Call Me Marianna (2015) Poster

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10/10
Don't let the low rating fool you. This is a great movie!
Red-12526 November 2015
The Polish documentary Mów mi Marianna was shown in the U.S. with the title Call Me Marianna (2015). It was written and directed by Karolina Bielawska.

The film depicts the life of someone who is a biological man, but who is psychologically a woman. Her name is Marianna Klapczynska. She has been married to a woman, and has a child. Nonetheless, she wants to be a woman, and she never wavers.

Obtaining a transgender operation is difficult under any circumstances, but it is particularly difficult in Poland. The laws in Poland are bizarre--a person wanting a transgender operation must sue his/her parents! I don't know for what they are suing them, but they must sue them.

Marianna sees herself as a woman, takes pills for feminization, and ultimately has the surgery performed. She is then Marianna, but not many people are ready to accept this. Marianna's mother, in particularly, continues to call her by her male name. Marianna keeps insisting that she is no longer that person. She shouts to her mother, "Call me Marianna." (That's the source of the title of the movie.)

The filmmaker and Marianna had become friends. That's why, when problems arise, they make a joint decision to carry on with filming.

The director was present when we saw the film. During the Q&A session, a member of the audience attacked her for not knowing all about the transgender situation in Poland-- statistics, etc. Her answer was, "I was making a movie about Marianna, not about the whole country." Works for me.

As I write this review, the movie is carrying a dismal 6.5 rating. I don't understand this, because Call Me Marianna is much better than that. Don't let the low rating discourage you. If you can find this film, ignore the rating and watch it. It will work well on the small screen.
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9/10
As heartbreaking as inspirational
peterkowalski2 February 2024
Warning: Spoilers
"Call me Marianna" is not an easy watch, for more than one reason - not only it's a story of a transgender woman living in Poland (the move was shot shortly before the far-right party, PiS, became the government). When we meet her, she's struggling to make relations with her family, who fully reject her transition. It's like making a whip out of water.

For a while, it seems like she's getting what she so desperately needs - the surgery consultations are going well, and she's clearly optimistic about her future, even if it's one that will cost her family.

At some point, Marianna's fight takes a bigger toll - due to the hormone use, she experiences a brain stoke, leaving her a half-paralysed, on a wheelchair, with difficulties speaking. The jig is up - it was never supposed to be easy - Poland in 2014 is hardly the best place in the world to be a transgender woman - and now it's going to be that much harder.

And yet Marianna never gives up, not fully, not even when calling her mother from the hospital bed - clearly depressed, pondering about her own survival, mental and physical. She somehow still hangs on, depending on the few friends she has to get her going, literally.

As the credits roll, two main feelings complement each other - one of the heartbreak for Marianna's struggles, so faithfully reflecting how it is to be a transgender person (or lgbtqia+, for that matter), and another one, a strong admiration for her power, determination, and strength.

The second one is a bit more prevalent.
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