User Reviews

Taika Waititi is starting to make some real waves in the film making industry. It's as simple as this - every film he makes, people like. In fact, people like them so much he's been trusted with the directorial duties in the next 'Thor' film 'Thor: Ragnarok'. That's big and shows people trust him with making their film. That decision was made prior to the release of 'Hunt for the Wilderpeople' but I can confirm that this film will do his reputation no harm. In fact it's going to do it a lot of good. It's a very fine film and in my opinion his best yet.

I thoroughly enjoyed 'What We Do in the Shadows' but my one qualm with it was I felt it lacked a story to drive the humour. The man learns from his errors fast though and there is no such problem here. The story, while simple, is a driving force and makes sure things never get mundane or boring. Also helping this is a terrific cast of actors. Julian Dennison in the lead role blew me away and showed comedic timing far beyond his years. Sam Neill was as fantastic as ever and every cameo throughout is terrific and hilarious in its own way.

The film not only manages to make us laugh though, it also has a heart. There are some very sad and moving elements to the film which are handled exquisitely by Waititi. He makes us think and sobers us occasionally but never takes us away from the fun time we're having with the story. There's a lot more to the film than I expected going in. It has layers and works on a lot of levels. I can't say enough good things about this film. An absolute pleasure to sit through.

Kiwi director Taika Waititi of "Boy" and "What We Do In the Shadows" fame will shortly be stepping into the big leagues directing the next "Thor" movie.

In the meantime he has conjured up another slice of real Kiwi life on a budget that would probably fail to cover the catering bill for his new movie. Waititi translates Kiwi writer Barry Crump's book into a screenplay full of Kiwiana, irony and humour.

We meet Ricky Baker (Julian Dennison) as the local police (Oscar Kightley) and "enthusiastic" Child Care worker "Paula" (Rachel House), attempt to rehouse the young Maori lad with his new adoptive foster parents. "Aunt Bella" (Rima Te Wiata), child loving and with a heart of gold together with husband "Hec" (Sam Neill), a loner bushman with little desire to house a young delinquent.

Ricky's long list of offences are mentioned, including "smashing stuff and throwing rocks" but Paula is very determined, oft repeating her personal motto, "no child left behind".

The opening scene sets the tone perfectly, as Ricky carefully surveys his new accommodation and quietly returns to the police car.

Despite finding his new basic rural surroundings somewhat bewildering, including a gloriously bloody wild pig hunt, Ricky starts to become part of the family as he is showered by Aunt Bella's practical love and understanding.

Following an event, Ricky and Hec strike out on their own into the New Zealand bush as a national man hunt for the pair commences. Can they get on, will Hec's heart eventually melt, if indeed he can find it? This is a comedy drama with emphasis on the humour with incompetent hunters, crazy bushmen (Rhys Darby) and comical situations. However framed with underlying sadness and a serious story under pinning the whole endeavour. The tone is reminiscent of director Waititi's' "Boy" and manages to stay consistent throughout. Waititi even allowing himself a brief cameo, to great comedic effect.

There are plenty of belly laughs for those that understand and know New Zealand well. Neill essaying your everyday "she'll be right" Kiwi bloke, whilst providing a much needed straight man to all the shenanigans.

Some scenes are pushed too far, with Paula's quest going to ridiculous length's for the sake of comedy and Darby overbalancing his scenes with his usual shtick. Somehow with the solid anchor of Dennison's fresh performance and Neill's experience, the ship manages to stay the right way up.

The New Zealand bush is shown in all it's glory with the addition of a great choral track to accompany the shots of the overhead tree canopy.

Overall a much more approachable and enjoyable film than "Shadows" which will play especially well with Kiwi's and Australians but does have broader appeal.

Summary

Hugely enjoyable comedy adventure with serious undertones and represents a real return to form for Waititi. It's also good to see Sam Neill on the big screen again, opposite a great new young talent.

Oak Cliff Film Festival 2016 Greetings again from the darkness. It just doesn't seem very many movies are designed to be funny to a wide range of viewers. There are raunchy comedies for taboo lovers. There are comedies for young kids. There are even Nicolas Cage movies for unintentional laughs. But writer/director Taika Waititi actually delivers a thoroughly entertaining movie that will generate laughs across multiple generations … it's quite simply, a fun time at the theatre.

It's based on the 1986 book "Wild Pork and Watercress" by Barry Crump, who himself is a bit of a legendary figure in New Zealand. The film begins with Child Protective Services (or whatever it's called in New Zealand) dropping off 12 year old Ricky Baker to his new foster family. Paula, the CPS agent, considers Ricky a lost cause and describes him as "a very bad egg" as she rattles off his list of previous rebellions to new foster mom Bella, who takes note of Ricky's heft with a couple of wisecracks – delivered with a well-meaning smile.

In a terrific screen introduction, "Uncle" Hec slowly comes into frame flashing a world class scowl and a wild boar slung over his shoulder. Ricky continues his habit of running away at night, but Bella slowly wins him over with her kindness, understanding and breakfast offerings. A tragic occurrence and fear of being shipped back to the juvenile center, has Ricky disappearing into the New Zealand bush. Soon enough Hec catches up and the two begin a relationship that is the core of the film.

Rima Te Wiata plays Bella as a perpetually optimistic woman with a sincere drive to help Ricky adjust and find some joy in life. Sam Neill plays Hec in full grumpy curmudgeon mode … a nice compliment to the extraordinary presence of Julian Dennison (Paper Planes) as Ricky. Ricky and Hec together are a hoot to watch. It's not simply the generational differences, but also a clash of one man who wants little more than to be left alone and a young boy who wants little more than to be noticed and cared about. It's not so much the direction of their relationship that surprises, but rather the manner in which it develops.

Director Waititi's next film is Thor: Ragnarok, so this makes us appreciate even more his pleasant little indie film that features not just colorful and interesting characters, but the beautiful landscape of the New Zealand bush … much of which we see during the humorous manhunt for Hec and Ricky. It's a farcical comedy with a dose of profundity and loads of adventure for two social misfits. Rachel House is pretty funny as the obsessed CPS worker, and Rhys Darby ("Flight of the Conchords") is downright hilarious as Psycho Sam. Watching criminial-wannabe Ricky literally count off his Haiku, leaves little doubt as to why this one has been such an "audience favorite" at multiple film festivals.

A brilliant funny movie that still respects the sadness that happens in life but tries to show you that fun and laughter can still be our main focus.

I think this is the best so far of Taika Waititi's films and recommend it to anyone to see. I saw it after a long-tiring week at work and I half expected to nod off in the cinema theatre because I was so tired. But I didn't. I laughed and chuckled most of the way through the film and came away re-energized and very happy I had gone.

Would see again if the opportunity came up, which is likely as most of my friends are raving about it and a few are wanting me to go with them to see it again!

I saw this movie last night in Hokitika. There was a queue outside, which caused comment enough amongst the locals, as this never happens. The cinema was packed with an amazing demographic of people, for example, on one side of me were toddlers with their Mums, on the other a lone hunter-type and behind me a group of retired farmer ladies. I think this speaks volumes on the draw of this film. To put it simply, it ticks all the right boxes. Everyone in Aotearoa (NZ) will know these characters in some form or another; from the gruff old bushman, to the earthy mother figure and the chillaxed cop. It is that familiarity that makes it more engrossing and funny. But not just here, its mix of subtle bathos and pathos will make it universally appealing, of that I am certain. In short: Good on ya, Taika! 'Marvellous' film!

This is such a funny, heartwarming, immensely entertaining, brilliant film for the whole family. I can't wait to go again, and again.... Taika is a genius. The entire cinema clapped when it finished which I've never seen before. It's now my absolute favourite film of all time!! LOVE LOVE LOVE this movie!!!!!!! It is effortlessly funny with a brilliant cast of very talented Kiwi actors. The scenery is of course beautiful because it's set in New Zealand's stunning landscape. Even though there are serious, universal underlying issues within the script they are dealt with in a way that is from the child's innocent perspective so the film remains light and entertaining throughout. If this film doesn't do exceptionally well off shore and get the global recognition it deserves, it will be a travesty.

New Wes Anderson?/ Live action Pixar's Up?/ Herzog road trip flick?/

All these things and more/ Hunt for the Wilderpeople/ Is one of a kind/

Taika Waititi/ Blends Conchords' quirky humour/ With blunt honesty/

It's an oft-told plot/ Here, stripped of (most) cliché, and/ Adorably sharp/

No adoption tale/ Treats its heartwarming heartbreak/ With such frank sweetness/

In Waititi's world/ Rude haikus voice real trauma/ Death is nonchalant/

He finds poignant joy/ In the saddest images/ Peace in a barn fire/

But lost in the woods/ With a brave dog named Tupac/ Old man and boy heal/

Learning life lessons/ In New Zealand's lush splendour/ As they hide their poop/

Good ol' grumps Sam Neill/ And Julian Dennison/ Are pricelessly cute/

Wry, no-nonsense laughs/ Battling boar and Rachel House/ Gleeful cartoon foe/

As the pace ramps up/ Tender character beats meet/ Thelma and Louise/

And a denouement/ So crisply wholesome there'll be/ Something in your eye/

A tiny triumph/ Mighty but unpretentious/ With humongous charm/

One of the year's best/ Don't miss these Wilderpeople/ The skux life chose you!

-9/10

I just saw "Hunt for the Wilderpeople" (2016) and it was absolutely wonderful. All the performances were good. I didn't hate the kid and Sam Neil was very good as Hector. There was a very believable bond between Ricky and Hector, and when they had the "get mad at each other and leave" scene, it didn't feel forced (partly because of the subject matter) and I loved that it didn't go on for too long. All the cinematography was fantastic. It was very funny and I love the kind of dark sense of humor that the movie had. I think this had a great soundtrack! and it's not just great songs that already existed and wasn't composed for the movie (though there was a lot in there), also the composed music is really good. It gives off a very mysterious feeling. All the characters were very likable, and not stereotypes (except "psycho sam"), and it was great. I wouldn't give it a 10/10 like some people are, because it has some problems. There was some stereotypes in the movie, (An example being "psycho sam" being the conspiracy theorist stereotype) I think there should have been some more time devoted to the relationship between Ricky and Bella, and I think the plot was kinda predictable. But, I still think this movie was very fun and enjoyable, and I'll definitly recommend it. i give this a 8/10

It's too hard to fault Taika Waititi; he's excellent at what he does, and this movie is surely his best yet. The story has serious matters at its heart, and yet it managed to stay well above maudlin at all times, being moving and downright hilarious most of the time.

Also a great spotlight once again on New Zealand's native bush, with many great little nods to Kiwi movies of years gone by. The leads, Sam Neill & Julian Dennison, are wonderful in their roles, and the supporting cast were not far behind.

So much a Kiwi movie and one for all ages, yet it's humour and story will definitely appeal beyond our shores. Go and see it now!

This was incredibly funny, I loved it, all the actors played their parts well, I laughed Thru 90% and I say 90 because truthfully a few bits hit the feels, but its well worth the watch and the scenery is amazing, nothing like seeing your beautiful country on a big screen, so if your in to minds, set it to the bright side and go watch this you wont regret it, it was good so see Sam Neil again, and can see we are welcoming in a bright new shinning star to our comedy movies, so I feel like NZ has brought out another great film that can me us proud Its a very authentic view of new Zealand, few twist and turns unexpected moment, but don't be afraid to laugh out load you just cant help it

Taika Waititi's new comedy, set in the New Zealand bush, sees the wacky manhunt of a young orphan, Ricky (Julian Dennison), and his foster uncle Hec (Sam Neil). Following the threat of returning to the public system, Ricky flees his new remote farm home, with his foster uncle tracking him down shortly after deep within the bush. With the authorities believing their disappearance to be kidnapping, both Ricky and Hec quickly become fugitives running from the law.

Waititi's excellent brand of comedy doesn't disappoint, with solid character based humour and genuine laugh out loud moments throughout. If you're a fan of Edgar Wright you're sure to enjoy the visual comedic style of the movie, as well as the levity and frivolity, which isn't too dissimilar to that seen in Wright's cornetto trilogy.

Casting is solid with the partnership between Neil and Dennison producing some excellent chemistry; well balanced by the comical partnership of unrelenting and headstrong child-services worker Paula (Rachel House) and incompetent police officer Andy (Oscar Kightley).

After the positive reviews from both normal movie fans and critics I thought I would give this movie a shot. The movie begins strongly but falls off very fast. It's not funny, the acting in some scenes is bad and the score feels out of place. In many instances the movie tries to be funny by being over the top but it just does not work. It's also really bad at showing how much time has elapsed. At various points in the movie the characters have to say how much time has passed between scenes because it's not illustrated visually. There are some moments that are almost funny and some moments that are a bit emotional but these moments are too few and far between to make me like this movie. All in all it's a waste of time.

Beautiful story of survival, family and humor, Amazing Cinematography and relatable lovable characters. This film places deep characters and themes in a beautifully visual setting of New Zealand while making it hilariously funny and giving the right amount of action, thought-provoking situations and dialogue to make it a perfect film, Using every possible opportunity to give the audience an emotional and visual pleasure.

The film covers so many aspects of developing emotions while delivering a heart touching laugh your ass off story and never letting the audience either laughing or awing for the story of this cute parent-less fat boy and his journey of running,hiding and surviving though the unique NZ bush and connection to his uncle Heck.

The film allows the audience to leave with the most satisfyingly developed characters and story, while becoming a instant classic and a great showcase of New Zealand as a Country and its potential in the Film Industry.

I consider this to be the best film By Tiki Waititi and there is no wonder why he the writer and director has been chosen to direct the anticipated Thor: Ragnarok of the superhero film genre taking over Hollywood.

James Cameron

While Taika Waititi takes over Hollywood with his next two projects: THOR 3: RAGNORAK (2017) and a sequel to his funniest film to date WHAT WE DO IN THE SHADOWS (2014), hysterically entitled WE'RE WOLVES, his latest "little film that could" should put Sam Neil back on the map with a wonderfully gracious performance.

This magical realist New Zealand adventure drops an unloved, rebellious, little fat kid into the wild, wild southwest — and I'm here to say that this was the feel good film of Sundance this year. Luckily writer/director Waititi has held onto his unique dry-humor, which dates back to his debut feature EAGLE VS. SHARK (2007) as well as his underrated second film BOY (2010). But this krazy kids flick is not just satisfied with referencing all of the 1980s films its creator grew up loving: The movie itself is an actual throwback to the kind of children's fare that were laced with some very heavy adult issues like Walter Murch's RETURN TO OZ (1985) and Nicolas Roeg's THE WiTCHES (1990). Make sure to catch this truly loving film upon its initial theatrical release. It's the kind of experience that you'll be talking about years from now, perhaps even sharing with children of your own.

This movie is really good - I have to say I enjoyed it and would probably see it again.

A far more developed example of what Waititi can do as a director and storyteller; the film has examples of pathos, comedy, action, drama, art film, satire, good cinematography and even a few decent VFX shots. His last film, vampire mockumentary "What We Do in the Shadows" was a lot of fun but also a narrative disappointment, despite NZ media committing to expose the film and help generate sales. Something of a misguided indulgence, "Shadows" made the mistake of letting three or four (very) minor indie celebs improvise in digital for many, many hours, then the director tried to create a concrete whole in editing and post. Didn't work. Great intro though.

Hunt for the Wilderpeople focuses on the life of Ricky Baker - a young, overweight, orphaned juvenile offender that idealizes hip hop and creates haiku poetry as a method of externalizing emotional conflict, due to the influence of counseling and therapy sessions. Stuck in New Zealand's sub-par youth welfare system (known for endless governmental restructuring with little or no substantive improvement), Ricky ends up on a rotting farm somewhere in the rural back blocks with foster parents.

The film clearly shows elements of the barren, social realist film of early 80s NZ, but with bigger, better cinematography, and Waititi's indie sense of the quirky and offbeat. "Quirky" can become a meaningless attribution in today's market of indie features where anybody and everybody can have a go at being "quirky" to make up for budget and spectacle, but this film also has real nuance and character development, and a quality cast that seem to get the idea of being a bit "quirky" and "meta" without forgetting that emotional investment is what an audience really needs to feel involved with the story. Rachel House is hilarious. So's the director in an excellent cameo.

Some of the early scenes don't read as naturally as they could, and also Tioreore Ngatai-Melbourne's mother in the film is referred to but is never actually seen for unknown reasons. In addition, New Zealanders might complain about the films location improbabilities, but that's been standard practice in US features for years. Cool movie!! Go see it!!

The "Wilderpeople" in this quirky comedy are two lost souls: a wayward youth from the city (Ricky Baker –Julian Dennison) and his grouchy foster uncle (Hector – Sam Neill) with a past he can't forget. This odd couple find themselves on the run and dependent on each other in the New Zealand wilderness. I must admit I am a sucker for quirky unpretentious New Zealand comedies that are warm-hearted but resist the Hollywood schmaltzy formula. The humor in this film is typically Kiwi – dry, offbeat and irreverent. Julian Dennison is great as the rotund teenager with a sense of fun and adventure. As the escapade moves to its climax, the plot becomes more and more farcical. While some of the scenes are funny, our empathy for Ricky and Hector fades. Empathy and farce do not mix well. And the ending is hurried and not completely satisfying. Nevertheless, I enjoyed the movie and the Aussie audience came away wearing a smile.

Hunt for the Wilderpeople is a New Zealand film starring Sam Neill and directed by Taika Waititi (Eagle vs. Shark, 'Boy' the Movie, and Thor: Ragnarok). Based on the book "Wild Pork and Watercress" by Barry Crump, its unique charm and humour boost the appeal of what would have been an otherwise generic bonding story.

Ricky Baker (Julian Dennison), a juvenile delinquent, goes on the run from child protective services in the New Zealand bush. Reluctantly joining Ricky is his surly foster uncle Hector (Sam Neill), who is forced to bond with his nephew while trying to find ways for them to survive in the wilderness. Eventually, a nationwide manhunt is launched by the police to swiftly bring the two of them to justice.

Funny, poignant, and well-cast, Hunt for the Wilderpeople revels in a unique, idyllic quirkiness that could have only come out of somewhere like New Zealand. The film's dramatic moments always hit home and never feel like they were inserted merely for cheap emotional effect. The humour, which is very dry and tongue-in-cheek, frequently adds to the film's likability and unconventional tone. Newcomer Julian Dennison shines as Ricky Baker, a rebellious young boy with a heart of gold and Sam Neill plays off him quite well as his irritable foster uncle.

I rate it 8/10

With gentle humour and packed full of Kiwiana this is a reasonably enjoyable film without hitting any great or new heights. The theme is an old one, the setting different and the acting good enough. New Zealand audiences love it as they see a part of themselves and their lives reflected back to them - Bush tramping and hunting are as stereotypically Kiwi as you can be. Maybe I wasn't in the right mood at the time but the pathos was lost on me, appearing ham-fisted. Some of the acting was cartoonish but maybe that was the point, it is a comedy after all, but it didn't work for me. Perhaps I have seen too many good comedies down the years done really well. I won't begrudge Kiwis the right to publish rave reviews here, I'm just sorry I can't join them in that.

After reading the reviews I felt I was on to a winner with this film. Sadly I was mistaken. It starts off okay but loses its way pretty quick. There is so much of it that just isn't as funny and as endearing as it thinks it is. There were no laugh out loud moments and some of the acting was atrocious. Yet some of the reviews would make you think it was a masterpiece. People can be echo chambers though, sadly.

While 'The Hunt For The Wilderpeople (2016)' is suitably quirky, slightly absurdist and extremely funny (refreshingly so), it only packs as much punch as it does because it is surprisingly emotionally resonant. Its endearing and relatively realistic central relationship thankfully always comes first. The film is just an entertaining time throughout, an eclectic amalgamation of farcical comedy and character growth, and it's an incredibly unique experience that never takes the easy or expected route, in terms of neither its plot nor its laughs. This makes every weird, oddly cohesive moment all the sweeter, especially when it collates into an end result as fantastic as it is. 8/10

I didn't want to watch this movie. I had seen the trailer and it was great and for many movies the trailer is where it begins and ends... three funny or clever or cute lines and the rest is filler.

Not here! This was nothing short of a remarkable little gem, a touch of brilliance, utterly charming in every way.

I have never liked Sam Neil... yes, he can act but... in this marvellous romp of a film he's actually likable and perfect in his role.

As for Julian Dennison... this kid is brilliant... nothing overdone, the best delivery of the one-liners that were all through this joyful masterpiece... I'm not so sure this boy was actually acting or just having a very good time! All of the cast were perfect, every face fit the bill.

The script - not sure how much came straight from the book, possibly quite a bit - but this was truly funny! The rarest thing in a movie ever these days is anything that is genuinely actually funny. The moving moments were smart, direct and quick and all of the actors knew how to carry these moments well. I can only think that the director was superbly working all the moments, that this very, very clever, funny film was filled with care and attention and lots of remarkable talent.

I couldn't help myself, I watched it two days in a row. Fabulous. And I will never forget some of those one-liners: 'Vegetables?' 'The knack!'

The over the top ending - priceless.