances from both cast members. There is a beautiful message to this film that would probably have different meanings to many people, sort of like a poem, because short films like this truly is a type of poetry, the way I look at it is that love holds no bounds, that someone that we truly care for will always be the first thing on our agenda, nothing comes before them. One thing I think this film needed was to be longer, not significantly, just a few extra minutes would have been great, I felt like the movie ended just as its fulfilling message was truly capturing my heart and entering my soul, but then it finishes too fast, I felt uplifted, and then it was gone before I knew it, it easily could have been eight minutes, and sadly wastes potential at a mere four. The performances in this movie are fantastic and perfectly convey the tone and message with pure grace and passion, Jonathan Kite and Ann Benson deserve huge praise for their terrific dedication to these roles, they never speak, they don't need to, their body language, facial expressions and eyes says it all, I've seen Kite in 2 Broke Girls on several occasions, but never expected this level of depth to him as an actor. Tempus has beautiful cinematography and a stunning cast, certainly worth the watch for anyone looking for a good short film.

A man runs towards the love of his life.
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9/10
4 Minutes of Emotion!
namashi_114 October 2015
Writer-Director Ian Clay's 'Tempus' is a short story, about an old man. Its a tricky one, because how long can 240-seconds hurt even if it falls flat on its face? And can it do the opposite in that brief time? Luckily, Clay makes something worth watching.

'Tempus' Synopsis: A man summons his youth and runs to his faltering wife.

Much of 'Tempus' is about a man's search of what his life has come to. Jonathan Kite's terrific performance as the old-man deserves credit, as his look (flawlessly done make-up), explains the protagonist's sense of astonishment. Ann Benson as Louise, the faltering, ailing wife, is equally affecting, as she also reconnects with her love in those 4-odd minutes. A special mention for the nicely done visual effects.

Clay's 'Tempus' is well-done. It may not change your way to look at short stories, but at least it says something.
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10/10
Beautiful images of youth and age
blanche-214 October 2015
Like others here, I too was requested to review this film. I did it happily - there are no words to describe how much I admire people who enter this difficult field and make their dream a reality. Hopefully, for the man who directed this, Ian Clay, it is only the beginning of important things to come.

"Tempus" is very short but says all it has to say in a beautiful, poetic five minutes or so. An old man struggles to walk toward a house that holds his wife, apparently dying. As he walks, he is able somehow restore his youth and youthful energy to reach her.

Done in a scenic spot, this film could have been made by a top studio from the way it is photographed and the underlying music by Jose Villalobos.

The people involved have impressive credits, including the actors, Jonathan Kite and Ann Benson, who act without speaking and say everything that needs to be said.

We shouldn't hesitate to look at the work of new artists and to encourage them. When I saw "Nebraska," the director, Alexander Payne, was present and did a Q & A. One young script writer asked for some advice - I couldn't believe how much Payne gave him - not that it took a long time, but he wanted to make sure the writer had the information he needed. A very generous man.

It's so competitive and cutthroat out there, I think we all need to be generous and supportive, and even if we don't love something, to be constructive. The good ones will find their way.

Looking forward to more of Ian Clay's work.
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9/10
Visually stunning, beautifully crafted.
taryllsbaker22 January 2016
Tempus is directed by Ian Clay and stars Jonathan Kite and Ann Benson.

I was contacted by the director and asked to review my thoughts on this wonderful short film.

Firstly, the camera work is beautifully handled. Stunning. The visuals and setting go hand-in-hand to create an old 60s western tone, which pleases me beyond words as I've always loved the way westerns were created.

The acting by the, albeit small cast, is splendidly large in scale. Although the film is very short, the emotional connection is there within the first 30 seconds and you already want the characters to connect once more. The pacing is key in any film, and it's perfectly executed in this film. The visual style the director has achieved is really something. With the help of 3 time Oscar-winning make-up artist Greg Cannom, known for his work on Benjamin Button, and an Oscar-winning visual effects master, Jason Schulman, known for his work on Hugo, this film is captivating, heartfelt and touching.

Music by Jose Villalobos is stunningly crafted with dramatic string arrangements that please the ear and tie-in perfectly with the visuals throughout.

I do feel like the ending could have been treated with a little more care and rounded off smoothly, but that would have likely meant adding a couple more minutes to the running length which the director may not have been keen to do. Having said that, it's an incredibly well crafted short film and should be appreciated by all.

My verdict; Tempus is a beautiful tale of love and triumph, and delivers with expertise. This is a must-watch for any film fanatic.

Tempus, 9/10.
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8/10
Art
johnnybravophone-dy9 October 2015
Once I finished watching this short, only one word came into my mind: Art. I really don't have anything negative to say about this film. It never hurts to express love by the means of art. And here everyone involved pulled it off perfectly. From the cinematic tone, to the visuals and the score. Its very hard to get a true vibe of what a director can accomplish with short films, this goes to a cast and everyone involved.(Compared to a full featured film) But this was neatly done and touching. So congratulations to everyone involved. My name is Dusty Webb and I rate and review films. I have seen all kinds of films, really. I recommend this video to loving couples, of all ages. You may want to use it as a pass-time with a lover, or a future one at that.
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8/10
Summons his younger self
bkoganbing17 April 2016
There's a famous story out of American history involving Andrew Jackson on his deathbed and his friend and sometimes protégé Sam Houston. When Houston heard that Jackson was dying and raced from Texas with his young son to see his old friend before he died. No doubt Houston wished as Jonathan Kite did that his own age and infirmities could disappear, he wanted so much to see his mentor into eternity. He got there to the Hermitage, Jackson's estate too late by a couple of hours. Jackson's body was on his deathbed still as Houston and his little boy arrived. Houston told his son, "My son do not forget you are looking on the face of Andrew Jackson" with all due reverence.

We never do know if the elderly Kite summons off enough energy from his youthful past to make it to where his wife Ann Benson lays dying. I remember some 20 years ago I couldn't make it down a flight of stairs to see my own mother take a last breath. Death is such a fleeting thing and no one if they can wants to do it alone.

We're not sure if Kite makes it. As the film ends, a symbolic dove flies through the window meaning in my mind her soul moving on. It's a popular cultural symbol and effective.

Tempus runs just a hair short of four minutes. But it says all it wants to say about how fragile and transient life itself really is. Good show for everyone involved with this film.
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6/10
Less is More, Sometimes
JLRMovieReviews4 February 2016
I was contacted by director Ian Clay to review "Tempus" some time ago, and just now saw it. While I appreciated its message, I still have mixed feelings about it. I liked the score very much and the ultimate touching of hands and the bird flying away was very dramatic and symbolic. But somehow the use of the solitary chair and the haphazard running with arms all over the place seemed a little forced. While I do get the urgency of getting to her right away, I didn't feel completely moved by the actor's motivations. Maybe less is more, and more inward struggle to get there would have been more effective. But I think I am the lone criticizer of this. A beautiful thought executed a little too strongly. Maybe.
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8/10
Incredibly well-done short film
TheLittleSongbird11 October 2015
Having been contacted personally to watch and review Tempus, I was all for seeing it as it looked really interesting both conceptually and how it was described. After getting around to see it, it turned out to be a beautiful and incredibly well-executed short film.

One of Tempus' best assets is how fantastic it looks, leaving one transfixed to the screen until the end and even well beyond. It's gorgeously photographed courtesy of Ben Griffin, some of the shots are to die for, it is very cleverly and moodily lit with great attention to atmosphere and subtlety and the make-up and visual effects from Greg Cannom and Jason Schulman have a clear sense of professionalism (prior experience also shines through). The energy-pulsating but also whimsically poetic and hauntingly beautiful music from Jose Villalobos complements the short brilliantly, adding so much and enhancing and never distracting.

The story is, true, very slight, but the hynoptically surreal but also incredibly poetic atmosphere, the vast emotional impact and subtle nuances make one truly transfixed, it's a very relatable story dealt with in a poignant way. Tempus is superbly directed by Ian Clay, and is beautifully acted with such controlled nuance- without even saying a word- by Ann Benson and Jonathan Kite, their expressions speaking volumes.

With Tempus, there is very little to criticise. It maybe could have been two or three minutes longer so that the ending felt less rushed and with less of an 'over-too-soon' feel, but these are more personal preferences than objective criticisms.

Otherwise, this is one incredibly well-done short film and recommended highly. 8/10 Bethany Cox
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7/10
A beautifully shot short film
eddie_baggins5 October 2015
I'd be the first to admit that I don't often enjoy short films, I find the format frequently frustrating and emotionally unengaging but when a short film is shot to the quality level of Tempus you can't help but enjoy the experience.

Only mere minutes long, Ian Clay's wonderfully captured film is aided by a great score from Jose Villalobos and some fantastic CGI and Make-Up work by Jason Shulman and Greg Cannom respectively and their great craft work elevates Tempus from the usual doldrums of cheap and quick-fire short films.

The story at the heart of Tempus is slight but none the less relatable and the vision of Jonathan Kite's aging man racing to the sick bed of his beloved wife is a vision that will not quickly leave you.

An impressive calling card for director Ian Clay and a nice way to spend a few minutes of your life, Tempus is a lovely little tale that's well worth film lovers time.

3 1/2 doves out of 5
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9/10
An unique meditation on mortality.
nesfilmreviews21 October 2015
"Tempus" is a contemplation and examination of time's passage, created with visual flair while possessing a poetic soul that produces an uncanny effect. Director Ian Clay displays a sensitive touch, maturity, and a prowess for digital filmmaking. While Clay demonstrates his technical virtuosity, Jason Shulman's striking visual effects and Ben Griffin's cinematography seamlessly blends together setting the stage for this unique meditation on mortality. Additionally, Jose Villalobos's affecting musical score adds a dimension of delicacy and grace to the proceedings. Spellbinding and expertly crafted, a lovely elegy to both youth and age.
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7/10
Memorable Due To The Technical Aspects
Theo Robertson28 December 2015
I got a very nice message from writer/director Ian Clay asking me to review his short film TEMPUS . Ian mentioned that shorts are rarely seen and he's right . They're normally under-seen and are usually labours of love . If someone sends me a polite message I'll respond by giving an honest review

Ian mentioned the technical boys had a lot of previous experience including make-up artist Greg Cannom who is the recipient of three Oscars ! To be honest there's not a lot of narrative but being just under four minutes long including credits there doesn't need to be . The premise is man runs towards shack where his wife lies dying and it's the visual journey rather than the journey itself that is the main focus . Despite having a number of award winning artists working behind the scenes it was cinematographer Ben Griffin working on his second project . The major breath taking moment is when the protagonist reaches the shack

A well done short film due to the technical achievements
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9/10
A Perfect Visual Short
Theflyace17 November 2015
Warning: Spoilers
"Tempus" is a rare breed of short film that prefers visual poetry to that of simply being visual for the sake of being visual. What I mean is, each shot, motion, or emotion could be interpreted differently. Short films to me are the perfect way for an individual to put their visual stamp in the film world, even though they may not quite get the recognition they so richly deserve. In this case, director Ian Clay and his incredible team of artists (I ponder how he got such talent in the first place) tell quite simply the tale of a man running to his wife.

With that simple story so many questions can be asked and discussed: Why is he running to his wife? What is contained in the letter he drops in the dirt? Why does he age backwards? What does the dove represent in the end? Coming back around to what i said earlier, all of these can be answered any way the viewer perceives them. For me this seemed like the story of a man who yearns to hold onto the woman of his dreams whom he had the fortunate opportunity to spend his life with. His aging backwards may signify his feelings about how cares little about the world around him and his core essence and spirit of youth is what propels him to his wife. The dove forms in that he and the woman are one forever and ever and that they will now go off to who knows where.

Now that is my opinion and I could be reading to deeply into it. Another person who saw this, or Mr. Clay himself may say differently. I remember Roger Ebert speaking of the ending of Hal Ashby's film "Being There." He asked some students what the meaning of Sellers walking on water in the end meant, as he had no such hint or buildup of this moment at all. When so many students gave "deep" answers, Ebert said they were all wrong. The moment was what it was. He walked on the water and that's that. This is a prime example of such storytelling. It certainly is what it is, but that doesn't necessarily that our own opinion of what we are watching cannot be quashed by a straightforward explanation.

Clay's fantastical use of the camera also gives us more information about the story and the feelings than we initially realize. It's filled with dust dancing through the beams of light, hearkening the work of masters Vilmos Zsigmond and Emmanuel Lubezki in creating a winsome and beautiful atmosphere. The music adds to this charming atmosphere, not really giving the emotional cues we are accustomed to, but drawing them out of us gradually.

So yes, "Tempus" is a short film masterpiece. Enough said.
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8/10
lovely short
PandoraProductions427 December 2015
Sometimes the simplest stories are the most compelling.

A man rushes to the bedside of his dying wife.

No sound except the lovely score by José Villalobos, which effectively helps convey emotion.

Told completely in slow-motion- an interesting creative choice.

It's visually impressive, jam packed with symbolism, and shows what can be done with not the largest budget, I'm guessing.

Clocking it at 3 minutes, it doesn't overstay it's welcome, but ends just at the right time and on the right note.

It moved me. I liked it. Check it out.
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8/10
Brief and touching glimpse into a pair of lives
llltdesq1 October 2015
Warning: Spoilers
Full disclosure: this film was brought to my attention by someone directly involved in its creation. I viewed it and am reviewing it here at their request. There will be spoilers ahead:

I've viewed and reviewed something on request once or twice before. The following comments are my honest appraisal of the work in question. Truthfully, this probably would have passed under the radar for me, as my primary interest is short animation and I watch relatively few live action shorts these days.

It will take me longer to write this review than it did watching the short, which is just under four minutes in length. There really isn't a plot. It's more a snapshot of a moment in time in the lives of an older couple. Shown visually, without words, we see an older man walking slowly to his house. Neatly dressed, he labors as he walks home. We then see a woman, bedridden and clearly dying, inside the house.

Suddenly, the man is seized by an urgency. He must get to his wife quickly. As he begins to run, his age begins dropping away and he appears progressively younger, knocking down obstacles in his path, ending with his shattering the door to his home. Their eyes meet and they simultaneously reach out for each other. The ending is visually nice, so I won't spoil it here.

The technical aspects are very good in this. The editing, the score, the visuals, the cinematography and the acting are all quite first rate. The pacing of the film holds up as well. It may well be harder to time out a short like this than it is a feature, because literally a half a second can be the difference between success or failure. This isn't typically something I would watch, but I'm glad that I did so.

I saw this at Vimeo and would recommend it to your attention.
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10/10
Tempo
Dead_Head_Filmmaker1 October 2015
Having been requested to view and review this work by the film maker, I jumped at the chance. Hesitant, as similar requests are often disappointing, I gave it a fair view. I was pleasantly surprised, and taken aback by the profound vision of this young film maker.

Poetic, as another reviewer mentioned, yes. However this is much more than that. It is surreal. It is profound. It is simple. It is heartfelt. The subtle nuances in the characters brought out by the director and the actors are the entire film. Forget the meaningful lighting by the cinematographer who enhances the vision with precise yet artistic lighting choices. Forget the visual effects and makeup which are done slightly and not abruptly. Forget the Oscar associated crew. Forget the editor who was able to capture specific looks and expressions in a specific order to tell a meaningful story. The controlled performances, subtle expressions, looks, reaches, movement specific to every moment of this story were brilliantly brought out by the director and realized by the actors.

Pacing and tempo of this film were key to truly understanding and appreciating this film. The score helped create that tempo, and the pacing of the film and the cuts enhanced it. If I were to add any criticism of this work it would be that there were perhaps too many cuts. The pacing did not need to be sped up, as is the tendency in recent years. The shots had enough to captivate and as such could be held longer, but that is less a criticism of this film and more a criticism of film in general since the dawn of the video era which relies on quick cuts and fast action.

Every part of this film shows a vision beyond that of many experienced film makers. It is a breath of fresh air to see a young director following his passion, his art, and his own voice and not giving in to formulaic crap pumped out by the studio system.
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6/10
Nice little poetic short
Red-Barracuda16 October 2015
I suppose I should state upfront that short films aren't really my thing, as they generally never run long enough to involve the viewer emotionally, intellectually or whatever. And Tempus is not only a short film but very short indeed, clocking in at less than five minutes. With this in mind, there is only so much it can achieve and this has to be taken into account. It's about an old man who begins mournfully walking towards a house where his wife lies in her death bed; he suddenly summons his youth and gathers speed, resulting in him bursting through the wooden door to be with her.

Despite its restrictions given its short running time, director Ian Clay has done a good job with utilising the tools at his disposal in a pretty effective way. It's too short to really have a story so it's more a snapshot of life. Very much a visual poem I guess you could say. There is no synchronised sound; it's more a combination of very nice cinematography, with well executed special effects and a delicate atmospheric score. It definitely captures a feeling and tone. Definitely a nice bit of work.
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6/10
A Little Vague Depiction. ♦ Grade C+
nairtejas16 February 2016
I can't fathom why I delayed watching this short drama for months in spite of knowing it to be only 3 minutes long. And now that I have finally watched it, I have experienced the same problem: I can't totally fathom what the maker wanted to say.

Albert (Kite) is an aged man who lives with his ailing, bed-ridden wife Louise (Benson). We don't know what their marital past was, and by the single-line synopsis, the only thing we can deduce is that Albert regains his youthfulness, not literally but mindfully, to reach and embrace Louise who is apparently in dire need of his care at that very moment.

The creator has tried to add a heavy story which fails to make a dent due to the time limit. Had there been a prologue or/and an epilogue to the story, it would have made better sense. Of course, the technical parameters are brilliant - the make-up, the smooth VFX, and the music - all drive the short beautifully. But at the end, what matters is the story being told. And according to me, the summoning of youth to fight the disabilities of oldness kinda stands between lines of exaggerated, uncontrolled imagination and rebellious decipherment of aging.

Having said these things, I am sure that Ian Clay has the spark and the ability to cross greater paths.

BOTTOM LINE: Ian Clay's Tempus is an ambitious and well-polished short drama that lacks a proper narration. Watching it on Vimeo wouldn't hurt.

Can be watched with a typical Indian family? YES
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Temporal
chaos-rampant30 September 2015
I seldom review short works but this was a personal request by the maker who recently just screened in London so I gladly oblige.

Wholly different measures apply to short work of course. Is it sufficient? Does it show that it can make use of tools to weave the look of a film? More importantly, is it the seed of something that can be nourished to grow roots? Does it hint in microcosm of something that incubates life?

This is perfectly sufficient, it makes fine use of the tools. People from Oscar-associated work were brought in to help with music and effects, which shows drive and ambition to excel. It looks like it could be an excerpt from something larger, and that he wants it to be poetic and visual. But is there a seed here? Well, a seed can be in the film, in life we know, or in life the filmmaker knows and incubates inside of him. If you pour water in the right place, great things can grow.
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