I wish Greg Lansky would opt for early retirement, as his lucrative gig working recently for Spanish-funded labels tushy.com and blacked.com have put Visual quality of Adult Cinema/Video back many years. The word "Art" is in the title of this stick-it-in-her-ass exercise, but proper terminology is "artsy", as in arsty-fartsy.
Lena Paul again shows why she's perhaps the most beautiful big-bust natural model to join Adult Cinema recently, but Lansky makes little of what he's dealt with. Lena on the payroll should have been the stuff of a classic scene, but instead we get her grinning a lot, stuck with a lame set-up prior to sex, and then purely mechanical impaling by Jean Val Jean.
The other girls include the always-talented blonde Natalia Starr minus her sister Natasha, and the requisite teeny-weeny jail-bait actresses Holly Hendrix and Eliza Jane. Mick Blue does double duty, sporting his sleazy new long hair style (I liked him better shaved) and playing two characters both of whom dominate women and throw in a bit of the old BDSM lite including spanking.
Oddball casting was familiar Euro stud, quite bald, Christian Clay/Devil, certainly as bald as his much more famous namesake Christian X. He has nothing to say (in English) while humping Holly.
Many a film uses white-out effects, but Lansky insists on a bland, pale color scheme and color grading to dilute the color to shades of pink and beige, degrading his footage the way nature used to take its course and wash out old 35mm color film. When I was a film buff growing up in the '60s and '70s we called it color fading, and Scorsese launched a well- publicized campaign to restore movies to their original beauty. Lansky is apparently out to convince a generation of latter-day porn hounds that this fading is beautiful. Wrong!
Lena Paul again shows why she's perhaps the most beautiful big-bust natural model to join Adult Cinema recently, but Lansky makes little of what he's dealt with. Lena on the payroll should have been the stuff of a classic scene, but instead we get her grinning a lot, stuck with a lame set-up prior to sex, and then purely mechanical impaling by Jean Val Jean.
The other girls include the always-talented blonde Natalia Starr minus her sister Natasha, and the requisite teeny-weeny jail-bait actresses Holly Hendrix and Eliza Jane. Mick Blue does double duty, sporting his sleazy new long hair style (I liked him better shaved) and playing two characters both of whom dominate women and throw in a bit of the old BDSM lite including spanking.
Oddball casting was familiar Euro stud, quite bald, Christian Clay/Devil, certainly as bald as his much more famous namesake Christian X. He has nothing to say (in English) while humping Holly.
Many a film uses white-out effects, but Lansky insists on a bland, pale color scheme and color grading to dilute the color to shades of pink and beige, degrading his footage the way nature used to take its course and wash out old 35mm color film. When I was a film buff growing up in the '60s and '70s we called it color fading, and Scorsese launched a well- publicized campaign to restore movies to their original beauty. Lansky is apparently out to convince a generation of latter-day porn hounds that this fading is beautiful. Wrong!