One hundred seventy features have been submitted for consideration in the Documentary Feature category for the 90th Academy Awards. That’s 25 more than 2016. Assuming they all book their qualifying runs in New York and Los Angeles, the members of the documentary branch have just a few more weeks to see as many films as possible and file their votes for the shortlist of 15 to be announced in December. They’re each supposed to watch an assigned list of about 20 films, plus as many more as they can.
Read More:2018 Oscar Predictions: Best Documentary Feature
It’s possible for documentaries to also vie for Best Picture, although it is rare. Among this year’s most lauded features are “City of Ghosts,” “Faces Places,” “Jane,” “Kedi” and “One of Us.”
The submitted features, listed in alphabetical order, are:
“Abacus: Small Enough to Jail”
“Aida’s Secrets”
“Al Di Qua”
“All the Rage...
Read More:2018 Oscar Predictions: Best Documentary Feature
It’s possible for documentaries to also vie for Best Picture, although it is rare. Among this year’s most lauded features are “City of Ghosts,” “Faces Places,” “Jane,” “Kedi” and “One of Us.”
The submitted features, listed in alphabetical order, are:
“Abacus: Small Enough to Jail”
“Aida’s Secrets”
“Al Di Qua”
“All the Rage...
- 10/27/2017
- by Anne Thompson
- Thompson on Hollywood
One hundred seventy features have been submitted for consideration in the Documentary Feature category for the 90th Academy Awards. That’s 25 more than 2016. Assuming they all book their qualifying runs in New York and Los Angeles, the members of the documentary branch have just a few more weeks to see as many films as possible and file their votes for the shortlist of 15 to be announced in December. They’re each supposed to watch an assigned list of about 20 films, plus as many more as they can.
Read More:2018 Oscar Predictions: Best Documentary Feature
It’s possible for documentaries to also vie for Best Picture, although it is rare. Among this year’s most lauded features are “City of Ghosts,” “Faces Places,” “Jane,” “Kedi” and “One of Us.”
The submitted features, listed in alphabetical order, are:
“Abacus: Small Enough to Jail”
“Aida’s Secrets”
“Al Di Qua”
“All the Rage...
Read More:2018 Oscar Predictions: Best Documentary Feature
It’s possible for documentaries to also vie for Best Picture, although it is rare. Among this year’s most lauded features are “City of Ghosts,” “Faces Places,” “Jane,” “Kedi” and “One of Us.”
The submitted features, listed in alphabetical order, are:
“Abacus: Small Enough to Jail”
“Aida’s Secrets”
“Al Di Qua”
“All the Rage...
- 10/27/2017
- by Anne Thompson
- Indiewire
Bill Nye: Science Guy, Food Evolution and 78/52 are just three of the 170 films submitted in the Documentary Feature category for the 90th Academy Awards. Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category's other qualifying rules in order to advance in the voting process. A shortlist of 15 films will be announced in…...
- 10/27/2017
- Deadline
Exclusive: Hulu has acquired the exclusive U.S. VOD rights to Food Evolution from Academy Award-nominated director Scott Hamilton Kennedy (The Garden). The highly polarizing film is narrated by science communicator Neil deGrasse Tyson. The film will premiere on Hulu on Sept. 21. The doc is significant for a couple of reasons. First, it is one of the most controversial and contentious docs on the food industry because it delves into the positive side of GMOs on sustaining…...
- 9/20/2017
- Deadline
All of a sudden the scary decline at the indie box office has reversed. Through the first five months of 2017, only four films opening limited in the standard four New York/Los Angeles theaters opened with a per theater average of $20,000. In the last four weeks, four films have opened strong as “Beatriz at Dinner” (Roadside Attractions), “The Big Sick” (Lionsgate) and “The Beguiled” (Focus) opened well and reached crossover crowds.
This week’s addition, Sundance comedy hit “The Little Hours” (Gunpowder & Sky) is the latest surprise. Loosely inspired by the bawdy 14th-century Boccaccio classic “The Decameron” (The Hollywood version starred Joan Fontaine while Pasolini shocked in 1971), this tale is set in the Medieval Italian countryside with bawdy contemporary dialogue as a randy peasant hides out at a convent after his master catches him with his wife. It did strong business at four theaters on two coasts.
This comes the...
This week’s addition, Sundance comedy hit “The Little Hours” (Gunpowder & Sky) is the latest surprise. Loosely inspired by the bawdy 14th-century Boccaccio classic “The Decameron” (The Hollywood version starred Joan Fontaine while Pasolini shocked in 1971), this tale is set in the Medieval Italian countryside with bawdy contemporary dialogue as a randy peasant hides out at a convent after his master catches him with his wife. It did strong business at four theaters on two coasts.
This comes the...
- 7/2/2017
- by Tom Brueggemann
- Indiewire
Things are looking up at the specialty box office as two festival hits, Sundance breakout “The Big Sick” (Amazon/Lionsgate) and Sofia Coppola’s Cannes director-winner “The Beguiled” (Focus Features) both beat all the 2017 limited openings to date. With $87,000 and $60,000 per theater averages respectively, they both accomplished something only one platform film (“Cafe Society”) achieved all last summer. And they did so the same weekend in some of the same theaters.
This shows that core specialty audiences are starving for cinematic nourishment they aren’t getting from mainstream studio fare.
The two new films join “Beatriz at Dinner” (Roadside Attractions), which expanded well in its third week. A box office rebound for specialized non-mass-audience film is finally under way.
Opening
The Big Sick (Lionsgate) – Metacritic: 87; Festivals include: Sundance, South by Southwest, Seattle 2017
$435,000 in 5 theaters; PTA (per theater average): $87,000
Amazon strikes again with its $12-million Sundance acquisition marking the biggest limited opening of the year,...
This shows that core specialty audiences are starving for cinematic nourishment they aren’t getting from mainstream studio fare.
The two new films join “Beatriz at Dinner” (Roadside Attractions), which expanded well in its third week. A box office rebound for specialized non-mass-audience film is finally under way.
Opening
The Big Sick (Lionsgate) – Metacritic: 87; Festivals include: Sundance, South by Southwest, Seattle 2017
$435,000 in 5 theaters; PTA (per theater average): $87,000
Amazon strikes again with its $12-million Sundance acquisition marking the biggest limited opening of the year,...
- 6/25/2017
- by Tom Brueggemann
- Indiewire
Paramount's Transformers: The Last Knight took the #1 spot this weekend as expected, but that opening was the lowest the franchise has seen thus far by a rather significant margin as a lot of attention will now turn toward the film's international run. Meanwhile, WB's Wonder Woman is still tearing up the box office as it has now become the highest grossing release within the DC Extended Universe and it is showing little sign of stopping. Only one of the previous four Transformers features opened on a Wednesday and that was 2011's Transformers: Dark of the Moon, the third feature in the now five-film franchise, and it debuted with $162.6 million over its first five days in release, $97.8 million of that from the three-day weekend. By contrast, Transformers: The Last Knight brought in a mere $69.1 million over its first five days in release, an estimated $45.3 million of which over the three-day weekend.
- 6/25/2017
- by Brad Brevet <mail@boxofficemojo.com>
- Box Office Mojo
Keep up with the wild and wooly world of indie film acquisitions with our weekly Rundown of everything that’s been picked up around the globe. Check out last week’s Rundown here.
– IFC Films has acquired the U.S rights to director Jamie M. Dagg’s thriller “Sweet Virginia,” starring Jon Bernthal, Christopher Abbott, Imogen Poots, Rosemarie DeWitt and Odessa Young. The film, which premiered at the recent Tribeca Film Festival, was written by Ben and Paul China from their Black List script, and was produced by Brian Kavanaugh-Jones for Automatik, Chris Ferguson for Oddfellows and Fernando Loureiro and Roberto Vasconcellos for Exhibit, who also financed.
Read More: Film Acquisition Rundown: Focus Features Picks Up ‘Tully,’ Electric Entertainment Buys ‘Lbj’ and More
Xyz Films is currently handling international sales and will screen the film at the upcoming Marché du Film at Cannes. “Sweet Virginia” is a riveting thriller that...
– IFC Films has acquired the U.S rights to director Jamie M. Dagg’s thriller “Sweet Virginia,” starring Jon Bernthal, Christopher Abbott, Imogen Poots, Rosemarie DeWitt and Odessa Young. The film, which premiered at the recent Tribeca Film Festival, was written by Ben and Paul China from their Black List script, and was produced by Brian Kavanaugh-Jones for Automatik, Chris Ferguson for Oddfellows and Fernando Loureiro and Roberto Vasconcellos for Exhibit, who also financed.
Read More: Film Acquisition Rundown: Focus Features Picks Up ‘Tully,’ Electric Entertainment Buys ‘Lbj’ and More
Xyz Films is currently handling international sales and will screen the film at the upcoming Marché du Film at Cannes. “Sweet Virginia” is a riveting thriller that...
- 5/12/2017
- by Graham Winfrey
- Indiewire
Food Evolution, the documentary about GMOs and how they have infiltrated our food supply from Oscar nominated filmmaker Scott Hamilton Kennedy, has been picked up for distribution by Abramorama. The film will bow in in the U.S. initially on June 23 at the Village East Cinemas in New York before it rolls out for a nationwide release to select cities. Traveling from Hawaiian papaya groves to banana farms in Uganda to the cornfields of Iowa, Food Evolution wrestles with the…...
- 5/10/2017
- Deadline
Syria doc Last Men In Aleppo will open the Copenhagen documentary festival.
Cph:dox has announced the full programme for its first spring edition (March 16-26), boasting 200 films including 75 world premieres.
The festival will open with Last Men In Aleppo [pictured], which was directed by Firas Fayyad and co-directed by Steen Johannessen.
Other highlights include a new cultural summit Cph:meetings – about the political and social role of art in society; a Vr cinema; a new children’s programme; a new science section; a focus on the rise of populism; and an 11-film programme curated by musician Anohni.
Themes to be explored include the rise of populism and a “talk show” about the alternative facts of Donald Trump and Steve Bannon.
The children’s programme will include titles such as Obscure about kids with Ptsd; Childhood about a Norwegian kindergarten in the forest, and a film about Chinese children whose parents are in prison, Waiting For The...
Cph:dox has announced the full programme for its first spring edition (March 16-26), boasting 200 films including 75 world premieres.
The festival will open with Last Men In Aleppo [pictured], which was directed by Firas Fayyad and co-directed by Steen Johannessen.
Other highlights include a new cultural summit Cph:meetings – about the political and social role of art in society; a Vr cinema; a new children’s programme; a new science section; a focus on the rise of populism; and an 11-film programme curated by musician Anohni.
Themes to be explored include the rise of populism and a “talk show” about the alternative facts of Donald Trump and Steve Bannon.
The children’s programme will include titles such as Obscure about kids with Ptsd; Childhood about a Norwegian kindergarten in the forest, and a film about Chinese children whose parents are in prison, Waiting For The...
- 3/1/2017
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
A necessary contribution to ongoing debates over food and farm policy worldwide, Scott Hamilton Kennedy's Food Evolution — which defends the place of GMOs in agriculture — sounds on paper like it might be one of those hack-job rebuttals in which moneyed right-wing interests disguise propaganda as a documentary. Many on the left will likely dismiss it as such, which is a shame: Though it doesn't address all of their complaints, the movie makes an excellent case against those who seek blanket prohibitions against genetically modified organisms — and, maybe more importantly, against those of us who support such bans just...
- 12/1/2016
- by John DeFore
- The Hollywood Reporter - Movie News
Brett Berns and Bob Sarles's Bang! The Bert Berns Story narrator Steven Van Zandt Photo: Anne-Katrin Titze
Paul G Allen's Vulcan Productions' Ben Bowie and Geoff Luck's Naledi: A Baby Elephant's Tale and Richard Ladkani and Kief Davidson's The Ivory Game; Jon Nguyen, Rick Barnes and Olivia Neergaard-Holm's David Lynch: The Art Life and the making of Eraserhead; Claire Simon's Venezia Classici Award winner Le Concours; Scott Hamilton Kennedy's Food Evolution, narrated by Neil deGrasse Tyson, and Bang! The Bert Berns Story (featuring Paul McCartney, Van Morrison, Keith Richards, Cissy Houston, Andrew Loog Oldham, Jerry Ragovoy, Ronald Isley), and the voice of Steven Van Zandt come up in my conversation with Thom Powers.
Naledi: A Baby Elephant's Tale
Jimm Lasser and Biff Butler's Long Live Benjamin (about a Capuchin monkey and artist Allen Hirsch) and Markie Hancock's Feral Love (on Central...
Paul G Allen's Vulcan Productions' Ben Bowie and Geoff Luck's Naledi: A Baby Elephant's Tale and Richard Ladkani and Kief Davidson's The Ivory Game; Jon Nguyen, Rick Barnes and Olivia Neergaard-Holm's David Lynch: The Art Life and the making of Eraserhead; Claire Simon's Venezia Classici Award winner Le Concours; Scott Hamilton Kennedy's Food Evolution, narrated by Neil deGrasse Tyson, and Bang! The Bert Berns Story (featuring Paul McCartney, Van Morrison, Keith Richards, Cissy Houston, Andrew Loog Oldham, Jerry Ragovoy, Ronald Isley), and the voice of Steven Van Zandt come up in my conversation with Thom Powers.
Naledi: A Baby Elephant's Tale
Jimm Lasser and Biff Butler's Long Live Benjamin (about a Capuchin monkey and artist Allen Hirsch) and Markie Hancock's Feral Love (on Central...
- 11/10/2016
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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