10/10
Magnificent...
8 September 2010
Warning: Spoilers
"That Obscure Object Of Desire" is one of the most influential films I have ever seen! I remember liking it very much when I watched it for the first time long ago; but a few days ago I decided to watch it again and found myself completely absorbed in its magnificence and the splendour of suggestive details Bunuel entered into the film. Having two actresses playing the role of Conchita represent two separate moods and even personalities of hers. It is even stressed by the fact that one of them exits the room with one particular hair-style and enters again with her hair made in a different way. The "first Conchita" is French-looking, shy, subtle and demure, always with her head bend down, in an obedient, servant-like manner, whereas the "other Conchita" looks a lot more like a Spaniard, with big beautiful eyes and slightly curly hair, moody and demanding- the dominant side of her personality. There are two more, let's say, surreal details present throughout the film: one of them being the package Mathieu lefts behind at the beginning of the film which appears to be the same as the one out of which the girl in the shop window takes the blood-stained veil, and which supposedly contains a bomb that goes off at the very end; the other detail being the constant terrorist attacks, whether shown directly or by means of radio or newspapers announcements. Apart from the possibility that Conchita herself might belong to a group of terrorists, as her friendship with guys who at one point rob Mathieu suggests, there is also another point of view considering the relationship between Mathieu and Conchita, full of hatred- love/attraction-repulsion tension as some kind of a psychological bomb that would eventually explode. As I was watching this film, I thought it obvious that Conchita doesn't love or even respect Mathieu and that he's been trying, not only to take his money, but also to utterly destroy him, as some kind of a temptress. However, having seen that after gaining the property over the house in Spain as a present from Mathieu, and after ditching him in an abrupt manner, she still seeks him and torments him, I realised that not only he cannot live without her, but she as well possesses some kind of peculiar attachment to him, may it only be to humiliate him or being humiliated or even beaten by him. Therefore, I think there are no grounds upon which the theories that she is only after his money and nothing else might be based. This film conveys the ever-present motif of dualism of human nature, the motif that stretches back to "The Picture Of Dorian Gray" or "Dr.Jekyll and Mr.Hyde", etc. It is also about human obsession with the (possibly) the only thing they cannot possess, representing one's own Holy Grail, in this case, the disputable virginity of the main female character. The film does not tell the viewers all men are swine who only want to physically possess women and nothing else, nor does it tell all women are devils in disguise who trick men into their spider web playing the card of innocence and virginity. It simply tells the story of humanity bound to its needs, fantasies and, above all, frustrations about things beyond their reach. The sick love(?!) story of mutual torment and humiliation, but also of mutual need and dependence upon one another, where the roles of who is the tormentor and who the tormented are not always as clear as they seem.
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