Paths (2017) Poster

(2017)

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7/10
For those who have loved, lived, lost and then let go
troy-boulton4 August 2018
Like the ebb and flow of the waves of the Baltic Sea that rhythmically mark the seasons of Andreas and Martin's life together, Ein Weg (Paths/The Path) is slow moving, sometime almost glacial, but with a broody energy that keeps the film driving forward. This is a subtle and powerfully melancholic work; it is wrapped in a visual and tonal drabness, but the elegance and colours of life shine through with a wistful playfulness if you let go of the resistance you feel toward the film's apparent inertia, and allow the narrative to carry you through the story of these men's lives together. Whilst this film deals with love and loss, life's moments of lightness and its challenges, togetherness and the unwinding of a once great partnership, it is not a political piece, and tries neither to romanticise nor demonise the state of the gay man's plight in modern era. This is not necessarily a film for the young and hopeful, nor for those looking for reassurance that life will always resemble the moments captured in selfies and family photos. It will however resonate with those who have spent long years with a partner, and those who have had some time to step back and appreciate the beauty in all the weather that life's seasons bring.
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7/10
Andreas and Martin
cekadah2 November 2020
Here we have a rather confusing yet interesting film of two men - one loves, the other doesn't know what he wants. The two seem perfectly paired, Andreas loves but Martin is grossly insecure or suffers from mental depression. We never really find out!

Martin makes Andreas life 'hell' but Andreas stays true while Martin seems to have other plans and tries to make Andreas feel guilty about it. A very confusing plot but the actors, plot and acting keep you watching. The setting is always fall or winter - the time of year when nature seems to be dying - symbolic of their relationship.

This film is one you have to want to watch.
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6/10
One way, or the other?
Horst_In_Translation26 December 2018
Warning: Spoilers
"Ein Weg" is a relatively new award-nominated live action movie from Germany. This one premiered back in 2017, runs for 105 minutes and it is the first full feature film effort by writer Chris Miera and his second work as director, probably his most known career achievement so far. The cast is relatively unknown. Most of the actors have appeared in German production on the small screen already, but even I as a German film buff must admit that I have not recognized any faces here, let alone names. This is the story of two men, a gay couple and we basically get an insight into their relationship from start to end, how they get closer early on years ago, how they are at their happiest, how struggles keep arising and finally how their relationship breaks apart. It is not a chronological movie and I personally found it a bit annoying, but that is just my subjective opinion and I am in general (even if not always) a fan of chronological films. There are some supporting actors/characters in here, but the film never really moves away from the couple at its core, so the two lead actors are in almost every scene. I think they are doing mostly fine, especially the one who plays the less masculine of the two, but he also has better material. Still I am not really convinced. the film did feel realistic most of the time and that's why it is a close call for me between 2 and 3 stars out of 5, between a positive and negative recommendation. All in all, I have to go for the lower though. The script did not always feel convincing and there are some lengths I must say. I think it is easiest to appreciate when you really feel connected with one of the two characters because they seem similar to you in terms of behavior or personality etc. I would not really say that this is a film mostly for gay audiences the way it is the case for really many other gay-themed films because this one here depicts a love story that could have happened this way also to a straight couple in my opinion. It is more about love as a concept and how it can fade over the years and not about homosexuality or so. There is also no huge elaboration on how they got their child and the struggle it could have been bureaucratically. They certainly could have elaborated ont hat too, but like I said everybody except the two men is just there because they have an impact on the relationship. It is never about their stories. Same applies to the female character who has the most screen time here. Another problem with gay-themed movies in my opinion is that they frequently include steamy sex scenes to draw attention from the lack of a coherent and interesting plot. Also not a problem here. The more I think about this film, the more I like it sort of, even if it is far from flawless. So whatever, lets give it the higher rating and positive recommendation. I believe Miera did pretty fine here, especially if we consider his age and the fact that he is not too experienced yet as a filmmaker and also wasn't in 2017. And yeah like I said the actors are all pretty good. I never had the impression that I was watching performances or portrayals, but that I was watching genuine people who were just themselves. So after some hesitation initially, I give this movie a thumbs-up. One of the better, but not best German movies from the last three years. Go check it out. Also some good choices regarding locations where the film plays.
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6/10
Paths
CinemaSerf2 November 2023
Hmmm. This might well have worked better on paper, or perhaps even on stage where the confines of the sets might have given it greater intimacy. As a movie, though, it's all rather pedestrian. It's about two men (though it could easily be about any adult permutation) - "Andreas" (Mike Hoffman) and "Martin" (Mathis Reinhardt) who have a young son "Max" and a life together which we now enjoy/share/endure over a rather lengthy hundred minutes. It's not that it's dull - indeed there is a paucity of dialogue that works quite well at times, it's just that it's maybe a bit too much like real life. Not a great deal happens - and when it does, it's not necessarily that interesting to those watching or can appear a little dramatically contrived. The film is set over quite a long timeframe too, and there are gaps. Sometimes that is good but towards the end, though, that becomes rather puzzling - almost as if the writers just wanted to get it all over with. It's quite nicely filmed, but I felt a little like a fly on the wall watching something that wasn't that compelling or always any of my business.
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1/10
Yawn...
Rob-A11 July 2018
Yet another arty farty attempt to 'seriously romanticise' the gay culture. Not even worth the opening credits.
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10/10
A journey through all phases of long term universal "love"
ioannisvamvakitis3 September 2018
A charming "arty farty" film about universal love and its "life" stages in time ... absolutely beautiful!!
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10/10
Refreshing slice of life story
lucdesignerpro13 November 2022
Warning: Spoilers
I enjoyed the movie, the cinematography and the atmosphere. The chemistry between the 2 main characters was lovely and many elements mirrored my own life and I could sympathize in some scenes. I would have loved to see more of the story continued down the years, although no loose ends were left, it felt it needed a final closure for me on where their paths would take them further. Will re watch again.

The only plot hole is what happened to the mother of the boy and was Martin sickness related to stress or something else. I would have liked more context on locations of their town and seaside. For a small budget it was a beautiful movie to watch on a fall evening like I did.
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