In many senses, it is the episode of Rupert Everett. His Bernardo Gui works . As a large embroidery of nuances and desires, expectations and vulnerabilities. In same measure, Adso becomes little credible . And the confrontation between Pope men and Franciscans is well crafted. An episode - the middle of serie - proposing a coherent lecture of the vision of director, looking more for a large fresco of period than a faithfull adaptation. The result seems not so awfull .
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