This magnificent film goes where no one else dared to go to show us the last days of Adolf Hitler. The director, Oliver Hirshbiegel, working with a big cast, brings to life the madness of the last days of the monster, as observed by a young and impressionable secretary who witnessed most of the crisis.
At the beginning of the film we watch as five young women are brought to be interviewed by Hitler for a job as his personal secretary. Young Traudl Junge is selected. She is a pretty woman who is naive in many ways and probably had no inkling about the trip she was going to embark.
The film captures the tragic figure of Hitler as everything is caving in on him and his grand plans for victory. We watch a man at the beginning of the film that is still thinking he is in command of the German forces, but his authority has eroded, as it becomes clear to the people under him the war is lost and it will be a matter of time before they are defeated.
We watch the life of privilege the higher ups led inside the bunker. It was a fortification in which all comforts the regular Germans could not imagine existed. We get to know the people in Hitler's inner circle. The Goebbels, both Joseph and Magda, supporters of the regime, maintain the loyalty to the Fuhrer until the end. The scene where Magda Goebbels murders her children is hard to take and we keep sinking in our seats, as we can't believe such cruelty existed. In her narrow view of things, Magda must take her family with her to a death these children didn't deserve.
The film is totally dominated by Bruno Ganz. As Hitler, he makes us see this man as he probably was in real life. Mr. Ganz's uncanny resemblance with Hitler is what makes the film works the way it does. At times, Mr. Ganz is totally irrational, and at times, he is presented as a lost man who can't see what he has done to Germany and to Europe and the world.
As Traudl Junge, the young secretary, Alexandra Maria Lara gives a subtle performance. She saw plenty inside the bunker and lived to tell it to the world. The other excellent performance is given by Corinna Harfouch, who as Mrs. Goebbels makes us cringe in horror because of what she is capable of doing. Juliane Kohler, as Eva Braun, is an enigma. At times, she is presented as a carefree young woman who might have loved Hitler. Yet, we don't ever know what made this Eva Braun tick. Ulrich Matthes as Joseph Goebbels and Heino Ferch as Albert Speer are equally effective playing these two men.
The director and his team have to be congratulated for taking us on a voyage to see the last moments of the Third Reich.
At the beginning of the film we watch as five young women are brought to be interviewed by Hitler for a job as his personal secretary. Young Traudl Junge is selected. She is a pretty woman who is naive in many ways and probably had no inkling about the trip she was going to embark.
The film captures the tragic figure of Hitler as everything is caving in on him and his grand plans for victory. We watch a man at the beginning of the film that is still thinking he is in command of the German forces, but his authority has eroded, as it becomes clear to the people under him the war is lost and it will be a matter of time before they are defeated.
We watch the life of privilege the higher ups led inside the bunker. It was a fortification in which all comforts the regular Germans could not imagine existed. We get to know the people in Hitler's inner circle. The Goebbels, both Joseph and Magda, supporters of the regime, maintain the loyalty to the Fuhrer until the end. The scene where Magda Goebbels murders her children is hard to take and we keep sinking in our seats, as we can't believe such cruelty existed. In her narrow view of things, Magda must take her family with her to a death these children didn't deserve.
The film is totally dominated by Bruno Ganz. As Hitler, he makes us see this man as he probably was in real life. Mr. Ganz's uncanny resemblance with Hitler is what makes the film works the way it does. At times, Mr. Ganz is totally irrational, and at times, he is presented as a lost man who can't see what he has done to Germany and to Europe and the world.
As Traudl Junge, the young secretary, Alexandra Maria Lara gives a subtle performance. She saw plenty inside the bunker and lived to tell it to the world. The other excellent performance is given by Corinna Harfouch, who as Mrs. Goebbels makes us cringe in horror because of what she is capable of doing. Juliane Kohler, as Eva Braun, is an enigma. At times, she is presented as a carefree young woman who might have loved Hitler. Yet, we don't ever know what made this Eva Braun tick. Ulrich Matthes as Joseph Goebbels and Heino Ferch as Albert Speer are equally effective playing these two men.
The director and his team have to be congratulated for taking us on a voyage to see the last moments of the Third Reich.