Being a Londoner, and born but a few months after England declared war on
Germany, this film has always held a special significance for me. I originally saw it when it opened in London: a mere twelve years after the worst war in living memory, had ended. I saw it for the second time recently at a friend's house. To me, it is still the best film about the occupation of a country by a foreign army. In his book, "How It Happened Here", co-director, Kevin Brownlow explains how he got the idea to
make this film. He just happened to be walking down a London street, at the
moment when a car screeched to a halt outside a shop. Four or so heavyset
men piled out of the car. They were dressed, recalls Brownlow, in grey
overcoats in a style reminiscent of Russian KGB agents. All were bulky and
acted in a furtive manner. It got Brownlow thinking: "what if....."
On a budget that can only be described as miniscule, it took Brownlow and his co-director, Andrew Mollo, eight years to complete the film. It's shot in a
quasi-documentary style, which makes it even more realistic. Their attention to detail is amazing considering the paucity of funds available - every uniform the actors wore was sewn by Mrs. Mollo. While I can't claim to personally 'remember' those years when London was
bombed constantly, I can recall the sound, or should I say lack of it (we were all inside a bomb shelter), when a German V-2 rocket (nicknamed a doodle-bug),
ran out of fuel and plummeted to the ground. We were lucky: it landed but a few streets away, killing many, many people, breaking windows, shaking chimneys and covering all our possesions in a thick layer of soot!
Germany, this film has always held a special significance for me. I originally saw it when it opened in London: a mere twelve years after the worst war in living memory, had ended. I saw it for the second time recently at a friend's house. To me, it is still the best film about the occupation of a country by a foreign army. In his book, "How It Happened Here", co-director, Kevin Brownlow explains how he got the idea to
make this film. He just happened to be walking down a London street, at the
moment when a car screeched to a halt outside a shop. Four or so heavyset
men piled out of the car. They were dressed, recalls Brownlow, in grey
overcoats in a style reminiscent of Russian KGB agents. All were bulky and
acted in a furtive manner. It got Brownlow thinking: "what if....."
On a budget that can only be described as miniscule, it took Brownlow and his co-director, Andrew Mollo, eight years to complete the film. It's shot in a
quasi-documentary style, which makes it even more realistic. Their attention to detail is amazing considering the paucity of funds available - every uniform the actors wore was sewn by Mrs. Mollo. While I can't claim to personally 'remember' those years when London was
bombed constantly, I can recall the sound, or should I say lack of it (we were all inside a bomb shelter), when a German V-2 rocket (nicknamed a doodle-bug),
ran out of fuel and plummeted to the ground. We were lucky: it landed but a few streets away, killing many, many people, breaking windows, shaking chimneys and covering all our possesions in a thick layer of soot!