User Reviews

It has been a long time since I have seen a movie with as much integrity and honesty. As the writer so aptly states in the opening of the movie: this is a movie for romantics not critics.

When I hear someone trash a film or is angry about something the first question I ask is "what are they afraid of?". It IS easy to be cavalier and self serving. It is much more difficult to truly speak from the heart.

The characters are real...the performances excellent. The script is brilliant. There are so many gems...words of wisdom that it is hard to remember them all.

What I like most about this movie is that it is completely unapologetic. It takes courage to let it all hang out.

Perhaps if our culture was more in tune with nature and less about cynicism and ego we would all be better off.

I would highly recommend this movie to everyone.

These days we have movies that hurl us into outer space, throw us into life threatening situations laden with violence and hysteria, or filled with so many amazing special effects that one cannot tell what is real and what is not. George Gallo's newest film, LOCAL COLOR offers none of the above. Not that I don't love the Wachowski Brothers or enjoy peaking into the twisted, creative mind of Quentin Tarantino. I do. But for countless reasons having to do with the state of the world today, I think that most of us long for this kind of "entertainment". The kind that serves to connect us to our humanity and give us hope. I love this movie. The acting is stellar, the story is compelling and inspiring. The cinematography is nothing short of spectacular. I was able to see the world through a true artists eye. It made me understand the level of passion and tenaciousness it takes to reach that level. Some might say that the film is too sentimental, others might say it is self-indulgent or egocentric, but I disagree. I feel that the tale was told with hat in hand that it will serve to inspire anyone who is open to the message it delivers. It is a movie about achievement attained by following one's passion, not by selling ones soul.

If you like patriotic movies, in which it is said that you must be thankful for living in the USA, because the rest of the world is really awful, if you like stereotypes, if you think that the Germans are always the bad guys and Russians have vodka for breakfast, if you think that contemporary art is crap and only realistic painting is real art and if you like artificial dialogs that are never spoken in real life, then this film is for you.

And I am saying all this even though I normally actually like movies that people classify as "art movies", like many European films use to be!

My humble opinion: Boring.

I attended the World Premiere of Local Color Saturday night at the Tribeca Film Festival, and I was filled with a sense of peace and warmth as I left the theater. This really is a "feel good" film.

Nicoli Seroff is an aging, jaded former Russian painter. His would-be protégé is John Talia Jr., a young artist with the headlong enthusiasm of youth. Writer/director George Gallo's tale is is nothing short of a beautiful work of art, much like those which populate the film.

Ray Liotta: As John Sr., the always dependable Liotta shines in this role as the macho "man's man" to his son's budding art ambitions. The interactions between the two are painful if not comical. Even today (the film is set in 1974) how many fathers would lovingly encourage their teenage sons to be painters? Not unless the walls need to be redone, of course. But in a role that could have easily been stereotypical, Liotta adds nuance and texture to his performance with which a less experienced actor would have struggled.

Samantha Mathis: Perhaps Seroff's final muse as he heads into his last days, Mathis' Carla is full of life yet strains under the weight of pain only she understands. Now Talia enters their lives – who will best soothe her in her quiet anguish, or more appropriately, which artist will most find comfort in her presence? Will she be the fulcrum who balances Nicoli and John? Or will she tear them apart? Mathis takes on this enigmatic role with steady, understated strength and is simply angelic.

Ron Perlman: This veteran character actor may be one of our most underrated performers of the last 25 years. That he was chosen for the role of Curtis Sunday is a stroke of casting brilliance. Sometimes Seroff's lone supporter, sometimes his fiercest nemesis, Sunday provides the film's comic relief as a self-professed modernist who claims to be at the cutting edge of art while thumbing his stuck up nose at tradition. Effete and obnoxious, Perlman's Sunday manages to elicit some empathy in the face of the stubborn, equally opinionated Seroff. I cried with laughter at what may be one of the finest scenes in any film this year. You'll know it when you see it. Perlman is superb.

Armin Mueller-Stahl: I'm not one for hyperbole, but I truly believe Mueller-Stahl would be astounding in any role he chooses. In this case, as mentor to the young Talia, he is truly being himself – a legendary artist who has been there, done that. In this case, though, he is the reluctant teacher to Trevor Morgan's John. His is the face of wisdom drawn from a lifetime of determination, success, and failure. His is the mind of one who simply wants to live out his last days in a bottle of vodka. And it is left to John Talia to break that bottle, or at least to see Seroff through the glass, and vice-versa. Such is the stuff of great film, and here the brilliant direction of George Gallo is evident – he doesn't "direct" as much as he lets go. Mueller-Stahl inhabits this character like hand in glove, at times heartbreaking, at others raucous with laughter, his Seroff is the teacher we all dream of – or is he? Will John be up to the task of coaxing the long dormant talents of the Russian painter to wake up just long enough to inspire the young man to pursue his dreams? Mueller-Stahl is a delight, and deserves great notice for his performance as Nicoli Seroff.

Trevor Morgan: The impact of this film rests largely on the shoulders of Morgan's performance as the young John Talia Jr., whose story is based on the writer's own experiences as a young struggling artist in an art world that is quite unfriendly to contrarians. To play the protagonist in a film which is set in a world somewhat foreign to most is daunting in itself. Morgan not only succeeds but wins the hearts of the audience from the moment he appears on screen. The camera loves him, and in a role that requires as much to be said in a look or a gesture as words on a page, Morgan is an inspired choice. His are the eyes of youth, of sadness and hope, of loneliness and desire, and this is the stuff of which great performances are made. We believe Morgan is John, but more importantly, John is everyboy. This isn't just a tale of a youth yearning for acceptance in an art world in which his chosen genre is passé. After all, what teen hasn't sought approval, somewhere, sometime, in any setting? We all identify with John because we all were John. Who will listen to me? Will my dad support my hopes and desires? Will I find anyone to help me achieve my goals and dreams? This is classic material, and Morgan's performance is gut wrenching and joyful all at once. I was on the verge of tears for so long that when they finally did flow it was cathartic. That Morgan is still a teenager himself on whose performance this film succeeds or fails bodes well for this young man's career. He is frighteningly endearing, and one is left with a sense of wonder at what he has accomplished here. Expect great things from Trevor Morgan.

Visually and aurally stunning, the sweeping landscapes of the Pennsylvania woodlands (portrayed excellently by Louisiana) are photographed in loving detail by Michael Negrin, and the score by Chris Boardman is simply breathtaking. This is one soundtrack you'll want to own. The music tugs at your heart without being heavy-handed, which might have been the case in lesser talented hands.

Local Color is a masterful work of art, much like the subject of its story, and the artist George Gallo deserves nothing less than the boundless appreciation of the theater-going public. I certainly give him that.

The most important thing to know about this movie is it is unusually boring. I kept waiting for it to end. The curtain came down, the music soared, then it took off again, over and over and over, like some spoof of a Beethoven symphony endlessly ending.

It mocks art and art critics with straw men situations, that might have been concocted by Archie Bunker. For example, Ron Perlman plays an obnoxious screaming queen art critic who mistakes the paintings of retarded children for high art. An artist displays an empty frame and slings BS about the deep inner meaning of its flatness.

The plot: A young man with a rabidly homophobic father invades the home of a reclusive alcoholic artist demanding to be taught to paint. The artist lets him in, but just leaves him to paint. They snipe at each other, for what feels like weeks even though the movie fits on one DVD.

The dialogue is nausea-inducing e.g. "clouds are where angels hide", "follow your dream".

I worked in post on Local Color. I took the job at a greatly reduced fee. I must have cried 10 times watching the rough cut with no music. Afterwards, I felt like telling the producers I would work for free on this one, but, alas, I couldn't afford to do so. This is one of the most moving films I have every seen. Tears of joy come to me every time I even think about or tell some one of this film (and as I write). I am a musician and artist. The ideas of this film resonate so deeply within me that I felt that I could have written it myself. I was told that Armin, after much urging, came out of retirement to do this. Having read the script he said "This is what I've always wanted to say". As for those who posted so negatively on this film, remember, right at the beginning of the film - "You are warned, this is not a story for cynics". Yes, it is sentimental, but the film defends that too. Sentiment and art are what make us human.

A must see film for people who love good true stories about following ones passions, Too bad that big studios are only about big $ and think that the public does not want to see good movies that don't have the shoot um up, kill, action. I believe people do want to watch movies that inspire people to follow their dreams. As a film maker myself I thank George and his Wife for not giving up. If you are lucky enough to have this film come to your town go see it and tell your friends to see it. Note The big studios said that no one wanted to see My Big Fat Greek Wedding, who was wrong about that. Not the public.

Hang in there George.

This movie was a major disappointment on direction, intellectual niveau, plot and in the way it dealt with its subject, painting. It is a slow moving film set like an episode of Wonder Years, with appalling lack of depth though. It also fails to deliver its message in a convincing manner.

The approach to the subject of painting is very elite, limited to vague and subjective terms as "beauty". According to the makers of this movie, 'beauty' can be only experienced in Bob-Ross-style kitschy landscape paintings. Good art according to this film can be achieved by applying basic (like, primary school level) color theory and lots of sentiment. In parts the movie is offending, e.g. at a point it is stated (rather, celebrated by dancing on tables) that mentally handicapped people are not capable of having emotions or expressing them through painting, their works by definition being worthless 'bullshit' (quote).

I do not understand how the movie could get such high rating, then again, so far not many people rated it, and they chose for only very high or very low grades.

Best film of the year in my opinion. I hope it gets wide distribution since it is being offered by a small independent producer with excellent credentials, George Gallo. Mr Gallo previously wrote "Wise Guys", "Midnight Run" and his best previous effort "29th Street". This is his best yet. Local Color is a sensitive film with outstanding art, color, and photography. Actor Armin Mueller-Stahl is especially good in his role. The premise of the film is that a young artist wants an "old master" to give him lessons and the old man is not a "touchy-feely" kind of teacher. Plot turns are unexpected and the ending is especially well done (many other options could have been used).

Sorry, could not get into this film as it was poorly told, and in its selection of the lead actor who portrayed the actual young artist. The kid in the lead was so not an artist type and showed it though very amateurish "acting" and "typical modern dude" body language. In addition, too many of the film's production values in the 20 minutes I watched were poorly and cheaply done..... The old artist's rickety front door in one closeup shot was obviously a prop as it's frame shook violently whenever the door closed.... The purposefully filthy car windows when the rest of the kid's car was clean..... The kid's odd gift to the old artist of a bottle of vodka when it was obvious he was not old enough to buy it..... The look and body language of a typical high school teenager of today was so incongruous with the true behavior and look of the type of boy in the early 70s who hungered and worked with all his soul to be a true and honest artist more than anything else in life. Details are crucial to an artist, but this filmmaker didn't care enough to honor that need for gravitas in his film. Plus out-of-place profanity, cliché characters and dialogue.......on and on. Not for me. This was not the well crafted film I expected about a dedicated young artist's search for soul-satisfying self expression. It was ordinary, unskilled and uninteresting.

Cannot agree with the superlatives given by some of the other reviewers, as it seems to me they saw a different movie that the one I briefly watched. If a story of something I know a lot about cannot grab my attention and credibility in 20 or so minutes, no thanks.

Most of the time when I see a film, I instantly forget about it the minute I walk out the theater door. This movie is different. It's been three weeks now since I've seen "Local Color" and I can't stop thinking about it. There are scenes so poignant that I can still hear the dialogue echoing in my head. There's a scene in particular early on in the film when the old painter looks up to the sky and asks his young protégé, "What color are the clouds? You think that they're white, but look again". Since seeing this film, I too find myself looking around me, analyzing the color and beautiful nuances of life. This film has honestly changed the way I look at things.

Furthermore, this film is very funny. The humor is very human and it takes you by surprise. I laughed out loud a lot. I love this film.

I have now seen this movie 5 times and I will bet that I will see it five more. This movie for me was a validation of a life time of conviction about the state of modern art and how it has consistently suppressed the simple idea that nature and beauty still do matter.

I have gone to art school and I have seen how modern art schools can be so destructive in the nurturing of classically minded artists. And at the end of the day we wonder where the hell is art going.

For me this movie rekindled my love and passion for painting and ultimately reminded me of all those wonderful teachers who selflessly gave and encouraged me not to stop my journey. There is so much in John Talia's character that I related to, and I am sure a great deal more to Armin's.

Every frame in the movie for me looked like it was composed by an artist, only later to find out that it was. Anyone who admires the art of the great American Pennsylvania and dutch movement, will take away so much from this movie. You can see the influence of Andrew Wyeth and the Brandywine school on the director.

George Gallo is as masterful a story teller as he is an artist. His attention to composition of every frame and his sincere dialogue and very real character development, make this a guy to watch. I can't wait until his next picture.

I was very moved by the entire experience.

This movie gets five stars and 2 thumbs up from me.

I'm watching this now and I'm growing more impatient by the minute. Usually I like silence in movies but the pauses here within the dialog scream too loudly. Trevor Morgan's wretched performance doesn't help. Ray Liotta is saddled with an Archie Bunker stereotype that wears thin after his first scene. The actors have to constantly fight the inert direction. Not even Mueller-Stahl's solid work here can't save the film from grinding to a slow death. You can always predict the next scene. That's how clichéd it is (Karate Kid anyone). The stationary camera work is unimaginative and does nothing to evoke its subject matter.

Saying all that, this movie delivers to the layman when it comes to lessons in art. The observations on art are basic but astute. There are some decent rules of thumb for anybody to take to a museum or simply when looking at the world. The complexity of shapes and colors in everyday life are explored here in the guise of painting. Ruining all this is a closed-mindedness towards abstract art that doesn't make sense. Painting abstract artists and those who appreciate it as morons and dilettantes contradicts the film's basic message of life as art.

Better pacing, and better acting from the young actor, could have gone a long way to make this film work. For a film about colors and shapes, there is very little here to inspire or at which to marvel. Watch it only for Mueller-Stahl's performance and some minor lessons in how to look at the world.

I saw a rough cut of this film a while back and was deeply moved by its simple beauty and meditative pace.

The performances have so much depth and take the diverse characters to a level that must have moved even the writer/director and producers.

It is also surprisingly funny, well not surprisingly, but when you read terms like "deeply moved" or "meditatve pace" you might *surprisingly* find yourself laughing out loud...a lot...

This is a feel good movie without being forced to feel good...it is an unfolding story with the heart and soul of the writer/director, producers, crew and cast made available to us, the audience, to take, relate and in our own way, give back...

Once in a while a film comes along that gives you hope in humanity and in the ability of the film industry to really say something meaningful. George Gallo (Director/Writer) uses the voice of an experienced older man, who is a master artist, to express his feelings to a young artist about his views of life and art, which equals the wisdom of an experienced sage. With lines like, "True art is beautiful," "True art really says something," and "An atheist can't paint true beauty," the movie is filled with profound wisdom. Although Seroff obviously believes in God, he is anything but self-righteous. He drinks vodka and uses profanity to prove a point. Much of his wisdom comes from the loss he has suffered, both from people he loved and the opinions of critics who know nothing truly about life or great art. The young artist, John, is a special soul who knows what he wants to be and is an older soul than his father, who tries to stifle his son's sensitivity and creative genius. Every aspiring painter or musician or artist of any kind needs to see this film.

I just saw this incredible movie at the Sedona Film Festival and met the director, writer and artist, George Gallo, on whose own youth this true story is based. I could not be more enthusiastic in my recommendations for this film, AND it could use support, as he and his wife mortgaged their house to make it. So please see it and if you like it, tell your friends.

As an artist myself, I can well relate to the "death of art" described by the elder mentor in the film, who is discouraged by modern art and its snobbish disregard for the classical artists who passionately seek to capture and share a moment of divine beauty. Even more so, it is a powerful and sensitive human story of the power of love to redeem the tragedies of the past.

Other reviewers have described the plot better than I. My intent is to alert all artists of any media, and those who care about beauty and love to go see and support this film. Gallo said it was very difficult to get it distributed because it lacks sex, violence and destruction, as though that were all we moviegoers want to see. What a parallel to the theme of the movie itself, in which the elder artist laments that too much art is no longer about inspiring us or sharing beauty, but to express the ugliness and violence of the world.

"Local Color" is a wonderful gem of a film with powerful themes, complex characters who struggle with their fears and shortcomings, and a story that anyone who has ever felt intimidated by their dreams while at the same time wanting so badly for them to come true can relate to. The film draws you in gently, makes you laugh, makes you feel the longing and frustration of the characters, and takes you along a beautifully realized and genuinely heartfelt journey of self-discovery. The lead character is faced with many difficult challenges as he struggles to become a respected painter, but as the film progresses he finds his voice and the ability to confidently express his feelings on canvas. He is awkward at first, and wholly relatable in his fumblings, but by the time he finds the courage to paint with conviction, the audience soars with him. A wonderful film!

Local Color is a film to make you feel good about going to the movies. It's designed to make you think and appreciate the moments and people that touch you in your life. It is uplifting and heart-warming and in these times, I believe audiences want a story of hope, regardless of what the major studios seem to think.

It's a movie about passion, commitment and following your dreams. John is an eighteen-year old on the cusp of manhood, seeking out his purpose in life and hoping he has the talent to reach his dreams. The movie seems to be about painting, but that is simply the canvas to examine life. It's really about seeking out the beauty in life and expressing it, through art and the relationships we form.

Trevor Morgan has a long list of credits, but aside from his childhood role in The Sixth Sense, I was not familiar with his work. I will now be on the lookout for future roles. Perfectly cast, he radiates a subtle empathy and is very engaging and believable as a young man trying to find his way. He has very expressive eyes that seem to soak up all the words of wisdom his mentor imparts.

Armin Mueller-Stahl is brilliant as the disillusioned master painter. Nicoli is a bitter, old drunk, ravaged by the cruelty of the world, yet he has a basic decency that defies his angry words. He rediscovers his passion for the beauty of nature as expressed in art, while expressing his outrage at the sad state of the modern art community.

The changing structure of the art world stands as a metaphor for the changes of society as a whole. Negativity and immediacy seem to have replaced hope and patience. True talent is ignored in favor of the latest fancy.

The entire cast is excellent with standouts Ray Liotta, memorable as the gruff father, and Ron Perlman, comically cast as an over-the-top art dealer who spars memorably with Nicoli. Samantha Mathis, Charles Durning and Diana Scarwid also have nice roles and it's always inspiring to know actors will take on roles simply for the love of the character and the relevance of the movie. Mueller-Stahl was drawn out of retirement simply because of the power of his character and the beauty of the script.

There is a voice-over narrative during parts of the film and for me that is always risky. It takes a deft touch to make the dialogue relevant without being pretentious, but it works beautifully for this film. Mr. Gallo does his own narration and that seems entirely fitting since he is now the middle-aged man whose youthful story is being told. It gives the film a reality and depth, continuing John's journey well beyond the scope of the movie.

This is a movie made out of love and passion, from the director mortgaging his home to the many well-known actors who worked for nothing to get it made. This is a movie that had me thinking Oscar; the quality is that great, especially Mueller-Stahl, except it holds none of the self-serving pretentiousness of some personal stories.

Local Color makes you feel… I laughed unexpectedly many times during the movie, my heart soared other times, and tears filled my eyes on one memorable occasion, but most importantly it makes you think and reconsider your life and your dreams. If you are young it should help you find the focus to strive for what mark you want to leave on the world and if you are older it is a chance to reflect back on what your gifts have been and how you've used them. It offers hope for a better world if we would simply focus on the positive and the beauty surrounding us and go forward from this point trying to do our best and leave that mark because as Nicoli says, "Life is short."

I was fortunate to view the movie at a limited engagement in Phoenix and Mr. Gallo was there for a Q & A after. It is always fascinating to listen to the creative process of how a film is made and George was personable and insightful. As a novice writer it was comforting to know his perspective on writing follows along with how I write, mainly that the characters drive the story. As a writer you have a thought you want to present, you should know where you want to end up, but HOW you get there should be driven by the characters' thought processes.

Too many movies force characters to follow through with stupid actions to propel the plot along some preconceived trajectory. A great writer like Mr. Gallo puts his characters in an interesting situation and then follows them as they find their way to the end point. I do believe that is why his scripts are so true and real and don't feel phony or forced.

As the writer of Midnight Run, he has proved his worth as a storyteller. With the beauty and depth of Local Color he proves his vision as a filmmaker. The movie is filmed like a great masterpiece with each shot ready to freeze frame and mount on your wall as a fine art painting. Combining the visual beauty of the photography with the eloquence of his words demonstrates what great film-making is all about.

Local Color is a beautiful movie you will enjoy and be thankful for. It will open your eyes to the possibilities of life and what you can accomplish. It will reinforce the importance of mentoring and if you've ever been the recipient of someone's guidance it will offer you a moment to look back and remember the impact one person can make in another's life. Local Color is entertaining and heartwarming and will inspire you to make that connection and make the world better. What more can we ask of the movies?

I wanted so much to enjoy this movie. It moved very slowly and was just boring. If it had been on TV, it would have lasted 15 to 20 minutes, maybe. What happened to the story? A great cast and photographer were working on a faulty foundation. If this is loosely based on the life of the director, why didn't he get someone to see that the writing itself was "loose". Then he directed it at a snail's pace which may have been the source of a few people nodding off during the movie. The music soars, but for a different film, not this one....for soap opera saga possibly. There were times when the dialogue was not understandable when Armin Meuller Stahl was speaking. I was not alone, because I heard a few rumblings about who said what to whom. Why can't Hollywood make better movies? This one had the nugget of a great story, but was just poorly executed.

John Talia, Jr. knows what he wants to do with his life. He also knows to really improve his talent he needs a mentor.

Wisely he chooses the great Russian master, Nicoli Seroff.

Big problem though, Nicoli has withdrawn from the world and wants to be left alone with his bottle of vodka.

Angry, obnoxious and disappointed, Nicoli scares most people away. John perseveres and learns the best and the worst about what life has to offer.

No Transformer-Robots here yet these two characters are transformed as they journey down a rocky road of friendship.

At the end of the journey they are both ready to face with maturity the next portion of their lives.

Do Not Miss This Movie!