Black Cyclone (1925) Poster

(1925)

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3/10
Wow...Guinn Williams gets third-billing to two horses!
planktonrules7 September 2011
Warning: Spoilers
This film must have been depressing for Guinn 'Big Boy' Williams. After all, he gets third-billing--just behind two horses! It seems that in the 20s and early 30s, there was Rex the Wonder Horse-mania--and Rex was billed in 15 films! And so, at the time, he was a bigger commodity than Williams--though how Lady the Horse got second-billing, I have no idea...perhaps she just had a better agent!

This is the sort of silent film that will only appeal to a very small audience. First, not surprisingly, you have to like silents or at least be willing to watch them. Second, you have to love animal films--particularly one where the animals are anthropomorphized--in other words, to make them sound more human that they really are. So, if your idea of fun is watching animals roaming about and reading captions that supposedly tell what they're thinking, then you are in luck!!

The film is about a couple wild horses--Rex and Lady. However, there is an evil bully horse named the Killer--and he is nasty and dominates the wild horses. Later, Lady is kidnapped (of sorts) by the Killer and Rex nearly dies but is rescued by a nice cowboy (Williams). Later, the cowboy's story and Rex's seem to parallel, as they are both having girl trouble and bully trouble. So, when Rex watches Williams stand up to the bully and give him what for, he is inspired to do the same and everyone (except the two bullies) lives happily ever after.

For me, watching this film was a bit of a chore. I don't like films that humanize animals and I found it all a bit strange as well as dull. It all just depends on your perspective--you may like this sort of thing. I just found it to be a bit cheesy and silly.

the Killer, Rex the Wonder Horse and Lady Jim Pangle Jim Lawson (not Lawsoon as IMDb indicates) two stories parallel
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8/10
A solid, charming silent western adventure
I_Ailurophile18 July 2023
For all the great films that have seen the light of day in the past ninety-five years or so, sometimes it's hard not to think that cinema lost something with the advent of talkies. From straightforward adventure to timeless dramas, from inescapably charming comedies to grand epics, there's an earnest simplicity to silent movies that got subsumed with the sound revolution and ever-advancing film-making technology. I can understand why, for various reasons, older titles don't appeal to all modern viewers, yet as 'Black Cyclone' relates the story of a wild horse ruling over the plains, and the unlikely friendship he develops with a human, there's obvious kinship with countless pictures that have been made over the years about the intelligence of animals, and the bonds between animals and humans. We get twists of drama, humor, and action in turn, keeping the proceedings equally light and fresh amidst beautiful open landscapes, majestic and lovely animals, and the capable film-making of seasoned professionals. This is hardly to say that this 1925 feature is a total must-see, but it's solidly enjoyable on its own merits, and definitely worth checking out for those who appreciate the style or genre.

Truly, the thrust of this classic will be well familiar to anyone who has ever watched something (animated, sure, but especially live-action) that centered animals as protagonists. And the story is fairly simply, all told. Yet the film is shaped with expertise and care to ensure audiences have a good time, and even for as relatively unsophisticated as techniques generally were in the 1920s, nonetheless the cinematography, editing, and direction are admirable in shaping the whole. Special commendations are to be afforded for the superb animal handling and stunts, for with fare like this that's truly where the core lies; still, in every regard 'Black Cyclone' is quite well done, including sets, costume design, and those effects that are employed. And between Fred Jackman's direction and the strong scene writing, each discrete sequence is arguably more important than the overall saga in keeping us engaged and making the viewing experience as fun as it is. Whatever the flavor of a particular moment may be it's realized with a vitality that's welcome and endearing, and that the tale at large wraps it all together so well just cements the satisfaction and reward of watching.

One hour goes by quickly, speaking as much to the quality of the movie as to its brevity. The human cast gives excellent performances - Guinn Williams especially, as hero Jim Lawson - even if they're second fiddle to star Rex, "The King of Wild Horses," and his fellow equines. In fairness, there's nothing about this picture that's singularly striking, and save perhaps for the prominence of Rex it won't necessarily stand out from other contemporary westerns. Then again, nor are there any specific weaknesses to speak of; even noting the obvious artificiality of one action sequence in particular, I have no abject criticisms to offer. 'Black Cyclone' is no revelation, but it's well-rounded and balanced, gratifyingly well made, and splendidly entertaining all the while. As a matter of personal preference it won't find favor with all comers, but those who are receptive to the unsung treasures of the silent era will find much to love. It may not wholly demand viewership, but if you have the opportunity to watch 'Black Cyclone,' this is one hour well spent.
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