The film "No Bears" starts off simple but becomes more complex as it progresses. Even if you're not familiar with the work of Kiarostami and Makhmalbaf, you can still enjoy it. The director, Panahi, mixes documentary-style and autobiographical elements to create a powerful emotional impact. Panahi, who is at the center of the film, is forced to confront the consequences of his work, both for himself and his collaborators. The final image of the film is sobering and resonates with the unspoken anguish of an artist exiled in his own country, who has had enough. It is clear that the director has little left to lose, and this makes "No Bears" one of the best movies of the previous year.
