Tl;Dr:
John Lennon felt fans were playing games when they psychoanalyzed him. He said “People will do anything rather than be here now.” He discussed a rumor that a famous musician was killed by the CIA.
Some of John Lennon‘s fans liked to psychoanalyze him. The former Beatle rejected “fantasies” about himself and Elvis Presley. Despite this, he had a different attitude toward fans who believed gossip that The Beatles would reform.
John Lennon felt fans who psychoanalyzed were doing something ‘irrelevant’
The book All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono features a 1980 interview. In it, John was asked about fans who wanted to psychoanalyze him. “It’s only games for people to play,” he said. “Some people like ping-pong, other people like digging over graves. They are all escapes from now. People will do anything rather than be here now.
John Lennon felt fans were playing games when they psychoanalyzed him. He said “People will do anything rather than be here now.” He discussed a rumor that a famous musician was killed by the CIA.
Some of John Lennon‘s fans liked to psychoanalyze him. The former Beatle rejected “fantasies” about himself and Elvis Presley. Despite this, he had a different attitude toward fans who believed gossip that The Beatles would reform.
John Lennon felt fans who psychoanalyzed were doing something ‘irrelevant’
The book All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono features a 1980 interview. In it, John was asked about fans who wanted to psychoanalyze him. “It’s only games for people to play,” he said. “Some people like ping-pong, other people like digging over graves. They are all escapes from now. People will do anything rather than be here now.
- 8/3/2023
- by Matthew Trzcinski
- Showbiz Cheat Sheet
Invocation of My Demon Brother. “The key of joy is disobedience.”—Aleister CrowleyLucifer has risen. Kenneth Anger is, terrestrially at least, no more. Of the Hollywood that once was, Kenneth Anger was one of the few unsentimental remnants—never nostalgic and always captivated by the present. He leaves behind an aura of gothic glam and a string of sacrilegious, unselfconscious films. In the Bible, Lucifer—etymologically, “the light bearer”—was cast out of heaven for plotting against the supreme creator, that divine auteur. In Hollywood, Anger shed light on the ambrosial decadence that accompanied the rise of the film industry, whose mythological dimension he both captured and incarnated. To Anger, Hollywood was a sort of maternal womb, the amniotic element whose sinister luminescence he chiseled like a baroque sculptor. In his cinema, there is a visible adherence to the superficial gloss that made commercial films so profound. He was able...
- 7/19/2023
- MUBI
Most artists, if they’re lucky, invent one thing. But Kenneth Anger, who was a filmmaker, an author, a debauched aristocratic scenester and, to the day of his death at 96, a figure of puckish mystery, invented several things, each one of them epic.
In “Fireworks,” his transcendent 14-minute avant-garde film of 1947, Anger invented the very consciousness and imagery of gay liberation — not the desire to be liberated (which was buried in the hearts of gay people everywhere), but the rapturous visual reverie of what that liberation might look like, what it would feel like, why it seemed so forbidden, and why it needed to be. In “Scorpio Rising,” his homoerotic demon-biker/Top-40-orgy blast from the underground, Anger invented MTV, invented what Martin Scorsese did in “Mean Streets” and David Lynch did in “Blue Velvet,” invented a way to express how music and reality talk to each other.
In “Hollywood Babylon,...
In “Fireworks,” his transcendent 14-minute avant-garde film of 1947, Anger invented the very consciousness and imagery of gay liberation — not the desire to be liberated (which was buried in the hearts of gay people everywhere), but the rapturous visual reverie of what that liberation might look like, what it would feel like, why it seemed so forbidden, and why it needed to be. In “Scorpio Rising,” his homoerotic demon-biker/Top-40-orgy blast from the underground, Anger invented MTV, invented what Martin Scorsese did in “Mean Streets” and David Lynch did in “Blue Velvet,” invented a way to express how music and reality talk to each other.
In “Hollywood Babylon,...
- 5/27/2023
- by Owen Gleiberman
- Variety Film + TV
Tab Hunter Confidential now screens Monday, April 27th at 7pm at Landmark’s Tivoli Theater (6350 Delmar) as part of this year’s QFest St. Louis. For ticket information, go Here
Hollywood can destroy people. For every survivor of the Hollywood system, whether from years ago or any current actors, there are dozens of actors and other artists who crashed and burned, had serious substance abuse issues, committed suicide or never made it at all.
Just from memory I can name Barbara Payton, Jayne Mansfield, Jeanne Eagles, Marilyn Monroe, James Dean, Diana Sands and Montgomery Clift. For a complete rundown you can’t do much better than Kenneth Anger’s incredible book Hollywood Babylon and it’s even more depressing sequel Hollywood Babylon Part Two. Vincent Price called Hollywood “the most evil place on Earth!” And Vincent Price would know something about evil!
A few short years ago I read Tab Hunter...
Hollywood can destroy people. For every survivor of the Hollywood system, whether from years ago or any current actors, there are dozens of actors and other artists who crashed and burned, had serious substance abuse issues, committed suicide or never made it at all.
Just from memory I can name Barbara Payton, Jayne Mansfield, Jeanne Eagles, Marilyn Monroe, James Dean, Diana Sands and Montgomery Clift. For a complete rundown you can’t do much better than Kenneth Anger’s incredible book Hollywood Babylon and it’s even more depressing sequel Hollywood Babylon Part Two. Vincent Price called Hollywood “the most evil place on Earth!” And Vincent Price would know something about evil!
A few short years ago I read Tab Hunter...
- 4/20/2015
- by Sam Moffitt
- WeAreMovieGeeks.com
Tab Hunter Confidential screens Monday, April 20th at 7pm at Landmark’s Tivoli Theater (6350 Delmar) as part if this year’s QFest St. Louis. For ticket information, go Here
Hollywood can destroy people. For every survivor of the Hollywood system, whether from years ago or any current actors, there are dozens of actors and other artists who crashed and burned, had serious substance abuse issues, committed suicide or never made it at all.
Just from memory I can name Barbara Payton, Jayne Mansfield, Jeanne Eagles, Marilyn Monroe, James Dean, Diana Sands and Montgomery Clift. For a complete rundown you can’t do much better than Kenneth Anger’s incredible book Hollywood Babylon and it’s even more depressing sequel Hollywood Babylon Part Two. Vincent Price called Hollywood “the most evil place on Earth!” And Vincent Price would know something about evil!
A few short years ago I read Tab Hunter...
Hollywood can destroy people. For every survivor of the Hollywood system, whether from years ago or any current actors, there are dozens of actors and other artists who crashed and burned, had serious substance abuse issues, committed suicide or never made it at all.
Just from memory I can name Barbara Payton, Jayne Mansfield, Jeanne Eagles, Marilyn Monroe, James Dean, Diana Sands and Montgomery Clift. For a complete rundown you can’t do much better than Kenneth Anger’s incredible book Hollywood Babylon and it’s even more depressing sequel Hollywood Babylon Part Two. Vincent Price called Hollywood “the most evil place on Earth!” And Vincent Price would know something about evil!
A few short years ago I read Tab Hunter...
- 4/20/2015
- by Sam Moffitt
- WeAreMovieGeeks.com
The Floating Cinema 2013: Extra-ordinary | A Weekend Of Anger: The Films Of Kenneth Anger | Robert Beavers | Brighton's Big Screen/The Duke's at Lewes House
The Floating Cinema 2013: Extra-ordinary, London
This cinema will come to you, if you're situated alongside a London canal. It's an appealing initiative, which began last year but returns with a new design, converting an old industrial barge into an eclectic touring show. You can step on to the boat for an intimate show of specially commissioned works and Michael Smith's new film about the River Lea plays later this month. There's also a horror weekend at Granary Square in King's Cross (9 & 10 Aug), and a fancy-dress screening of Tim Burton's Frankenweenie outside 3 Mills Studio, where it was made (23 Aug).
Various venues, Sat to 30 Sep
A Weekend Of Anger: The Films Of Kenneth Anger, London
That Anger is considered a pioneer of both salacious celebrity...
The Floating Cinema 2013: Extra-ordinary, London
This cinema will come to you, if you're situated alongside a London canal. It's an appealing initiative, which began last year but returns with a new design, converting an old industrial barge into an eclectic touring show. You can step on to the boat for an intimate show of specially commissioned works and Michael Smith's new film about the River Lea plays later this month. There's also a horror weekend at Granary Square in King's Cross (9 & 10 Aug), and a fancy-dress screening of Tim Burton's Frankenweenie outside 3 Mills Studio, where it was made (23 Aug).
Various venues, Sat to 30 Sep
A Weekend Of Anger: The Films Of Kenneth Anger, London
That Anger is considered a pioneer of both salacious celebrity...
- 7/27/2013
- by Steve Rose
- The Guardian - Film News
What made the actor dress up as Janet Leigh and recreate her murder in Psycho? Here, he explains the thinking behind his latest artwork
What interests me about Psycho is how the film addresses one man's imaginary life – how Norman Bates keeps his mother alive in the world of his imagination. It's all about role-playing: he plays her and the character then takes him over. And he excuses his extreme actions, including murder, because they occur when he has slipped into a different psychological state. I do love Hitchcock's 1960 film, but Psycho Nacirema, the art installation I have made with the Scottish video artist Douglas Gordon, isn't supposed to be a homage.
The show is about using films and performances as the inspiration for new works. Last year, I did a collaborative show with a group of artists that included Douglas, the film-maker Harmony Korine and the La-based artist Paul McCarthy.
What interests me about Psycho is how the film addresses one man's imaginary life – how Norman Bates keeps his mother alive in the world of his imagination. It's all about role-playing: he plays her and the character then takes him over. And he excuses his extreme actions, including murder, because they occur when he has slipped into a different psychological state. I do love Hitchcock's 1960 film, but Psycho Nacirema, the art installation I have made with the Scottish video artist Douglas Gordon, isn't supposed to be a homage.
The show is about using films and performances as the inspiration for new works. Last year, I did a collaborative show with a group of artists that included Douglas, the film-maker Harmony Korine and the La-based artist Paul McCarthy.
- 6/10/2013
- by Skye Sherwin
- The Guardian - Film News
Landmark and controversial Gay movies at Lacma On March 23, the Los Angeles County Museum of Art will be screening two film programs inspired by its current Robert Mapplethorpe exhibit: "America’s Most Wanted: The Queer Underground," featuring Jack Smith's Flaming Creatures, Jean Genet's Un Chant d'Amour, and Kenneth Anger's Scorpio Rising; and "Temptations: My Hustler and Mala Noche," featuring Andy Warhol's My Hustler and Gus Van Sant's Mala Noche. The screenings are free of charge. The 26-minute Un Chant d'Amour is Genet's sole film; considering its theme and stylistic approach, the film, as to be expected, faced censorship issues at the time of its first screening in the U.S. in 1966 (sixteen years after it was made). The Lacma release (see below more information on each film) describes Un Chant d'Amour (aka "A Song of Love") as "an iconic landmark of queer cinema for its lyrical,...
- 3/14/2013
- by Andre Soares
- Alt Film Guide
A tumultuous shoot, a volatile leading lady, and a veteran director collaborating with one of the most visible Twitter presences around; Kenneth Anger might just need to devote the entirety of “Hollywood Babylon IV” to Paul Schrader's “The Canyons” alone. But before that volume comes out, we've got the filmmaker's latest rebuttal against early criticisms of the film, as well as Steven Soderbergh hinting at what's in store when it's finally released. Wme sales agents are showing the Lindsey Lohan/James Deen drama to acquisition execs this week, but after a recent series of increasingly worrisome turns -- starting with Stephen Rodrick's engrossing Nyt piece and ending with the film's Sundance and SXSW rejections -- a hugely positive pitch will be needed to sway the requisite parties. However, Schrader tells IndieWire that his first step toward “cinema for the post-theatrical era" begins with “The...
- 2/5/2013
- by Charlie Schmidlin
- The Playlist
When I worked at my first journalism gig as associate editor at Film Comment Magazine back in the 80s, Elliott Stein was one of my favorite regular contributors. He was erudite about world cinema, an omnivorous global cinephile and historian who knew more about Asian cinema than anyone I knew. He was warm and witty and a delight to be with. He helped Kenneth Anger to write "Hollywood Babylon," programmed the "Cinemachat" series at BAMcinématek, and over the years wrote about film for many outlets including the Village Voice, where Criticwire's Matt Singer used to type his hand-delivered reviews. I am very sad to hear of his passing Wednesday at age 83. BAMcinématek's tribute to Stein is below: "Elliott Stein was a film critic, historian, programmer, and script writer -- a true cinematic multihyphenate. He wrote for The Village Voice, The New York Times, Rolling Stone, Sight and Sound, Film Comment,...
- 11/10/2012
- by Anne Thompson
- Thompson on Hollywood
Whenever movies get ranked and organized into lists (the five greatest screwball comedies! the 10 best films of 2007! the 100 greatest movies of all time!), those lists, almost by design, are meant to be fought with, argued over, and competed with. In the Internet era, you don’t even have to argue in a vacuum — you just concoct, and publish, your own list. The whole noisy debate that gets triggered by movie lists is a big part of why they’re fun, and maybe why they matter the little bit that they do. It’s also why they tend to evaporate from memory.
- 8/8/2012
- by Owen Gleiberman
- EW - Inside Movies
There are two stories I want to tell with this glorious 1922 poster: one is about the film itself—a forgotten silent melodrama—and the sad fates of its main protagonists, and the other is about the artist Henry Clive.
The Green Temptation, a film which I’m not even sure is extant (the silent film database silentera.com says “survival status: unknown”), starred Betty Compson as Genelle, a member of the Parisian underworld who, along with her partner Gaspard, runs a travelling theatre as a ruse to pickpocket their patrons and burgle their homes while they’re watching the show. When the First World War starts, Genelle joins the Red Cross as a nurse to evade the police and after the War emigrates to America to start a new life. But her attempt to turn over a new leaf is foiled by the reappearance of Gaspard who forces her to...
The Green Temptation, a film which I’m not even sure is extant (the silent film database silentera.com says “survival status: unknown”), starred Betty Compson as Genelle, a member of the Parisian underworld who, along with her partner Gaspard, runs a travelling theatre as a ruse to pickpocket their patrons and burgle their homes while they’re watching the show. When the First World War starts, Genelle joins the Red Cross as a nurse to evade the police and after the War emigrates to America to start a new life. But her attempt to turn over a new leaf is foiled by the reappearance of Gaspard who forces her to...
- 3/30/2012
- MUBI
From Rooney Mara's hair to the art deco set, Mario Testino's shot of '1920s pure beauty' shows the dream factory in full effect
Rooney Mara, star of the Us version of The Girl with the Dragon Tattoo, poses in this year's cover photograph for the annual Hollywood special of the magazine Vanity Fair with raven black hair sculpted to evoke the legendary silent- era film beauty Louise Brooks. Her 1920s look gives the ethereally nostalgic keynote to a clever formal gathering of 11 young women across a fold-out cover, shimmering in a bright white space especially built for the photographic shoot in imitation – explains an article within – of works by the art deco interior designer Syrie Maugham.
From Mara's hair to the statuesque pose of Adepero Oduye, star of the film Pariah, to the pink fur worn by British actress Lily Collins, the picture is a panorama of...
Rooney Mara, star of the Us version of The Girl with the Dragon Tattoo, poses in this year's cover photograph for the annual Hollywood special of the magazine Vanity Fair with raven black hair sculpted to evoke the legendary silent- era film beauty Louise Brooks. Her 1920s look gives the ethereally nostalgic keynote to a clever formal gathering of 11 young women across a fold-out cover, shimmering in a bright white space especially built for the photographic shoot in imitation – explains an article within – of works by the art deco interior designer Syrie Maugham.
From Mara's hair to the statuesque pose of Adepero Oduye, star of the film Pariah, to the pink fur worn by British actress Lily Collins, the picture is a panorama of...
- 2/3/2012
- by Jonathan Jones
- The Guardian - Film News
Trailer for The Films of Kenneth Anger, Vol 1,
released by Fantoma in 2007
Kenneth Wilbur Anglemyer was born on this day in 1927 and if you pay him a call at his official site, you'll find a biographical overview he's got to relish. In 2003, Maximilian Le Cain, writing for Senses of Cinema, cut straight to the chase in his opening paragraph: "Offering a description of himself for the program of a 1966 screening, Kenneth Anger stated his 'lifework' as being Magick and his 'magical weapon' the cinematograph. A follower of Aleister Crowley's teachings, Anger is a high level practitioner of occult magic who regards the projection of his films as ceremonies capable of invoking spiritual forces. Cinema, he claims, is an evil force. Its point is to exert control over people and events and his filmmaking is carried out with precisely that intention."
Then: "Whatever one's view of this belief may be,...
released by Fantoma in 2007
Kenneth Wilbur Anglemyer was born on this day in 1927 and if you pay him a call at his official site, you'll find a biographical overview he's got to relish. In 2003, Maximilian Le Cain, writing for Senses of Cinema, cut straight to the chase in his opening paragraph: "Offering a description of himself for the program of a 1966 screening, Kenneth Anger stated his 'lifework' as being Magick and his 'magical weapon' the cinematograph. A follower of Aleister Crowley's teachings, Anger is a high level practitioner of occult magic who regards the projection of his films as ceremonies capable of invoking spiritual forces. Cinema, he claims, is an evil force. Its point is to exert control over people and events and his filmmaking is carried out with precisely that intention."
Then: "Whatever one's view of this belief may be,...
- 2/2/2012
- MUBI
Most stars are just the front-of-house display for an industry that makes fortunes for many others
I asked my mum over the holidays where her big pile of sketches was, because I wanted my sons to see them. She said she'd thrown them away ages ago. I was stunned. I'd loved looking though them all when I was little. Portrait after portrait of actors, all beautifully copied from the movie magazines of the 1940s and 1950s, some of them oil paintings on greaseproof paper, a nimbus of ochre linseed around their edges, most of them pencil on sugar paper. There were a few of Deborah Kerr, whom my mother, as a young woman, had adored. She was my namesake.
My mother's classmate at school in Essex, Maureen Rippingale, had been particularly fascinated by my mother's ability to capture a likeness, even to ratchet up all that glamour and beauty just a tiny bit more.
I asked my mum over the holidays where her big pile of sketches was, because I wanted my sons to see them. She said she'd thrown them away ages ago. I was stunned. I'd loved looking though them all when I was little. Portrait after portrait of actors, all beautifully copied from the movie magazines of the 1940s and 1950s, some of them oil paintings on greaseproof paper, a nimbus of ochre linseed around their edges, most of them pencil on sugar paper. There were a few of Deborah Kerr, whom my mother, as a young woman, had adored. She was my namesake.
My mother's classmate at school in Essex, Maureen Rippingale, had been particularly fascinated by my mother's ability to capture a likeness, even to ratchet up all that glamour and beauty just a tiny bit more.
- 1/21/2012
- by Deborah Orr
- The Guardian - Film News
Considered one of the most popular stars from the silent-screen era, the Italian actor, Rudolph Valentino quickly became a sex symbol and early pop icon with his darkly handsome androgynous persona. Valentino is best known for his parts in The Sheik as Sheik Ahmed Ben Hassan, a role that would solidify his reputation as the “Latin Lover” and in The Four Horsemen of the Apocalypse, a part that would help define his career, his image and his legacy. The two roles would catapult his career into stardom.
The life of Rudolph Valentino is a classic story of rags to riches, and one of personal tragedy. He arrived in New York at age 18, an Italian immigrant who couldn’t speak a word of English. Valentino struggled through jobs like gardening and dishwashing before his good looks found him as a dancer in New York nightclubs, a gigolo for lonely women and finally an actor in Hollywood.
The life of Rudolph Valentino is a classic story of rags to riches, and one of personal tragedy. He arrived in New York at age 18, an Italian immigrant who couldn’t speak a word of English. Valentino struggled through jobs like gardening and dishwashing before his good looks found him as a dancer in New York nightclubs, a gigolo for lonely women and finally an actor in Hollywood.
- 11/21/2010
- by Staff
- SoundOnSight
Kenneth Anger's crazy, gorgeous, disturbing films almost landed him in jail. The avant-garde pioneer talks Simon Hattenstone through all his demons
The gallery is so tiny I think I've walked into somebody's front room. A 10-minute film plays on a loop. Weirded-out rock stars who look like Mick Jagger, or who are Mick Jagger, preen, strut and do their late-1960s satanic thing. White dots form a pyramid on a black background, naked boys lounge on a sofa, marines jump from a helicopter. There's a cat, a dog, an all-seeing Egyptian eye, people smoking dope out of a skull. A synthesiser makes an unbearable noise. There are no words, no story.
Around the screen, in London's Sprüth Magers gallery, a bunch of 21st-century trendies and stoners are watching this film, called Invocation of My Demon Brother, in awe, their ages ranging from late teens to late 80s. Next door,...
The gallery is so tiny I think I've walked into somebody's front room. A 10-minute film plays on a loop. Weirded-out rock stars who look like Mick Jagger, or who are Mick Jagger, preen, strut and do their late-1960s satanic thing. White dots form a pyramid on a black background, naked boys lounge on a sofa, marines jump from a helicopter. There's a cat, a dog, an all-seeing Egyptian eye, people smoking dope out of a skull. A synthesiser makes an unbearable noise. There are no words, no story.
Around the screen, in London's Sprüth Magers gallery, a bunch of 21st-century trendies and stoners are watching this film, called Invocation of My Demon Brother, in awe, their ages ranging from late teens to late 80s. Next door,...
- 3/10/2010
- by Simon Hattenstone
- The Guardian - Film News
Friedrich Wilhelm Murnau, to give him his full name, died in an automobile accident in California in 1931. The German-born émigré director was 42 years old. His death was luridly speculated upon by Kenneth Anger in his book Hollywood Babylon. Whatever the cause of his untimely end, there are few cinema artists who left behind such an iconic body of work, at such a relatively early age.
Working in Germany in the 1920s, Murnau helmed some of the greatest silent features ever made. His roll of honour includes: Nosferatu (1922), The Last Laugh (1924) and Faust (1926). Taking up an offer of work with American producer William Fox, he left behind Germany for good. It would provide a legacy entitled Sunrise: A Song of Two Humans (1927), and his death.
Murnau will forever be associated with a landmark aesthetic known as German Expressionism. His experimental, highly-stylised, poetic outlook proved highly influential. There is general debate as...
Working in Germany in the 1920s, Murnau helmed some of the greatest silent features ever made. His roll of honour includes: Nosferatu (1922), The Last Laugh (1924) and Faust (1926). Taking up an offer of work with American producer William Fox, he left behind Germany for good. It would provide a legacy entitled Sunrise: A Song of Two Humans (1927), and his death.
Murnau will forever be associated with a landmark aesthetic known as German Expressionism. His experimental, highly-stylised, poetic outlook proved highly influential. There is general debate as...
- 11/17/2009
- by Martyn Conterio
- FilmShaft.com
(Note: This story will be "stickied" at the top of our headlines for the day. Being able to host it is an honor beyond words.)
It was a Blood-Red-letter day for fandom as pros and fans alike gathered to bid a reluctant “Forry-well” to the late great genre-icon Forrest J. Ackerman! Hollywood’s historic Egyptian Theatre served as a temple for the filled-to-capacity ritual sponsored by the American Cinematheque, Profiles in History auction house and the Ackerman estate.
Guests began waiting on line at around 1:00Pm for the scheduled 3:00Pm reception. By 2:30 over 200 bodies had congregated at the doors of the theater. Inside, staff was scrambling. Pieces of Forry’s collection were being displayed (A first edition of Dracula signed by Bram Stoker and almost everyone who ever played the famous Vampire on screen, Bela Lugosi’s Dracula cape and Forry’s fave prop: the “Robotrix” from...
It was a Blood-Red-letter day for fandom as pros and fans alike gathered to bid a reluctant “Forry-well” to the late great genre-icon Forrest J. Ackerman! Hollywood’s historic Egyptian Theatre served as a temple for the filled-to-capacity ritual sponsored by the American Cinematheque, Profiles in History auction house and the Ackerman estate.
Guests began waiting on line at around 1:00Pm for the scheduled 3:00Pm reception. By 2:30 over 200 bodies had congregated at the doors of the theater. Inside, staff was scrambling. Pieces of Forry’s collection were being displayed (A first edition of Dracula signed by Bram Stoker and almost everyone who ever played the famous Vampire on screen, Bela Lugosi’s Dracula cape and Forry’s fave prop: the “Robotrix” from...
- 3/16/2009
- by Uncle Creepy
- DreadCentral.com
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