I had heard "Pandora's Box" called a German Expressionist film, the class to which such great and outlandish films as Wiene's "The Cabinet of Dr. Caligari", and Lang's "Metropolis" and the sadly dated but very interesting "Nosferatu" by Walter Murnau, I expected it to have the same elements-- extremely stylized acting and direction, bizarre artificial sets, and a general atmosphere of utter surreality. So I was very surprised at and fascinated with the naturalism of G. W. Pabst's "Pandora's Box", particularly with Louise Brook's celebrated performance as the cheerful, childlike, tragic femme fatale Lulu. Pabst's direction is essentially modern, even without the use of sound. While sometimes the direction and acting in even "Caligari" and "Metropolis" provoke laughter from the bemused audience,"Pandora's Box" holds the viewer spellbound, and its not infrequent humor is intentional. Like other German Expressionist silent films, "Pandora's Box" has a dark message. From the beginning, however, it is far less stylized, and the settings look like they might actually have existed in the 1920's, instead of only in someone's dream world. Nevertheless the film makes excellent use of Expressionistic lighting and chiaroscuro, which highlights the visions of fruitless and immoral frivolity, desperate gambling and unhealthy sexuality.
Altogether, this film is beautiful and absorbing, and even if nothing else, it should not be missed for Louise Brooks' superb performance.
Altogether, this film is beautiful and absorbing, and even if nothing else, it should not be missed for Louise Brooks' superb performance.